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[RadioGenoa @RadioGenoa]

Soon to London and Paris restaurants, too.

[Ankit Jain @indiantweeter]

This ends most future property disputes in delhi, what a visionary CM we have got in delhi. Amazing.

[Swati Chaturvedi @bainjal]

Intelligence sources say that Lawrence Bishnoi calls himself a “brahmchari” in jail so he doesn’t eat any food, he just eats foreign fruits & dry fruits and keeps exercising. Bishnoi also had a Punjabi gym trainer who has been convicted in a drug case. This is what a VIP prisoner gets. What happens if the USA asks for his extradition?

[The Analyzer (News Updates🗞️) @Indian_Analyzer]

🚨 BIG TAJ MAHAL CLAIM

"I have documentary evidence."🤯

Sr. Advocate Harishankar Jain says the Taj Mahal was originally the HINDU Temple "Tejo Mahalaya," built in 1156 AD by King Parmar Dev.

[Mohit @Warlock_mohit]

Epic 🔥🔥

[Shash @pokershash]

Kaisa Dubayaaaa 😂

[Flt Lt Anoop Verma (Retd.) 🇮🇳 @FltLtAnoopVerma]

Breaking

The moment Ramesh Mhatre got arrested

He complained health problems & taken to hospital

दादा का सूसू निकल गया

अकेले में दादा चूहा निकला

मैंने कल बोला था ना

[Anshul Saxena @AskAnshul]

After the heavy rainfall and landslide, social media was flooded with claims that the Mumbai–Pune Missing Link had suffered major damage. Many propagandists were eager to declare the project a failure.

Kerala also witnessed landslides due to heavy rainfall. The same online ecosystem that was quick to amplify speculation about the Mumbai–Pune Missing Link did not show the same level of outrage or push a similar narrative in the Kerala case.

The reality is that extreme weather, whether it is torrential rain, storms, or landslides, can temporarily disrupt even well built infrastructure. No project is completely immune to natural disasters. What matters is how quickly the situation is brought under control and normalcy is restored.

In the case of the Mumbai–Pune Missing Link, traffic resumed soon after the necessary work was completed. The engineers, workers, and officials on the ground deserve appreciation for restoring connectivity under such challenging conditions.

Devendra Fadnavis also gave a fitting response to those who rushed to spread rumours and declare the project a failure. Criticism is important, but so is acknowledging good work when credit is due.

[ANI @ANI]

#WATCH | Dombivli, Maharashtra: On the KDMC Shastrinagar Hospital assault case, ACP Suhas Hemade says, “There are approximately 4 accused involved in this assault case, including one woman…the incident stemmed from a dispute regarding the treatment of a female patient who had arrived at the hospital; the accused accompanied the patient's relatives. They assaulted the on-duty doctor, a female doctor, and a nurse, subjecting them to physical violence, verbal abuse, and threats. The doctor registered a case yesterday. Charges have been filed under relevant sections of the IPC…all due legal procedures will be followed, and action will be taken against those involved.”

[Rishi Bagree @rishibagree]

CM Fadnavis blasted out-of-power politicians and their slimy paid trolls for peddling rumours about the Missing Link collapse on social media.

The landslide caused by heavy rains was cleared in just 12 hours by Maharashtra Administration.

[The Analyzer (News Updates🗞️) @Indian_Analyzer]

Economist Surjit S. Bhalla:
🗣️ "I've consistently argued that the Modi Govt has created an exceptionally LARGE number of JOBS.

The narrative that there are no jobs is political. Everybody wants a Govt job."

[News Arena India @NewsArenaIndia]

Maharashtra CM Devendra Fadnavis-

“Bhade Ke Tattes are writing on social media against Missing Link by taking money.

Ones who are irrelevant are abusing CM and Ministers on social media.”

Message delivered to everyone.

[कुंभकरण @_kumbhkaran]

He is CM of a state and this is his language for the people who made him CM.

[Anubhav Gupta @anubhavgupta_ji]

Criticizing bad infrastructure by these corrupt politicians have become offense now.

How come it is "Maharashtra ka Apman"??

"Nationalism" & "Regionalism" have destroyed this country instead of protecting.

[The Analyzer (News Updates🗞️) @Indian_Analyzer]

🚨 BIG NEWS!

