æŋrə

''Fervens; quasi tactus halitus.''

[⋆‧°𓏲ּ𝄢 @GW170817_]

She looks like a Brachiosaurus 🦕

[lena @LenaDiorable]

the romance of being ruined slowly

[gabrielle @legitimatetiger]

how very fitting and poetic, that you can touch the stars with your fingertips

[æŋrə @demonic_circus]

@misshikikomori_ https://t.co/IZOACJLS0J

[hard disk drive @_HDD]

Charlotte Gainsbourg photographed by Casper Sejersen (2013)

[Emira @nymfeline]

French kissing with our Vodka filled mouth

[æŋrə @demonic_circus]

https://t.co/qQa3AsNSvN

[Sister Fay Loves It @channel_venus]

Why not come inside?

[æŋrə @demonic_circus]

@marquisadeshade Serpent eyes... looked like hunting!!

[ezgi @coldmourning_]

🖤

[æŋrə @demonic_circus]

https://t.co/eFGgE3M4R7

[Carnival of Horror @HorrorCarnival]

OCULUS (2013)
Directed by Mike Flanagan

[Carnival of Horror @HorrorCarnival]

Got a craving for something bloody? 🩸 Luc Besson’s DRACULA has arrived on Paramount+.

[Sister Fay Loves It @channel_venus]

do me good, baby 💞💗

[Tyler @ibit3irl__]

Oh hey there 🖤 !

[Best of Kubrick @KubrickPoint]

I love Kubrick’s choice of blocking and composition in every shot. It’s interesting how he constantly uses dirty 2-shots, framing Alex between Julian and Mr Alexander, meaning he is trapped and doesn’t have the power. The only times Kubrick doesn’t show Alex this way is when he cuts to close-ups of Mr Alexander and low-angle shots of Julian.