📽️

on the outskirts of calm
extinction of images

[Seer @mise_en_seer]

[LINK BELOW] I've returned to Substack with a new piece talking about Griffith, Mizoguchi, Straub-Huillet, and more. Check it out if you can!

[R. Emmet Sweeney / robert-emmet.bsky.social @r_emmet]

Over at OLD NEW I wrote about Frank Borzage's transcendent classical music romance I've Always Loved You (1946). Of which Borzage said, "The color overshadows the plot." Link in reply.

[The Paris Review @parisreview]

“I’ve always felt that naming was artificial.” —Lydia Davis https://t.co/3SPcuOmUBT

[Joshua Minsoo Kim @misterminsoo]

I had the privilege of talking with Ana Vaz, one of the most exciting experimental filmmakers of the past 20 years. Her new feature film HANABI (aka FIRE FLOWER) is 10 years in the making and premieres tomorrow at this year's @FilmFestLocarno. It's one of the fest's highlights.

[Aocchi @Aochhii]

The first batch of Umi no Triton is out. You can now, for the first time ever, watch Yoshiyuki Tomino's directoral debut with a faithful English translation.

[Mew @Magicmew12]

Suikoden III opening (2002)
Dir. Tomohiro Hirata, AD Akihiko Yamashita. KA Norio Matsumoto, Minoru Murao, Jun Takagi, Toshihisa Kaiya, Masami Goto, Shoichi Masuo, Atsuko Nakajima, Shinobu Tagashira, Fumitoshi Oizaki, Tsuyoshi Hiraoka, Tetsuichi Yamagishi.. https://t.co/Mfd7vs79dZ

[Aocchi @Aochhii]

Absolutely gorgeous background art in Himitsu no Akko-chan #80 done by Shimoshige Emiko and Abe Taisaburou.

[Yoon @nicoscosc]

“Only in dreams, in poetry, in play […] do we sometimes arrive at what we were before we were this thing that, who knows, we are.”

— Julio Cortázar, Hopscotch

[井上俊之 @181ino]

ここは近藤喜文さんパートですね。この前後も担当されていて本当に素晴らしかった。
作画はテレコム、作監友永和秀さんです。あまりのうまさに友永さんが修正しなかったとのことでキャラがやや他と違っています。が、それもまた良いのです。

[Goge @Goge6_]

Licca-chan to Yamaneko Hoshi no Tabi is a criminally underrated movie. Very imaginative and colorful, well directed and with really fluid animation it's a real treat! Directed by Tsutomu Shibayama, with Tatsuo Satou as Chief AD and Shichiro Kobayashi as Art Director.

[ibcf @_ibcf_]

makes you feel sort of insignificant doesn't it

[Club Lumière @clublumierefr]

En référence à la nouvelle de Balzac que Rivette adapte, Bailey nous pose cette question: le chef d’œuvre de La Belle Noiseuse est-il vraiment inconnu ? C'est au travers des regards de ses personnages que le film nous livre la réponse à ce mystère.
https://t.co/aqyvRNyjCC

[Movies from HELL @26mfhpod]

Here’s the first nine minutes from Alan Clarke’s 1989 film ELEPHANT

[🔻 @atlajala]

some things seen over the last few days🧵: Luis Camnitzer at Alexander Gray

[Sabzian @Sabzianbe]

“The filmmaker is no more important than his work.” – Marcel Hanoun

Now on Sabzian: a translated selection of Hanoun’s aphorisms and notes on cinema. https://t.co/B9d1XWw7sl

[😶‍🌫️patrick preziosi😶‍🌫️ @PatrickPreziosi]

this Marianne Moore poem blew my mind

[Yoon @nicoscosc]

“The memories which two people preserve of each other, even in love, are not the same. […] For between us and other people there exists a barrier of contingencies.”

(Proust, Time Regained)

[Animation Obsessive @ani_obsessive]

Hayao Miyazaki films start in his sketches—his "image boards." It’s a habit he’s kept up for 60 years.

He works fast and loose, mainly in pencil and watercolor. Perfection isn't the goal. But you can trace his growth through the pictures. We explore:
─➤https://t.co/c8Uvv76ILx

[Adam Nayman @brofromanother]

Wrote about Frederick Wiseman for @NewLeftReview https://t.co/5026Dnh3x7