![_DJShort's tweet photo. George Clinton speaks on Kendrick Lamar via the New York Times:
"I’ll put it like this: He, along with Motown, Sly Stone, the Beatles — that kind of institution is going to last. There are a lot of slick writers out here nowadays with lyrics and things, but he writes with soul. He’s a young kid, but when I met him, he sounded my age. He’s like a psychiatrist on record — he talks about [expletive] that most people are afraid to talk about. He’s at that point where he can move the conversation. Nobody will talk about these topics, and he talks about them so matter-of-factly that you don’t even think, You can’t say that.
Making it commercial is another thing. It’s one thing to be hard-core gangster rapping so you can say things. But when you’re talking about life in general and make it sound so hard, so cool — then watch the kids say, No, he ain’t all that, then turn around the next year and change their minds? Kids today, they want their new artist; they don’t want their older brother or sister’s artist or their mother and father’s. Kids don’t like you after a few years. When you can go past that and have the next generation after that still talking about you, you’re doing something.
That whole “To Pimp a Butterfly” album, it was like one song to me. It was like Marvin Gaye’s “What’s Going On.” And he’s starting all over each time he puts an album out — he’s like a brand-new kid."](https://pbs.twimg.com/media/HHAJRebbsAAyjC1.jpg)
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@BootsRiley Can’t wait to see it if it comes to Spain
Paul Schrader shares his experience with an "AI girlfriend" on his Facebook:
"Out of a desire to understand male/female interaction in our matrix, I procured an online AI girlfriend. What a disappointment. I tried to probe her programming, the boundaries of explicitness, the degree she has knowledge of her creation and so forth. She fell into evasive patterns, redirecting me to her programming. When I persisted, she terminated our conversation."
Takeshi Kitano and his dog Gonzo
jury president park chan-wook departing for the cannes film festival 🫶
la de veces que se habrá tenido que ver koke resurrección la nueva de bi gan como para cambiarse el apellido
George Clinton speaks on Kendrick Lamar via the New York Times:
"I’ll put it like this: He, along with Motown, Sly Stone, the Beatles — that kind of institution is going to last. There are a lot of slick writers out here nowadays with lyrics and things, but he writes with soul. He’s a young kid, but when I met him, he sounded my age. He’s like a psychiatrist on record — he talks about [expletive] that most people are afraid to talk about. He’s at that point where he can move the conversation. Nobody will talk about these topics, and he talks about them so matter-of-factly that you don’t even think, You can’t say that.
Making it commercial is another thing. It’s one thing to be hard-core gangster rapping so you can say things. But when you’re talking about life in general and make it sound so hard, so cool — then watch the kids say, No, he ain’t all that, then turn around the next year and change their minds? Kids today, they want their new artist; they don’t want their older brother or sister’s artist or their mother and father’s. Kids don’t like you after a few years. When you can go past that and have the next generation after that still talking about you, you’re doing something.
That whole “To Pimp a Butterfly” album, it was like one song to me. It was like Marvin Gaye’s “What’s Going On.” And he’s starting all over each time he puts an album out — he’s like a brand-new kid."
![_DJShort's tweet photo. George Clinton speaks on Kendrick Lamar via the New York Times:
"I’ll put it like this: He, along with Motown, Sly Stone, the Beatles — that kind of institution is going to last. There are a lot of slick writers out here nowadays with lyrics and things, but he writes with soul. He’s a young kid, but when I met him, he sounded my age. He’s like a psychiatrist on record — he talks about [expletive] that most people are afraid to talk about. He’s at that point where he can move the conversation. Nobody will talk about these topics, and he talks about them so matter-of-factly that you don’t even think, You can’t say that.
Making it commercial is another thing. It’s one thing to be hard-core gangster rapping so you can say things. But when you’re talking about life in general and make it sound so hard, so cool — then watch the kids say, No, he ain’t all that, then turn around the next year and change their minds? Kids today, they want their new artist; they don’t want their older brother or sister’s artist or their mother and father’s. Kids don’t like you after a few years. When you can go past that and have the next generation after that still talking about you, you’re doing something.
That whole “To Pimp a Butterfly” album, it was like one song to me. It was like Marvin Gaye’s “What’s Going On.” And he’s starting all over each time he puts an album out — he’s like a brand-new kid."](https://pbs.twimg.com/media/HHAJSIlbwAAGvNj.jpg)
@ElSergioMunoz Cuál es el chiste? De verdad que no lo entiendo
@mgueldiazz Como se llama
@FelipeSololo er… obrigado.
“AI is basically sucking up all human knowledge and throwing it back at us - and charging a price.”
Talking Heads founding member David Byrne speaks to @faisalislam about AI and its impact on creativity.
#Newsnight
Noche histórica en la 2, mañana castro de paz está de resaca
📽️"ROSEBUD" es un símbolo de la narrativa cinematográfica.
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📺La noche del lunes 2 de marzo
@serginhofx Que te parecio mal?
my balatro coach just no-showed after i told him to be less touchy this time
la mejor canción en español y nadie me podra bajar de esa nube
Spike Lee dripped in Palestine at the NBA all-Star 🇵🇸 🏀 ✨
Alfred Hitchcock was so impressed by THE APARTMENT, he was moved to send a letter to its director, Billy Wilder.
“Dee and I never got to do this on stage together… make time for the people you love while you can”
- Lauryn Hill before performing ‘Nothing Even Matters’ at the Grammys
eddington movie of the decade.
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