Grateful to work with our team at @FutureFilmShow. None of what we do is possible without them.
Join us June 19th - 22nd at the @paradiseonbloor & Archipelago Productions in Toronto.
12 years of celebrating emerging 🇨🇦 filmmakers across Canada.
🎟️ https://t.co/igWNqPzRyh 🇨🇦
I’m on the latest episode of Amplified from Ash Murrell and @ampvisualmedia.
A “tell all” style interview, if you will. Spoke for a few hours. Left a lot on the table that day, shared a lot of stories & I’m excited for people to hear it.
Streaming on all podcast services!
@HertzBarry@imPatrickT I’m a pretty big fan of the Yonge-Dundas lie-max. The person who levels the sound in there is insane. It’s so damn loud, but that + the curved screen makes it all feel more immersive.
👇🏿Blue Heron, A Tribe Called Love, Nirvanna the Band the Show the Movie, It Comes in Waves, and Mile End Kicks all hitting theatres and it ain’t even May yet. We eating good this year 🇨🇦.
🗣️🗣️🗣️ VERY IMPORTANT: if you share one (1) thing about Blue Heron, let it be think link which provides screening information for where the film can be seen in theatres and PLZ tell your friends and family to go! https://t.co/NgUkr0B7B1
🎬🎉 A few spots left in our LIFT Winter 2026 Workshop: The Business of Film Distribution with Eric Bizzarri. #LiftFilm#LiftWksp
Monday April 27 and Wednesday April 29, 2026
In-person at 1137 Dupont Street
Visit https://t.co/9Eb01Khlyp for full details and to register ASAP!
🎬🎉 A few spots left in our LIFT Winter 2026 Workshop: The Business of Film Distribution with Eric Bizzarri. #LiftFilm#LiftWksp
Monday April 27 and Wednesday April 29, 2026
In-person at 1137 Dupont Street
Visit https://t.co/9Eb01Khlyp for full details and to register ASAP!
public funding for Canadian films is woefully lacking and unevenly distributed, but advances are being made and they’re resulting in a new wave of films that stack up against anything the rest of the world is producing right now, and taking pride in that is a step toward more
You can see these 10 great movies for free in Toronto for National Canadian Film Day on Wednesday.
A roundup by @wrinkledlinen: https://t.co/EDVDduDL5T @CanFilmDay
seriously cannot stop thinking about the drama. an astonishingly layered script unafraid to be starkly - and necessarily - honest about such a sensitive subject so often shied away from and dissect it a million different ways until every preconceived notion its audience may have is confronted and challenged.
what’s worse: thoughts or actions? who do we afford more grace to in society? who gets to decide that? is there a limit to love? what is it? can people truly change?
can we let them?
Elle-Máijá Tailfeathers is returning her TFCA award best supporting performance in a Canadian film, following the organization's decision to censor her acceptance speech during Monday night's gala.
Here are excerpts from Elle-Máijá's email to the TFCA, shared with permission.
Ok. I was really caught off guard here. I did not expect my visceral reaction to this message from James Vanderbeek.
Do yourself a favor and listen. Just listen. 🙏🏼🙏🏼🙏🏼
RIP James, God speed🙏🏼
The texts between Conan, Will Arnett, and Jason Bateman are hilarious. Conan lost both of his parents and somehow joking about Bateman killing them is so dark and yet such a sweet way to help a friend grieve.
I am really pleased to see so many people cheer on Paul Dano this week. Not only is he a terrific actor, but he's an astonishing director who exudes control and tremendous empathy. Check out WILDLIFE if you haven't seen it:
https://t.co/WDb34MwjcE
The “Baby Mine” scene in Dumbo (1941) is still one of Disney’s most devastating moments. Dumbo reaching for his mother through the bars, her cradling him the only way she can.
probably one of the most personal things i’ve ever written, but it’s rare that a movie makes you feel *this* much and i honestly couldn’t go on with my day until i got all this out. been waiting for a film like sentimental value my whole life. https://t.co/4keryKYaVn