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In 1995, Paul Verhoeven actually showed up to the Razzies in person knowing Showgirls (1995) was about to get destroyed, then casually accepted seven awards himself, including Worst Director and Worst Picture. Honestly kind of legendary behavior.
(🧵1/11) For the past year and a half, I've been investigating OpenAI and Sam Altman for @NewYorker. With my coauthor @andrewmarantz, I reviewed never-before-disclosed internal memos, obtained 200+ pages of documents related to a close colleague, including extensive private notes, and interviewed more than 100 people.
OpenAI was founded on the premise that A.I. could be the most dangerous invention in human history—and that its C.E.O. would need to be a person of uncommon integrity. We lay out the most detailed account yet of why Altman was ousted out by board members and executives who came to believe he lacked that integrity, and ask: were they right to allege that he couldn't be trusted?
A thread on some of of our findings:
Mumbai could have built a modern coastal commuter railway moving 10× more people, like the Rodalies de Catalunya I rode in Barcelona. Instead, it chose a massive bridge in the sea for cars, the least efficient and most polluting way to move a city. 🚇🌊
Did you know Mumbai has a secret Parisian connection? 🇫🇷🎥
The Pathe House in Ballard Estate (built in 1918) was once the headquarters for France’s Pathé Frères—the world's top cinema equipment manufacturer at the time.
Look closely at the top of the building, and you'll see their iconic crowning rooster, flanked by the names Paris and Bombay. A true 100-year-old link between two great cinema cities! 🏛️✨
#MumbaiHeritage #History #PatheHouse #BallardEstate #Cinema #Mumbai #Paris
Grab one ticket… and drag a survival partner into the chaos for free. 👀🔥
Head to @BookMyShow and use code CROCCODE now! 🎟️
Valid only for Friday.
#TuYaaMain in cinemas now!
Book your tickets: https://t.co/h8gLuIjKOJ
#LikeShareSurvive#Valentines2026
Double the fear. Half the price.
Now that’s a deal you can’t escape. 🐊
Head to @BookMyShow and use code CROCCODE now! 🎟️
Valid only for Today.
#TuYaaMain in cinemas now!
Book your tickets: https://t.co/h8gLuIjKOJ
#LikeShareSurvive#Valentines2026
#TuYaaMain, Arguably The Finest Survival Drama In Indian Cinema
Rating: *** ½
Bejoy Nambiar is one of my favourite directors. His flavourful pastiche includes such masterly portraits of human desires and failings as Shaitaan, David and the underrated Solo, not to mention the brilliant Dange.
I could go on and on. But there is this other thing that Bejoy has now done in collaboration with the ever-enterprising producer Aanand L Rai. It’s called Tu Yaa Main . I watched it a bit late when it has already taken a beating at the boxoffice. This is a massive blow to the rapidly evaporating breed of Good Cinema,and by that I mean cinema which is worth watching not for its message or its cinematic qualities. But simply for its high entertainment value.
The last 45 minutes of Tu Yas Main is shot in an emptied swimming pool. I kid you not. You won’t step into an open stretch of pool for the next twenty-five years. As far as underwater terror is concerned Tu Yaa Main(awful title!) is next only to Stephen Spielberg’s Jaws and that came a good fifty years ago.
Tu Yaa Main is the aqueous equivalent of a hijack drama like Neerja. The only difference is in the assailant’s identity.
The smartly cut narrative begins as a class-challenged romance between an over-privileged influencer Avani(Shanaya Kapoor) and a workingclass rapper Flow(Adarsh Gourav). The two actors are well cast, and kudos to Mukesh Chhabra for that. Kapoor , however, needs to work on her https://t.co/w9fIJAQNPS is hard to make out what she is saying.
Not that the spoken word is of paramount relevance. Tu Yaa Main is decidedly a film where action speaks louder than words. Its ameer-gareeb romance is swept aside , as the two protagonists run….rather , swim for their lives.
Director Bejoy Nambiar’s biggest challenge was to make the crocodiles look as lethal as the sharks in Jaws. In this he succeeds swimmingly, evincing gasps and moans from the audience as Avani and Flow attempt to escape their deadly opponents.
This is a grossly neglected film which deserves a much bigger audience. Don’t let it be swallowed by the big sharks.