@NYTimesRD just published an article on our process for #worldcup2022qatar immersive articles -- using ICON to generate 3D captures which are then stylized and edited in the web, with an internal platform based off of @theatre_js and @threejs. Check out the piece below :
We used machine learning to quickly recreate key moments from the World Cup in 3D using just a single photograph. Read about our process: https://t.co/aYaMCQ0phJ
What happens when AI, gaussian splatting, and analog sets collide?
I shot, directed, edited & animated a music video exploring grief in liminal spaces between physical + digital
AI can be used to expand textures, narratives & experiences into new visual & emotional territory🫦
How can code change the meaning of video? What does it mean to find, gather and recompose online video with code in the current moment? Some things learned and made in our new Infinite Video class led by @sam_lavigne w/ @theilonabrand@jwyg
✄ https://t.co/TS68KGEqnL
Late to sharing these live performance visuals I made for @iamluckydaye's new song Hericane, inspired by sfumato oil painting techniques but executed entirely via digital layering 🤍
Had the privilege of speaking to @rtve and their internal lab @lab_rtvees on the future of visual journalism and the work our team did on wearable devices at @NYTimesRD :-)
Hace unos meses, Apple anunciaba sus nuevas gafas de realidad aumentada.
Y aunque todavía quedan muchos años para que se puedan comprar en todo el mundo, nos preguntamos…
¿Deberíamos empezar a crear contenido para AR? 👀