Top Tweets for #ENGL3220
@kellyellenperry Thank you for your lovely note, Kelly! It was a joy to get to know you, to read your work, & to teach #ENGL3220 at Vanderbilt.
Thank you #ENGL3220 and @_JoyCastro for an amazing semester of nonfiction workshopping. I have learned many wise insights and writing tips (jellyfish > weeds) and look forward to taking them with me in my next chapter of life in New York! I wish everyone the very best <3
I want to thank @_JoyCastro for an amazing class and semester! This class has been one of my favorites. I have been challenged and enlightened, and have learned so much about my writing. THANK YOU for bringing your wisdom and intellect to Vanderbilt ❤️#ENGL3220
In a little less than two weeks I will be traveling to Switzerland for a Maymester course on International Health and Social Justice. I can only imagine the stories I will be able to write from this amazing opportunity! #ENGL3220
Revising my work this past week has been tough. Revision feels endless, and my perfectionism doesn't help. Trusting my peers' edits and my own judgments has been a really interesting process. #ENGL3220
LAST tweet for #ENGL3220 - THANK YOU to @_JoyCastro for a rich semester of fruitful discussion & examining the “connective tissue” of narrative. An uplifting reminder to use our writing as a vessel for sociopolitical intervention, advocacy. It has been a joy to be your student.
Smith's "Flores Woman" - a reminder of life’s music reverberating thru our nature, if only we take a second to observe, pause. This ephemeral life commands us to use our voice to advocate for our human family & our planet. #ENGL3220 #EarthDay @PoetryFound https://t.co/9qOQzRAwIv
Reviewing my revised short stories for #ENGL3220 reminds me that one revision isn’t always enough. Writing can always be improved. I’m plan to submit my pieces for publication only once I can read my stories without cringing.
It seems that both of my pieces in workshop struggle with time stamps and spatial indicators. Perhaps this is a reflection of living in my own head. Perhaps it is trauma-related. I wonder about the ramifications of this blind spot in my communication thus far. #ENGL3220
All of our conversations about form in #ENGL3220 inspired me to use visual art as a medium for my final New Media project. Each canvas shows the silhouette of the protagonist of each story formed by the words of the story in different colors of ink.
Amy Hempel’s use of humor and image to portray emotion drove me to tears last night. Her images still burn in the back of my mind. Blending fiction and nonfiction like she does is probably how I will publish my memoir/novel about my relationship with my father.
#ENGL3220
I will never forget what @_JoyCastro said about writing being like “found object” art. I’ll have to keep my eye out for hidden gems of inspiration in my day to day life. #ENGL3220
Today in class I learned that critics who blame writers for being overly indulgent in their emotions might have other agendas for maintaining the status quo. Time to stop judging myself so much #ENGL3220
“Plot is people. Human emotions and desires founded on the realities of life, working at cross purposes, getting hotter and fiercer as they strike against each other until finally there’s an explosion—that’s Plot.” —Leigh Brackett
#QuoteOfTheWeek #ENGL3220
Hearing Mohsin Hamid, author of Exit West, at Parnassus the other week boosted my liking for in-person readings. He dissected parts of his book that I otherwise would not have caught onto - my favorite was his abstract concept of us all being migrants at heart. #ENGL3220
The use of repetition in @sarah_wells 's "Field Guide to Resisting Temptation" underscores the cyclical nature of unfulfilled desire that the piece explores. This piece makes complex, uncomfortable emotions tangible. #ENGL3220 https://t.co/eDEOvCwCqg
In "Dispatch from Flyover Country," @megogieblyn exhibits ephemerality of the Midwest thru diction - "slippery," "gateway funneling travelers." Passage of time & change captured thru a “rash of artisanal shops” & “hinterland becoming conscious.” #ENGL3220
https://t.co/f9p7JF0bCg
A fav poet @kaysarahsera shares a poem by @NifMuhammad about rejections from a publisher - a topic that #ENGL3220 discussed recently. Rejection - the “writer’s version of acquiring scrapes and bruises.” Not a reflection of WHO the writer is. @parisreview https://t.co/RG6N9VHXDQ
Revising my work has always been difficult for me. How do I create a balance of keeping what I think is good and what my editor thinks is good? #engl3220
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