CM Fadnavis hints “Bhade Ke Tatu” will be behind bars for defaming Maharashtra 🤯

CM says, he's aware of paid campaigns being done to tarnish Maharashtra's image & Infra development.

Mumbai Police under CP @DevenBhartiIPS is all set to deliver a big surprise!

Big fishes likely. Even few RW acs may be probed
for rumouring. Strong action against vested interests.

[Gems @gemsofbabus_]

The same people you mock as “NOBODIES” are the ones who vote you into the Assembly.

You beg at their feet during elections.

You survive on their tax money after winning.

Respect the voter. They are not your servants, you are theirs.

[Facts @BefittingFacts]

"Bhaade ke tatto ko main bolna chahta hu, paise le lekar Missing Link par likh rahe the, agar Maharashtra ka apmaan karoge to main chhodunga nahi"

~CM Devendra Fadnavis

[Priya Purohit @Priyaa_Purohit]

Ethanol blending in petrol isn't my ministry's responsibility — it's handle by the Petroleum Ministry.🥵

My stake in Ethanol production is just 0.7%. 😭

— Nitin Gadkari

[𝕲𝖆𝖓𝖊𝖘𝖍 * @ggganeshh]

They identified Avinash Shukla (30) as the central figure in the alleged embezzlement racket

Fully believable. Looks like mass clean chits are being written

[Surajit Dasgupta @surajitdasgupta]

A unique personality in Bollywood

Pankaj Kapur is the only credible actor whose ideological position is opposite that of leftist-Islamist filmmakers and actors but so smart that you cannot catch him in the act! He did not rush for photo-ops with BJP leaders the day Narendra Modi became prime minister or Yogi Adityanath became Uttar Pradesh’s chief minister or Suvendu Adhikari became West Bengal’s. He did not get into the rush of badly made ‘pro-Hindu’, ‘pro-India’ #films the day the regime changed, unlike Anupam Kher, Ajay Devgn, Akshay Kumar and Kangana Ranaut. And Kapur does not stupidly shout from the rooftops, “I am RW! Jai Sri Ram!” (ever read or heard a leftist historian, film personality or journalist reveal his agenda by crying out, “I am LW! Lal Salam!”?) But study the plots of Kapur’s films, and you will know what his #ideology is.

When #Bollywood was churning out one film after another that soft-peddled love jihad, Pankaj Kapur produced and directed MAUSAM, a film where his son Shahid Kapur plays a Hindu boy in love with Sonam Kapoor, a Muslim girl; the two finally unite in the film’s climax. The film cited by the attached clip, DHARM, is known only to movie connoisseurs; it wasn’t a runaway hit at the box office. Those who saw the film caught up with it years after its release when it was played on TV or an OTT platform. Here, he plays a devout Hindu priest devoted to Shiva, and he is noble and virtuous, which stands in contrast to the evil, scheming, lecherous characters that Bollywood depicts Brahmins as. He is a staunch Hindu, but that does not mean he hates Muslims, unlike the Hindu women characters Shabana Azmi essays, where she is shown despising Muslims. In DHARM, not only does he raise a child even after learning the kid is from a Muslim family, but he also protects and rescues the child from a blood-thirsty mob.

When Kapur plays the villain, he is just a ‘bad guy’; the character does not have communal motives: MAQBOOL, DUS, or THE BLUE UMBRELLA, for example. Watching any of these movies, you cannot say he is evil because he is Hindu/Muslim/Christian.

Kapur makes or directs movies that are serious cinema. You may compare them with the works of Govind Nihalani — as grim as the titles in the filmography of Shyam Benegal or Aziz Mirza, Mrinal Sen or Girish Karnad, but with drama. It can be a thriller, but it will have no ‘masala’. That’s a notch higher than the works of Ketan Mehta, who had a comical take on ‘formulas’ in OH DARLING, YEH HAI INDIA. The clincher about an ‘art film’ — aka arthouse cinema, aka parallel cinema — is that you watch it and you feel this is life; this could happen to you. That is a space no other filmmaker who is right-of-centre occupies. That space is otherwise crowded with leftist-Islamist directors and actors.

I wonder if any film critic has noticed this before. I have been observing this pattern in Kapur’s films for years. Wrote it for the first time as a post on social media.