Article by @fiedawn hits on same concept I wrote about and started using in 2018. Novelists, check out both:
• Dawn's: "Write Your First Draft Like A Movie Script" https://t.co/COC9g38eUZ
• Mine: "The screenplay as an outline for your novel" https://t.co/sPr3rn4KRa @BookBaby
@Southldntabby Arial 12pt for science in the UK, Times Roman 12pt in the US, Georgia 14pt to 'make text that looks very different than science' when writing about writing.
Have you ever looked at a plot of chapter lengths in books? Some very interesting patterns. For example, in thrillers the pace quickens as chapters get shorter from start to end. Often non-random, in that short follows long and vice versa.
Chapters form an integral structural feature of books. Chapters enclose units of meaning. How much attention do you pay to their design? https://t.co/cvf3j2vrC8 by @fiedawn via @BookBaby#WriteTips
2/3 Sometimes you can see the acts in the patterns of lengths. Fascinating to think authors are controlling this 'meta-feature'...and likely they manage to do so purely out of intuition.
"We, the undersigned, do not see a faceless brown mass. We, ourselves, are not faceless, nor are we voiceless." 82 writers ask @Oprah to reconsider "American Dirt." https://t.co/v3red7TDlF
@Southldntabby As I write and rewrite and re-re-re-write, I change up the font and size with successive drafts to dupe my eyeballs into seeing what I’ve written in a fresh light.
I highly recommend this polyamorous approach to typefaces. It’s terrifically useful.