Following a gear collapse at the gate in Frankfurt, Lufthansa 787-9 D-ABPQ has been significantly damaged. Today’s LH450 has been canceled. We are awaiting more information on any potential injuries.
Desde @mercadopago seguimos construyendo el mayor banco digital de la región. En Q1 alcanzamos 83M de usuarios activos mensuales (+29% YoY), con activos bajo gestión cerca de US$20 mil millones (+77%) y una cartera de crédito que creció 87% hasta US$14,6 mil millones.
@figuritasapp Pedido de funcionalidad: sincronizar la cuenta/album con otro dispositivo! Para poder tener la data del album en mas de 1 dispositivo a la vez 🙌
For clarity, we are running a small test for ~100% of Codex users where we:
- make our best models available to all users
- make Codex available to all plans, free and paid
Claude Code users aren't affected :)
Están lanzando el Audi S5 Avant.
Me dicen extraoficialmente que lo traen solo por lo mucho que lloramos en redes que Audi no trajera rurales
Siempre se valora cuando escuchan a los fierreros, pero…
Venderá algo? O será de esos autos que todos quieren y nadie compra?
Earthset.
The Artemis II crew captured this view of an Earthset on April 6, 2026, as they flew around the Moon. The image is reminiscent of the iconic Earthrise image taken by astronaut Bill Anders 58 years earlier as the Apollo 8 crew flew around the Moon.
This is the shot you can’t get from the press site. This camera was sitting a few football fields from the SLS rocket at Pad 39B for days before launch, baking in the Florida sun, surviving rain, humidity, and whatever else the Cape threw at it. No photographer behind the viewfinder. Just a camera, a sound trigger, and a bet.
The way pad remotes work: you set your camera up days in advance, dial in your composition, lock everything down, and walk away. You don’t touch it again until after the launch. The shutter fires on sound activation
with a @MiopsTrigger smart+ trigger. With SLS, the four RS-25 engines ignite six seconds before the solid rocket boosters, so the camera is already firing before the vehicle even leaves the pad. You get home, pull the card, and find out if you nailed it or if a bird landed on your lens two days ago and left your a present and you got 400 photos of soemthing crappy.
There’s no formula for protecting your gear this close. Some photographers build wooden boxes with doors that pop open. Some use plastic bags and tape. Some do plastic or metal barn door rigs on hinges. I tend to leave mine open just in plastic rain covers because boxes limit my composition and setup time, but that means your cameras are more exposed to the elements and whatever energy and debris comes off the pad. You’re basically gambling a camera body every time you set one.
That’s what I love about this genre. There’s no playbook. You make it up as you go. Every time is an adventure.
📸 credit: me for @SuperclusterHQ - Artemis II pad remote | ~1,000 ft from Pad 39B | Kennedy Space Center