FACES OF DEATH (2026) was exceptional. Has its finger on the pulse of our modern obsession with the voyeurism of violence and how big tech created this cruel online world we're all forced to participate in.
"I don't want to know how much money social media companies made off the Charlie Kirk killing"
for @WIRED, i talked to @chronopictures and @isaiswrong about Faces of Death and the modern era of snuff https://t.co/VrBre39oW8
"We've taken for granted that this is what the internet is ... but we are capable of constructing a better social media.”
I spoke w/ @chronopictures & @isaiswrong abt FACES OF DEATH, cheese pizza, reimagining our online existence, & being digital prophets. Read ⬇️
Faces of Death is so fucking good, man. Got under my skin in a big, bad way. One of the better movies about ~how we live now~ in really smart, refreshing ways. Makes sense because Cam is excellent too. Had no idea Dacre Montgomery had that in him.
Filmmakers Daniel Goldhaber and Isa Mazzei speak with Isaac Feldberg about their bold and provocative new feature Faces of Death, an internet-era reinterpretation of a notorious “video nasty”. https://t.co/yiH55kEfqL
It's FACES OF DEATH day over at @letterboxd.
I spoke to Daniel Goldhaber and Isa Mazzei about hijacking the attention economy, being terminally online, where you can watch CAM, and who sees a faux-documentary compilation of snuff videos as exploitable IP: https://t.co/mFhznyK9WN
FACES OF DEATH reinterprets a notorious video nasty for the internet era with savage wit and self-awareness; for @letterboxd, I sat down with @chronopictures and @isaiswrong to discuss fractures of digital identity, the influence of TARGETS, and much more: https://t.co/mFhznyK9WN
FACES OF DEATH: Absolutely for the sickos. Relentlessly nasty meta horror and a perfect indictment of our terminally online era, set to a droning Carpenter-esque synth score. The kind of shit that makes you need a long shower after.