ese de ahi

[ese de ahi @dancepool0]

@soccertorey El señor Ibra

[Meitar @Schmendrick09]

אין כדורסל מגעיל מזה.
האיש שהרס את המשחק.

[Noodlesito 🧑🏾‍💻 @Noodlesito]

Si no es el mejor video que vi en Youtube le pega en el palo.

https://t.co/mfPK0MkQ8N
¿Por qué Messi dejó de correr a los 24?

[Deefada13 @Haqani_Rsa]

Limpopo Boy lost on a final but south Africa we're represented 🙌👌🔥🔥🔥🔥🔥🔥🔥🔥

[Tennis Performances @TENPerformances]

Carlos Alcaraz - Drop Shots against tennis legends.

The art of the drop shot, mastered by Alcaraz.

[GameView @gameviiew]

Built different. Destined to dominate.

Credit: Filosógamer (FB)

[Gonzalo Ferreyra @gonzaloferreyr]

Este video es de 2022 y recopila los 10 mejores puntos de Carlos Alcaraz, que solo tenía 19 años y ya hacía estas cosas.

Impresionante.

[Golden Tunes ✨ @Hoint1967]

Judge Tells Pizza Hut Worker She Belongs On The Stage In America's Got Talent Audition 2023👍👍❤️👌👌

[Golden Tunes ✨ @Hoint1967]

💫🎤The viral America's Got Talent (AGT) 2024 video features Richard Goodall, a 55-year-old middle-school custodian from Terre Haute, Indiana, who blew everyone away with a booming, pitch-perfect cover of Journey's rock anthem "Don't Stop Believin'."

[Classic Moments ✨ @Sunflower15025]

The next Freddie Mercury?
A bold performance that brings Queen’s legendary spirit to the Britain’s Got Talent stage!

[Frostfang @iamdroid_02]

There’s a printer for rice??

[El Club del Arte 🎨📷📚🖼🕍🎼 @Arteymas_]

El arte detrás de la versión de The Animals de "The House of the Rising Sun" (1964) es uno de los hitos más fascinantes de la historia de la música.

Lo que hicieron no fue simplemente grabar una canción, sino transformar un lamento folclórico antiguo en la primera obra maestra del folk-rock moderno.

Su genialidad artística radicó en tomar una melodía acústica del siglo XIX y vestirla de una oscuridad eléctrica, densa y teatral que cambió el rumbo de la música popular.

La canción abre con un hipnótico arpegio en la menor tocado por una guitarra eléctrica Gretsch.

Esta figura melódica, circular y melancólica, establece inmediatamente una atmósfera de fatalidad.

Es uno de los inicios de guitarra más reconocibles del mundo y se convirtió en la lección obligatoria para millones de jóvenes que aprendían a tocar el instrumento.

Originalmente, la banda quería usar un solo de guitarra en el puente, pero el espacio era tan reducido en la furgoneta de la gira que solo cabía el órgano de Price.

Esa limitación técnica creó magia pura. El solo de órgano, inspirado en el jazz y el gospel, ruge en una progresión dramática que eleva la canción a una intensidad casi religiosa y fantasmal.

Burdon, que tenía solo 23 años, cantó con la madurez y el dolor de un viejo bluesman. Su interpretación es un aullido de desesperación, rabia y resignación que hiela la sangre.

El productor Mickie Most grabó la canción en una sola toma en un pequeño estudio de Londres; la crudeza de esa interpretación es lo que le da su cualidad eterna.

[シェフヒロ @sushichef_hiro]

どれを食べてみたい？🍣😋

アワビ
ヤガラ
ウツボ
大トロ
マグロカツ
車海老
ナマコ

選べるのはひとつだけ！
あなたならどれ？🤔

#sushi #seafood #japanesefood #chefhiro #寿司

[Team Leo Messi @TeamLeoM]

La asistencia que hace en el minuto 0:38 es la mejor de la historia y no acepto discusiones.

[Ishowspeed🇷🇼 @Ishowspeedrwa]

This is incredible

[Harry Mack @harrymack]

Hey, WTF???

[Michael J™ @Arthurknight]

@meruii1i

[Maguy-Ta🔥 @maguyar83]

Ni la CIENCIA puede definir a Lionel Messi.

🥹🇦🇷❤️

[Chino @ChinoUTD]

🚨 Pep Guardiola on Lionel Messi saying his legs could no longer give him more:

“The problem with Lionel Messi getting older is that he has declined into still being the best player on the pitch.

So people don’t believe him.

I watched his farewell game.

One goal. Two assists. At 39 years old.

Afterwards somebody showed me the clip where Leo ran chasing a ball and people were saying, ‘This is the same man who says his legs cannot give him anymore?’

I said, ‘Yes. That is exactly what he means.’

Because you are comparing Messi with the other players on the pitch.

Leo is comparing Messi with Messi.

Those are two completely different standards.

I remember once at Barcelona, after training, one of my staff said to me, ‘Pep, he was unbelievable today.’

I asked, ‘Who?’

He looked at me like I was stupid.

‘Leo.’

I said, ‘No. Today was normal.’

He laughed.

I wasn’t joking.

That was one of the strangest things about coaching Messi. Something would happen in training that would stop everybody else, and after a while we stopped reacting.

Three players around him?

Normal.

Four?

Normal.

He receives the ball, turns and suddenly everybody is running towards their own goal?

Normal.

One day I remember telling Xavi, ‘We have a problem.’

He asked, ‘What?’

‘He is making us think these things are normal.’

Xavi smiled.

‘Then wait until he leaves.’

That sentence stayed with me.

Because I think a generation is experiencing the same problem now, just backwards.

They are meeting Lionel Messi at the end and thinking this is Lionel Messi.

They watch him at 39, see him create two goals and score another and say, ‘What legs has he lost?’

My friend, you arrived at the cinema during the final ten minutes.

You have no idea what happened before you sat down.

Imagine a boy watching this game with his father.

He asks, ‘Dad, I don’t understand. Messi is still the best player. Why is he retiring?’

His father should not show him another match from 2026.

Show him 2011.

Show him 2012.

Show him 2015.

Then tell the boy, ‘The man you are watching now used to do all of this with legs that could do whatever his brain requested.’

That is the difference.

Today Leo sees the pass before you.

Back then he saw the pass before you, played it, then arrived somewhere else before you understood what had happened.

Today he can still beat you with his mind.

At his peak, unfortunately, the mind had the body with it.

That was unfair.

I remember defenders looking towards our bench sometimes after Leo did something as though I could help them.

What did they want me to do?

Substitute him?

I was trying to win too.

And this is why I believe Leo when he says his legs cannot give him what they once did.

Of course they cannot.

He knows because he remembers what they used to give him.

We see a 39-year-old man and think, ‘Still magnificent.’

He feels something different.

A ball rolls towards the touchline and his mind says, ‘Go.’

For twenty years, his legs answered immediately.

Now sometimes they say, ‘No, Leo. Not this one.’

For us, that is one lost ball.

For him, maybe that is thirty years of football speaking to him.

That must be a very strange conversation for a genius to have with his own body.

But perhaps that is also the perfect explanation of Lionel Messi.

Even now, with the legs he says can no longer give him everything, he can play his farewell game, score once, create two more and leave people asking:

‘If this is Messi declining, what exactly was Messi at his best?’

I can answer that.

We spent four years at Barcelona trying to find the correct word.

We never did.”

[Alberto @AlberttFCB]

La diferencia siempre ha sido evidente