I missed saying anything when this came out back in November, but it's just been added to Oxford Scholarship Online. Come for the pictures, stay for the illuminating insights about mensural notation https://t.co/MjY9YbtBwS
‘Where Sight Meets Sound’ by @ezazulia reframes our understanding of late-medieval musical notation as a dynamic, innovative system—one that could be used to generate music, not just preserve it.
Buy the book today, now 30% off with code AAFLYG6. #MedRen23 https://t.co/EA7kr9Rckj
As part of next week's #musicon22, @OUPMusic is offering my book, Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing, at a 40% discount (use code EXAMUS22).
They have also made the introduction freely available online: https://t.co/TNzBbrWuaA
On April 30th, an English-language stage reading of THE ONES WHO LEAVE (去り行く者), translated by Andrew Way Leong, will be performed in Zellerbach Hall, Room 7. This event is hybrid and will also be available live on Zoom. Get your tickets here: https://t.co/7bXQf1OdfT
The earliest musical notation for Jewish poetry—in the hand of Johannes of Oppido, aka Obadiah the Convert, a Catholic monk who converted to Judaism in 1102 CE.
Read more and see all related Geniza documents (w/ translation) here: https://t.co/LtHJPblSFv
Republicans in congress cowering under their desks as violent men roam the hallways finally understand what they've put every school kid in America through.
I’m all for people learning about medieval history, but this “proclamation” is not that. For one, the conflict between Henry and Becket wasn't about religious liberty, but the *separation* of church and state. https://t.co/gZ87VsMIsr
From the guy who brought you “the reason there are so many cases is because we are doing too many tests” comes the new hit single “I’m only losing because they’re counting all the votes against me”