Horroris causa

Un programa de radio que defiende el horror como una de las bellas artes. Con Antonio Camarillo, Roberto Coria y Pablo Guisa.

[Horroris causa @horroris]

Se dice que, en estos días, la barrera que separa el mundo de los vivos y de los muertos es más tenue… ¿qué mejor oportunidad para que vuelva del más allá #HorrorisCausa?

Especial de muertos… ¡en vivo! Este miércoles 27 de octubre a las 22:00 CDMX

#FelicesPesadillas

[Claudio Lomnitz @clomnitz]

Cerró Ediciones ERA, la mayor casa editorial que le quedaba al país. La indiferencia hacia la cultura es ya una cordillera áspera. Le tocaría a la sociedad darse "un baño de tumba" y mirarse duramente al espejo porque en el terreno de la cultura la desertificación campea.

[DepressedBergman @DannyDrinksWine]

After reading the script of "Robocop 2" (1990), Peter Weller didn't like it and he criticised it. He told the producers, Irvin Kirshner and Frank Miller up front that the movie needed a better third act. The producers felt that "the monster is going to be enough.” Weller felt it needed a moral angle. Weller thought the script of "Robocop 2" did not have the code, the spine, or the soul of 'Robocop" (1987).

Here is what Peter Weller said:

"Interviewer: Does 'RoboCop 2' have anything to do with your general feelings on sequels being inferior?

Weller: Yeah. 'RoboCop 2' didn’t have a third act. I told the producers and Irv Kirshner up front, and Frank Miller. I told them all. I said, “Where’s the third act here, man? So I beat up a big monster. In the third act, you have to have your Dan O’Herlihy. Somebody’s got to be the third act.” “No, no, the monster’s going to be enough.” “Look, it’s not enough!” When you have a movie like the first 'RoboCop', where the bad guys are never the bad guys and it’s always the morality of the thing. You know, like the idea that progress in the name of progress can steal a man’s identity.

Look, the first RoboCop’s got deregulated trickle-down social economic politics in it, way before Bush and Romney and the debates with Obama and Senator Clinton. It’s got a morality to it. If you don’t have that, man, you’ve got no flick, and I said that so much. But, look, I don’t need to be right about 'RoboCop 2'. I had a good time making 'Robocop 2'. I was breaking up with a girlfriend at the time, so I can’t say I really had a great time, but I had a good time with Irv Kirshner, God bless him, and being in Houston, running around with Billy Gibbons of ZZ Top, who’s an old friend. But the script did not have the code, the spine, or the soul of the first one."

("Peter Weller on feminism, sequels, and more", Will Harris, The AV Club, 2013)

[Chucky Town 🔪 @TownOfChucky]

Brad Dourif states that despite being retired from acting, he will not let go of Chucky nor would he allow another actor to play the killer doll 🔪

“Yeah…nobody is doing Chucky but me”

[Guillermo del Toro @RealGDT]

Done- Maybr some washes later in the week

[Iván Fernández Amil @ivanfamil]

Cuando Peter Jackson explicaba a Christopher Lee cómo debía gritar al ser apuñalado por la espalda durante el rodaje de "El Señor de los Anillos", Lee le miró muy serio y le dijo: "¿Sabes qué sonido hace realmente un hombre cuando le apuñalan? Porque yo sí". Tira del hilo 🧵👇🏽

[Antonio Camarillo @acamaril]

Fantástico recurso.

[Guillermo del Toro @RealGDT]

Mia on set

[R E P L I C A N T @Roybattyforever]

La fisiología de un Xenomorfo.

[Antonio Camarillo @acamaril]

Toca #DoubleFeature de #BodyHorror, cortesía de @SeverinFilms y @VinegarSyndrome #horror #PhysicalMedia #AMovieADay

[Antonio Camarillo @acamaril]

Estoy invitado al episodio de esta noche de @CinemaNET para platicar sobre PREDATOR: KILLER OF KILLERS y la inesperada sorpresa que ha resultado ser ALIEN: EARTH

A las 22:00 horas #CDMX ¡Allá nos vemos! #podcast #cine #alien #AlienEarth #Predator

https://t.co/pcpqpXwxxz

[Retro Recall (☥𝐃𝐁) @RetroMoviesDB]

You know...kinda true

[Retro Recall (☥𝐃𝐁) @RetroMoviesDB]

I remember

[All The Right Movies @ATRightMovies]

The outstanding atmospheric teaser trailer for ALIEN (1979), they really don't make 'em like they used to.

[All The Right Movies @ATRightMovies]

THE SIXTH SENSE was released 26 years ago today. One of the most popular ghost story movies ever made and the film that launched director M. Night Shyamalan into the spotlight, the story of how it came to be made will have you seeing dead people…

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[All The Right Movies @ATRightMovies]

SUPERMAN II was released 45 years ago this week. A successful sequel and one of the most popular Man of Steel films, the behind the scenes story is as big as its three Kryptonian villains…

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[Antonio Camarillo @acamaril]

Todavía hay lugar para mi #taller de Géneros Cinematográficos y Guionismo, que tendrá lugar el lunes y martes de la próxima semana gracias a mis amigos de @BenucaFilms

Las sesiones son vía Zoom. Más info e inscripciones en [email protected] ¡Anímense, se pone bueno!

[cinesthetic. @TheCinesthetic]

Bloopers from The Silence of the Lambs—amazing to see such legendary actors having fun on set. No pressure at all making one of the greatest films ever made.

[All The Right Movies @ATRightMovies]

GET OUT was released 8 years ago this week. The debut of director Jordan Peele, and acclaimed as one of the best horrors of the 21st century, the tale of how it came to be might make you sink into the floor…

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[Matías Schrank @MatiasSchrank]

Así es como las películas logran sus hazañas épicas

1. La película original de Los Cazafantasmas está ambientada en 1984