Dastavezi is an international peer-reviewed, #openaccess e-journal, repositioning audio-visual as a central mode of knowing and thinking about South Asia.
Calling all photographers, filmmakers and academics working on #SouthAsia! #Dastavezi is looking for your submissions to [email protected] connecting academic texts and audio-visual material in creative ways. Guidelines here: https://t.co/HMjdjQWTvb
Incredibly proud to announce the publication of Dastavezi's 5th edition: https://t.co/38QBkNHavi
Thank you to our contributors,
Fritzi-Marie Titzmann
Fahad Naveed
Justus Weiss
Pramiti Negi
Hanna Werner
Arshi Javaid
Elizaveta Ilves
for their amazing essays, photos, and films!
X asks: "Do you remember when you joined X? I do!"
2 years on X
5 years in exsitence
22 articles
13 films
4 photo essays
1 audio essay
4 theoretical essays
all on Audio-Visual South Asia
NEW ISSUE COMING SOON
all open access find here:
https://t.co/Uia0FdZt91
Submit your work for the fifth edition of Dastavezi.
We welcome films, essays, and photo/audio essays on South Asia-related topics. Deadline: March 15, 2023
https://t.co/IQxItDTivg
"In the context of political violence, in the context of the abuse of state power, in the context of so much silent suffering, there is dignity in being able to tell your story."
Watch Lanka — The Other Side of War and Peace by Iffat Fatima, here: https://t.co/gSVlOOfNCh
*Call for Submission*
#Dastavezi is looking for your entries on audio-visual South Asia. Confirm now and submit until March 15, 2023 at [email protected] Guidelines: https://t.co/icvCpwjC3Q
In her photoessay, @vindib_ explores the photo studio as a site of the collective production of desire, reflecting on the enduring entanglements of war and everyday image-making practices in postwar Sri Lanka.
Find the photo essay here: https://t.co/RhXY83xesd
In her photo essay @malli_ruth argues that the camera, as an allegedly neutral tool in the hands of the subaltern, cannot neutralize the neocolonial frames informing the very foundation of many allegedly participatory projects.
Read here:
https://t.co/NESHGxzeBK
"Much in the film is quirky, precocious, and at times judgmental; it provokes the occasional facepalm or outburst of giggles. (...) Yet, it also identifies and foreshadows many developments that only came to show their significance in later years."
https://t.co/jmnRX83yws
Thirty years after shooting Darshan, their student documentary on cinema and media change in India, @britta_ohm@andreahorakh and Rita Panesar's film comes back to life as Dastavezi’s newest from the archives, digitalized and subtitled.
Read/watch here:
https://t.co/jmnRX846m0
Dastavezi is excited to feature an audio clip for the first time ever!
@tribalgulabo produces sonic intensities through a symbiosis of rhythms, lyrical elements, and bodily practices affecting both performer and audience.
Listen & read further at: https://t.co/8oSFQ7iygl
Please also read, follow and support the great work by @dastavezi , an open access audio-visual journal combining film/media practices that contribute to local knowledge/research on South Asia!
Thrilled to share that my multi-media essay reflecting my Hindustani vocal training using specific embodied practices under hereditary Sufi music practitioners is finally published!