Top Tweets for #ASAC18
With the very brilliant @EmilyHipchen at #ASAC18 in Oakland, my co-editor of the @ohiostatepress Formations series! Everyone should the message on the bottle...
Fantastic few days in Oakland at the @AsacMedia biennial conference #ASAC18, great to see so many friends and make new ones too. A shame to leave California so soon, but I have some rather terrific students to teach. LHR here I come!
@OrpheoNegra @deannliem In all seriousness, I felt honored to have a peak into the process of two great filmmakers and can't wait to apply what I learned in my own work. Thank you both! #ASAC18
@callahan138 Thank you so much for having me! It’s been a pleasure and an honor to be able to converse with @deannliem !!!
#ASAC18
So grateful to have Amandine Gay @OrpheoNegra at #ASAC18. What a privilege to learn more about her work!
NOW: Oakland hotel workers on #MarriottStrike are rallying with hundreds of community supporters. Just days ago, folks like @Phusaza, @callahan138 & attendees of #ASAC18 moved their event to honor our picket line and our neighbors at @OaklandAsianCC and @Oakstop_ took them in!
I’m really loving the adoptee art panel at #asac18. These ways of expressing the complexities of adoption are important and connect at a level I’ve never known how to make. I’m grateful for the ability to observe and be present for them.
Butler ends with considering O. Butler’s Kindred. Pain motivates a lot of the transition in the model—this echoes J. Butler’s call and claim to recognize the pain and often violence in articulations of kinship #asac18
Thinking with Judith Butler about kinship—coercion and freedom in the light of me family values at #asac18.
19 year old me is DYING.
Collaborative AV from audience members makes tech support work, in a queer moment before the #ASAC18 Queering Kinship panel.
Question from audience: how do Asian American motherland return movies differ (or complement) Asian American adoptee kinship narrative movies?
#ASAC18
Birnbaum: in the films, the adoptee must resolve all issues as if they are individual level problems and NOT linked to broader sociopolitical conditions
#ASAC18
Bartz argues that these adoption cinema utilize a voyueristic and masculine gaze that capitalize off adoptee trauma
#ASAC18
Bartz examines "Kung Fu Panda" & "Lion" for their cinematic choices in visualizing adoption, trauma, and adoptees
#ASAC18
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