The exhibition revels in the coexistence of idealism and dystopianism, utilising modern Hollywood architecture as a scene to place artworks as protagonists to stimulate discourse on the supposed fork in the accelerating conical helix of time.
Set in 2024, when society in the US has grown unstable due to climate change, growing wealth inequality, and corporate greed, Fluid Karma takes the form of an exhibition simulating Richard Kelly’s 2006 film Southland Tales: https://t.co/GLQgLRlPis
In the film, Fluid Karma is both a perpetual energy generator and a drug. Both are created by the German company Treer utilising a compound that encircles the planet like a serpent beneath the Earth’s mantle – discovered off the coast of Israel.
Lol I think it's funny the rooms on clubhouse arguing about if NFTs are art or not just like the early https://t.co/DXRXAJNvy8 and post-internet conversations a la https://t.co/vsrmvYNlhR
I love @maiueda knew the value of https://t.co/N2sj6uUjYn so hasn't sold it yet... "one of many websites purchased in the early 2000’s linked to the neen movement. Geography is togethernesses worst enemy. We are alone together online." - @composingrooms
https://t.co/W1hlQge7cE