Top Tweets for #PRINTONLY
Printed books might be the only way writers can protect their work from Meta thieves and so-called pirates. The thought of all my hard work being stolen and used in AI training sickens me to the core. I’m not published yet. Now waiting for solutions.
#PrintOnly #WritingCommunity
And, for the first time since I began my writing journey, I’m relieved that my novels are yet to be published.
I’m tempted to be radical here and only publish my work in good old-fashioned (or retro) print.
What about #PrintOnly in place of #DigitalFirst ?#WritingCommunity
And, for the first time since I began my writing journey, I’m relieved that my novels are yet to be published.
I’m tempted to be radical here and only publish my work in good old-fashioned (or retro) print.
What about #PrintOnly in place of #DigitalFirst ?#WritingCommunity
I’m heartbroken 💔 for all the authors whose hard work has been stolen and used by Meta to train its AI. Now AI can be used by unscrupulous people to create novels that these people might pass off as their work. These authors got nothing from Meta and did not give it permission.
I'll be Extremely Honest with you guys....
I am NOT tired of winning Ever
#PRINTONLY
Committed to ensuring “the practice of reading will not disappear,” the Jan Michalski Foundation retreat—with its five-story library—is one of the writers retreats Emma Komlos-Hrobsky (@skunkorama) spotlights in our new issue: #PrintOnly https://t.co/jhRFcLDeq4
“It may help to know that if you are having a hard time thinking of how to carve out the time or money, you are not alone.” @anandalima’s #PrintOnly feature on joining writers retreats and residencies without sacrificing other parts of your life: https://t.co/jhRFcLCGAw
“When I fly to a writerly place, I tuck a small box of Carta d’Armenia incense papers in my purse,” writes Ann Hood in our latest issue, explaining that it helps “purge residency rooms of any negativity, which is very good for your writing.” #PrintOnly https://t.co/jhRFcLDeq4
Physical accessibility is increasingly prioritized by retreats across the world. Check out the Deaf Artist Residency Program in Minnesota, the country’s only Deaf-centric program for Deaf poets and writers: https://t.co/jhRFcLDeq4 #PrintOnly
“If in doubt, it’s always a good idea for a writer to go to Paris,” writes Emma Komlos-Hrobsky (@skunkorama) in her new feature on retreats like the immersive @AUParis Summer Creative Writing Institute, in the heart of the city’s culture: #PrintOnly https://t.co/jhRFcLDeq4
For bookstores like @ElliottBayBooks, “in-person events have come roaring back” since the pandemic began in 2020. The bookstore hosted over 500 author events last year, most of them offline. Read more in Michael Bourne (@bournewriter)’s #PrintOnly feature: https://t.co/jhRFcLCGAw
“Sometimes when you represent people of color, there is this sense that there can only be one,” observes agent @TanyaMcKinnon1 in a her #PrintOnly interview by @vivianwmlee. “We have to fight against that because our experiences are not monolithic.” https://t.co/jhRFcLDeq4
“All poetry is elegy,” as Diane Seuss muses, in conversation with @biancastone. Like Keats, a poem in her new collection Modern Poetry transforms her father “into an objective presence, an objective recipient of love.” Check out this #PrintOnly interview: https://t.co/jhRFcLDeq4
“Often, the writers who could most use the time, space, and supports that retreats afford are the ones least able to access them.” In our new issue, read this #PrintOnly feature on navigating grants and scholarships for writers retreats: https://t.co/jhRFcLDeq4
“As legacy media has withered, overall book coverage has shrunk along with it,” writes Michael Bourne (@bournewriter), arguing that the popularity of online retailers and social media makes “book-seller recommendations less crucial.” #PrintOnly https://t.co/jhRFcLDeq4
“Between a hungry child, a demanding boss, and an ever-growing to-do list,” asks @anandalima in our latest issue, “how do you find the time and quiet to write that debut in the first place?” https://t.co/jhRFcLCGAw #PrintOnly
Ever wanted to go on a writers retreat? In her new feature, Emma Komlos-Hrobsky (@skunkorama) paints pictures of six retreats around the world—including one enveloped by the “breeze of the Mediterranean.” #PrintOnly https://t.co/jhRFcLDeq4
What’s changed for editors in today’s publishing landscape? In our new issue, @kate_mckean explores the origins and truth of the myth that editors don’t edit anymore: https://t.co/jhRFcLDeq4 #PrintOnly
Packing scented wipes, a ceramic mug, and gold Havaianas is about “being a writer and creating rooms of your own,” explains Ann Hood, pointing out that residencies can sometimes be dormitories or converted barns but comfort can be made anywhere: https://t.co/jhRFcLCGAw #PrintOnly
What happens when a literary agent ghosts you? Jennifer Dickinson (@PinktreesJ) on her experience and how to regain your self-confidence: https://t.co/jhRFcLDeq4 #PrintOnly
Sloane Crosley (@askanyone)’s new memoir Grief Is for People (@fsgbooks) honors her close relationship with the late Russell Perreault, a veteran book publicist. Read Kate Tuttle’s #PrintOnly feature in our new issue: https://t.co/jhRFcLDeq4
In our latest issue, @biancastone interviews Diane Seuss (@dlseuss), whose new collection Modern Poetry (@GraywolfPress) in part explores “the complexity of education for poets—especially those who feel like outliers in the institution”: #PrintOnly https://t.co/jhRFcLDeq4
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