alejandro cartagena

Artist, curator, and co-founder of @fellowshiptrust @dailydotxyz. GROUND RULES, mid-career retrospective: June 4th, 2026, in Fundación MAPFRE Madrid.

[alejandro cartagena @halecar2]

New Acquisition: MoMA📍

I am thrilled to announce that the @MuseumModernArt has acquired the diptych of the Mother and Daughter from my Invisible Line series. It was acquired through the generosity of Lori Ordover via Kopeikin Gallery. I love to think about how these images and their story will now be preserved into the future and share wall space with works from many artists that have influenced the way I see the world.

Daughter on the USA-Mexico Border Wall, at Friendship Park, California., Mother on the Mexico-USA Border Wall, Friendship Park, Playas de Tijuana, Mexico, 2017.

https://t.co/sgHKOofVtV

[༺ཧคlคฝคཊ༻ @rybinfx]

Meet the centipede ///////••

[Rafaël Rozendaal 🪑 @newrafael]

Homage 93 is now part of the @LACMA collection

[ARTXCODE @artxcode_io]

Big congratulations to @Eko3316 and @LindaDouniaR on entering the @LACMA permanent collection for Latent Ink and Once Upon a Garden!

[alejandro cartagena @halecar2]

@uweg ❤️‍🔥

[alejandro cartagena @halecar2]

@motzko @outland_art @briandroitcour 🔥🔥

[☁ @canekzapata]

diff hoy.txt futuro.txt | mail nettime ; // сеть снится по-русски el escáner convierte una cara en rumor luminoso

[alejandro cartagena @halecar2]

@danielkoeth @nicedayJules @opensea 🔥🔥 congrats

[Misfits Studio @Barbara_Chira]

This is brilliant. And if I understand it correctly, collectors will be able take their crawlers on walks with them as they go about their daily activity of visiting websites. New and exciting.

[alejandro cartagena @halecar2]

@Barbara_Chira yes! i’ve been taking them on spins to different websites. makes you see the internet as a space of a constant reading-writing of information. everything is connected

[༺ཧคlคฝคཊ༻ @rybinfx]

爬女 ••••

[alejandro cartagena @halecar2]

@yatreda @LACMA @showsupnaked @fellowshiptrust ♥️

[The Daily Program @dailydotxyz]

"What happens to meaning when information is detached from its original context and reorganized into new relationships? When machines continuously consume and generate content from what already exists, where does new knowledge begin? And in an internet increasingly populated by machines reading and writing for other machines, what role remains for the human observer?"

"Crawlers" series by @rybinfx
Launching next week
Thursday, Oct 29th 🗓️

[Fellowship @fellowshiptrust]

Congratulations to all the artists whose work is now part of @LACMA’s permanent collection.

Through the LACMA Digital Leaders Collection, Fellowship co-founder Neil Hutchinson has gifted 34 artworks from 13 artists, helping preserve these works of digital art and ideally bringing them into a broader art historical conversation. Congratulations again to everyone who contributed to this acquisition. To read the full press release, visit: https://t.co/gTv1eF6BTO

●Maya Man, FAKE IT TILL YOU MAKE IT #404 (2022)
●Rafaël Rozendaal, Homage #93 (2022)
●Diego Trujillo Pisanty, Blind Camera #20 and #91 (2024)
●EKO33, Latent Ink #074 (2024)
●Linda Dounia, Once Upon a Garden, F3-GNS03 First to Fifth Generation, tokens 96-100 (2024), 5 works
●Trevor Paglen, Evolved Hallucinations: FACECAP; The Purification of Lust #7 (Corpus: Terraces of Purgatory); Shadow #14 (Corpus: Things That Exist Negatively) (2024)
●Sofia Crespo, Critically Extant: Acilacris Furcatus (2021)
●Zach Lieberman, 100 Sunsets #52 (2022)
●Vera Molnár, Themes and Variations #92 (2023)
●Operator, Human Unreadable #76 (2023)
●Lauren Lee McCarthy, Seeing Voices #45 and #53 (2024)
●Sarah Meyohas, Infinite Petals 1x1 #11, 2x2 #1688, 3x3 #1414, 5x5 #20440, 10x10 #400 (2025)
●Yatreda (Kiya Tadele), Andromeda of Aethiopia, Volume II (2022), 10 works: Dalion #10/75, Avléos #54/75, Sadéos #38/75, Princess Andromeda #17/50, Queen Cassiopeia #3/50, Kérichos #3/75, Cetus #3/25, King Cepheus #10/50, Perseus #4/25, Andromeda - Constellation #2/13

@mayaonthenet @newrafael @dtpisanty @Eko3316 @LindaDouniaR @trevorpaglen @soficrespo91 @zachlieberman @operator_______ @SarahMeyohas @yatreda

Rafaël Rozendaal, Homage #93 (2022)
Trevor Paglen, Evolved Hallucinations: FACECAP; The Purification of Lust #7 (2024)
Maya Man, FAKE IT TILL YOU MAKE IT #404 (2022)

*Gift of Neil Hutchinson and Fellowship, founding member of LACMA Digital Leaders.

[24 Hours of Art @24_Hours_Art]

🖼️ 24 HOURS OF ART 📊 October 23, 2026

- 'Construction Token #472' by @jeffgdavis

- 'Chromie #5696' by @ArtOnBlockchain

- 'Meridian #475' by @mattdesl

- 'Smoke and Mirrors #33. Three of Staffs' by @justinaversano, collected by @ivoDYOR

- 'x | o 72' by @hollyherndon, collected by @ivoDYOR

- 'E X P O S U R E' by @XCOPYART

- 'Go And Live' by @ebrahimelmii, collected by @Jeni_Pepen

- 'take a seat.' by @deltasauce x @woodificouldart, collected by @LeValleyKelly

- 'Neither Here Nor Gone' by @byGsen, collected by @iamcfw

[alejandro cartagena @halecar2]

gm☀️🕷️🕸️🕷️

Crawlers by @rybinfx. Taking it for a spin on the
@opensea page 📺

[The Daily Program @dailydotxyz]

🫴 Artists You Should Know: @endless_mazin

Mazin is an artist, writer, and worldbuilder whose work explores glitch art, databending, and experimental digital forms.

With his latest collection launching on Daily on Monday, October 26, here’s a look at his journey ↓

[alejandro cartagena @halecar2]

@briandroitcour @GLillemon 🔥🔥

[Standard Definition @briandroitcour]

Outland Season 1 is now in print! tomorrow i'm heading to Art Blocks Marfa Weekend, where i'll sell copies at the artists' fair on friday. after i get back i'll send copies to subscribers and set up a page for online orders. and i'm planning a new york launch event for dec.!

[alejandro cartagena @halecar2]

@balon_art 🔥🔥🔥

[alejandro cartagena @halecar2]

@RebeccaRose @artblocks_io great meeting you today