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hi! genres of the day are Horror/Thriller, Sci-Fi and Action/Adventure, accompanied with the sequences of #BlackWomenInFilm and #ScoreoftheDay. posting begins in an hour 🌟📽️
The ethereal opening of @Thomas_ades’s one-movement symphony Tevot, Op. 24 (2007) for large orchestra. A journey into sounding geometry, the 20-minute score is an astounding affair, pre-echoing, perhaps, the vast splendour of Paradiso (2019-20). #AdventuresInMusic #scoreoftheday
Sinister twist; the appearance of Dies irae midway into Sergei Rachmaninoff’s concertante masterstroke ’Rhapsody on a Theme of Paganini’, op. 43 (1934) for piano and orchestra. #AdventuresInMusic #rachmaninoff150 #scoreoftheday
Shake the heavens! 🌟 Tremendous settings of Haggai 2:6 by @HellTweet (El Niño; 1999-2000) and Handel (Messiah; 1741). In both cases, words and music are merged into awe-inspiring sonic tableaux of utmost expressive intensity.
#AdventuresInMusic #scoreoftheday
One of my favourite @HellTweet moments, the beginning of the Ivesian parade on trombones (and basses) on fig. F (bar 114) into the ’Concord’ first momement of the splendid orchestral tour-de-force called ’My Father Knew Charles Ives’ (2003). #AdventuresInMusic #scoreoftheday
Charles Ives’s c. 1938 revisions to the closing page of Symphony No. 2 (1897-1902/1910) as supplemented to Bernard Herrmann’s copy of the full score. Facsimile reproduction from the critical editon edited by Jonathan Elkus. #AdventuresInMusic #scoreoftheday
A glimpse of Mendelssohn’s autograph score for Psalm 42, brilliantly set for soloists, chorus and orchestra. (📷from the wonderful @Baerenreiter Urtext edition of the full score) #AdventuresInMusic #scoreoftheday
S is for Sunday and @SteveReich 🎶 Composed in 1974-76, ’Music for 18 Musicians’ is one of the absolute masterpieces of 20th century music; a score if scintillating colour, gorgeous counterpoint and upbeat pulses.
(📷 from @Boosey HPS 1239) #AdventuresInMusic #scoreoftheday
The resplendent closing page from @Thomas_ades’s ’Dawn’ (2020) ☀️ Subtitled ’Chacony for orchestra at any distance’, the music was written during the 1st Covid lockdown as a musical image of perpetual sunrise, like one transpiring in space. #AdventuresInMusic #scoreoftheday
Friday vibes with one of my all-time favourite percussion concertos, Einojuhani Rautavaara’s ’Incantations’ (2008) for @colincurrieperc, whose premiere recording with @HelsinkiPhil & @johnstorgards is pure🔥🔥🔥
#AdventuresInMusic #scoreoftheday
Old England fanfare from Erich Wolfgang Korngold’s Symphonic Suite from ’The Adventures of Hood’, adapted from the film score by the composer. #AdventuresInMusic #scoreoftheday
Glimpses from Elliott Carter’s astounding Cello Concerto (8 mvts, attacca) completed on 11 November 2000, a month before the composer’s 92th birthday. Dedicated to Fred Sherry, the concerto has also been perfomed by @YoYo_Ma, @AWeilerstein et al. #AdventuresInMusic #scoreoftheday
Written in 1919, E. W. Korngold’s Symphonic Overture ”Sursum corda!”, Op. 13 is a case in point of orchestral mastery. Nineteen years later, excerpts from the overture reappeared in the composer’s score for ’The Adventures of Robin Hood’ (1938). #AdventuresInMusic #scoreoftheday
A small snippet from the astounding alto sax part of @HellTweet’s jazz symphony-but-name ’City Noir’ (2009), to be performed tonight by the one-and-only @McAllisterSax and @COmusicfestival orchestra, conducted by the composer!!
#AdventuresInMusic #scoreoftheday
Most people would of crumbled after that hole in one on 3, but not me, smashed it, better luck next time @Joporter18 #scoreoftheday
The world we live in. The opening of @HellTweet’s ’Scheherazade.2’ (2014), ’Tale of the Wise Young Woman - Pursuit by the True Believers’, constitutes strikingly accurate portrayal of our contemporary realities. Will there be ’Sanctuary’ for us? #AdventuresInMusic #scoreoftheday
A selection of performance instructions from György Ligeti’s splendid ’Hamburg Concerto’ (1998/1999) for solo horn and chamber orchestra (with two basset horns and four obbligato natural horns). 📯💛 #AdventuresInMusic #scoreoftheday
’Must the Devil Have All the Good Tunes?’ On 23-25 June @VikingurMusic, @SFSymphony & @esapekkasalonen provide the answer with performances of @HellTweet’s terrific 2018 piano concerto 🔥
#AdventuresInMusic #scoreoftheday
W is for Wednesday and Webern. Composed in 1904, Anton Webern’s idyll for large orchestra, ’Im Sommerwind’ was only first perfomed in 1962 by @philorch & Eugene Ormandy. Juvenilia, certainly, the score does however look forward to mature Webern.
#AdventuresInMusic #scoreoftheday
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