Check out this incredible breakdown reel highlighting the Emmy®-nominated visual effects that @ILMVFX and their VFX vendors brought to The Book of Boba Fett.
Everyone at Lucasfilm was deeply saddened to learn of the passing of Marcia Lucas. One of three Oscar-winning editors who worked on Star Wars: A New Hope, she also contributed to American Graffiti, among other early Lucasfilm productions. We join the global filmmaking community in mourning her loss.
A statement from Lucasfilm: https://t.co/U1abKHO7yq
Everyone at Skywalker Sound was deeply saddened to learn of the passing of Marcia Lucas. One of three Oscar-winning editors who worked on Star Wars: A New Hope, she also contributed to American Graffiti, among other early Lucasfilm productions. We join the global filmmaking community in mourning her loss.
A statement from Lucasfilm: https://t.co/M6iEYmz6Ux
Everyone at ILM was deeply saddened to learn of the passing of Marcia Lucas. One of three Oscar-winning editors who worked on Star Wars: A New Hope, she also contributed to American Graffiti, among other early Lucasfilm productions. We join the global filmmaking community in mourning her loss.
A statement from Lucasfilm: https://t.co/jHxGup0PC3
Explore the visual effects of ANDOR.
For your Emmy® consideration in all categories including Outstanding Special Visual Effects in a Season or a Movie. #FYC
Since 1975, Industrial Light & Magic has created thousands of images across hundreds of films, series, attractions, and immersive experiences that have challenged our perceptions and inspired our imaginations. We salute the past 50 years as we look ahead to the next half century of storytelling.
If you want something soothing/moving- Music by John Williams (by the great Laurent Bouzereau) at Disney + Is a soaring, human tribute to a man that has given a voice to countless films and the chronicle of one of the most endearing and anduring film partnerships ever.
It took several days to count every ballot in 2020, and it’s very likely we won’t know the outcome tonight either. So please keep a few things in mind as you make your voice heard today:
– Thousands of election workers around the country are working hard today. Respect them. Thank them.
– Don’t share things before checking your sources.
– Let the process run its course. It takes time to count every ballot.
Getting to design Orion Pax's damage design was one of the highlights on the film. We pitched the idea that the fusion cannon would physically mangle his body with a gaping hole near and through his chest. We wanted to maintain clarity into Orion's eyes, so in the moment his life force was extinguished you would feel the pain and agony of the permanence of this act. This also manifesting into a desaturated lifeless Pax, as he falls into the abyss. Our main goal was to make the audience see and feel the visual charring of Orion's face, but still connect with his soul. Thanks for looking. Special thanks to our fearless director @CooleyUrFaceOff for letting us push this to the next level.
One of the most insidious things about the "adapt or die" AI lie is in its targeting of young, developing artists. It puts pressure on them to automate their creativity, undermining their growth and unique voices via fear mongering and the threat of obsolescence. It's disgusting.
Feeling spooky? Start off your Halloween season with our October Watchlist - a collection of frightening, hair-raising, and creepy ILM projects. Tell us in the comments which is your favorite! 🎃 ⚰️