erniecallowaystormlung huw

[erniecallowaystormlung huw @ecslh0]

@mise_en_seer @letterboxd Franchot Tone is such a perfect cypher of sorts

[Seer @mise_en_seer]

downward is heavenward

My ★★★★★ review of Three Comrades (1938) on @letterboxd: https://t.co/wGI6RiUSif

[🔻 @atlajala]

first night back in Paris coincided with the most extensive program (& largest projection) of all Anthony McCall’s cone films from his Solid Light Films, projected one after the other in a vast spatial realm that really opened up the works in ways I have never seen before.

[JkstrHmstr @JkstrHmstr]

Fred Camper!

Fritz Lang’s M!

A match made in heaven? Why don't you find out with us!

Zoom lecture, June 7th at 12 noon Central time.

I've never not learned something incredible when listening to Fred talk about movies.

If you're interested, email him! [email protected]

[semira aklilu @s_aklilu]

❤️

[erniecallowaystormlung huw @ecslh0]

@tistirs Well you gotta shake the rest of it out, as to not wet yourself, and so a father teaches the son, ‘realism’

[Dennis Delrogh @DennisDelrogh]

At the heart of L Cohen's inconstant comic thriller THE AMBULANCE is anticipation of romance made into an agonizing & illusory trial. An unmoored Eric Roberts, w/limbs like a marionette, manages to ground the movie's reflecting alternate realities as conjured from a hospital bed.

[jonathan mackris @feuilladist]

These screenings over the last two months have been so fantastic. Many I had not seen before. It really reminded me how interesting and complex the Newsreel films are. Seeing them on prints has been very special. Those who can should definitely go to this last (for now) screening

[Seer @mise_en_seer]

Among other things, can't be said enough: fuck Paul Thomas Anderson. and up with Robert Kramer

My ★★★★★ review of Milestones (1975) on @letterboxd: https://t.co/9iSasWfEMk

[Dennis Delrogh @DennisDelrogh]

Fresh-faced D Patrick in a jam & G Mohr in J Orbach mode as a benign gambling boss nicely center H Keller's trim 1950 programmer THE BLONDE BANDIT about trust in a morally ambiguous world as they are circled by the D.A., Mohr's squad, crooked undercover cops & a subjective camera

[Carlos Cano @segobrigense]

Miguel Marías: "Sereno esplendor de Naruse" https://t.co/c2BRHaCS1b

[mmcc @mattmccrac]

Had new writing go up on @InRO for subscribers on the Substack. Give it a look if 90s underground Chinese cinema is your thing or you checked out @samcmac's STRUCTURE. WAVE. YOUTH. CINEMA. series at the Spectacle Theater.

Link here: https://t.co/T6E1xVTnFM

[KINO 🇵🇸 SLANG 🇨🇺 @theMummyMa]

"I'm a sucker for these things..."

[🔻 @atlajala]

when I talk about how relevant these films continually are to our present struggles, it’s both in large & small ways, for instance here’s Osha of UAW/MF talking about how protest marshals compromised the autonomy of streets actions so that they became easier targets for the pigs

[KINO 🇵🇸 SLANG 🇨🇺 @theMummyMa]

@dieworkwear go to the source: Nicholas Ray films

[Fábio Rockenbach - A Experiência do Cinema 🎬 @RockenbachFabio]

Já retweetei isso aqui mas um passeio rápido no que tem aqui é absurdo. Essa MOVIE é maravilhosa

[Daniel Gorman @DanielGorman20]

Anne of the Indies (1951; Jacques Tourneur) a taxonomy of rad miniature ships

[erniecallowaystormlung huw @ecslh0]

@tistirs Begs the question, did the teacher confuse me to teach…in the motel6, thx teach!! 👏

[erniecallowaystormlung huw @ecslh0]

@tistirs When you’re confused, does it matter? ‘Bro’ was me btw

[erniecallowaystormlung huw @ecslh0]

@tistirs bro confused the classroom with motel6 sex worker kink