In the words of Nelson Mandela: it always seems impossible until it’s done.
My friends, it is done. And you are the ones who did it.
I am honored to be your Democratic nominee for the Mayor of New York City.
We're excited to announce the presale for our forthcoming book by Chance DeVille, Growing Tired of Calloused Knees. Please support if you can! https://t.co/ybwcHFPZbd
American Glitch: Amassing an archive of ‘glitches,’ the artist duo Andrea Orejarena & Caleb Stein investigate #photography’s dance between truth and fiction through found Internet images and photographs they have taken of the American landscape. https://t.co/0ifufhOfjZ
Some Chinese bookstores have become subtle protest sites against Xi Jinping by strategically placing his books next to other titles that create implicit messages of dissent.
https://t.co/tsCCeqOg7G
Alice Proujansky recently gave a lecture performance of her book, Hard Times are Fighting Times, at the ICP in New York. You can watch it here:
https://t.co/H3NGzc1Lt4
On March 5th, Alice Proujansky will be presenting Hard Times are Fighting Times at the @ICPhotog as part of their public programs series. Please enjoy: https://t.co/supr8zj1yN
2021年5月から10月にかけて、アラバマ州とジョージア州の国境にある米陸軍基地フォートムーアで撮影された、ジェイソン・ノックスビルによる7か月間の基礎訓練の前後の新兵の類型調査。軍の「人間生産ライン」による、特に瞳の変化。/Engage and Destroy by Jason Koxvold https://t.co/aJ4bvHWPRq
I had a fascinating chat with photographer @jkoxvold about 9/11, the resulting War on Terror, and how the forever wars/militarism affected American men/society at large for @vice. Go check out his new book, Engage & Destroy
https://t.co/Abk4VTWRP9
If you're in Dublin, please stop by the Tsundoku book fair next weekend - we'll be represented there with books old and new, including some rare finds! @PhotoIreland
Alice Proujansky has been awarded a Polycopies publishing grant for her forthcoming book, Hard Times are Fighting Times, which will launch in the autumn. More details coming soon!
Excited as always for the new forthcoming issue of JC, and it was a privilege to introduce a series of Morgan Ashcom’s photographs and what it reveals about the specter of the Israeli occupation via the closure system in the West Bank.