@handonthepulse exactly. the work is the whole point & what makes it worthwhile. i just can’t fathom heavy reliance on LLM in yr artistic practice bc its quite literally antithetical to any sense of joy/satisfaction/delicious friction that comes from the process of working to make meaningful art
anyways. on the subject of using LLM to (re)write, i thought i just wanted to share the most perfect scene from hacks that captures how i feel beautifully
"I hate you like vampires hate garlic, like oils
hate water, like dinosaurs hate meteorites—
what I’d give for one to crater you. I hate you"
The impeccable opening to Despy Boutris' HATE POEM WITHOUT A DROP OF HYPERBOLE IN IT, in our ✨ MAY ISSUE ✨: https://t.co/DTaVGNZ4R2
Congratulations to Despy Boutris, whose poem "'California Poem'" is a runner-up in the 2026 Zócalo Public Square Poetry Prize contest!
https://t.co/uSCoLQbqCk
"I hate you like vampires hate garlic, like oils
hate water, like dinosaurs hate meteorites—
what I’d give for one to crater you. I hate you"
The impeccable opening to Despy Boutris' HATE POEM WITHOUT A DROP OF HYPERBOLE IN IT, in our ✨ MAY ISSUE ✨: https://t.co/DTaVGNZ4R2
Our MAY ISSUE is finally here. 🌼
WORDS by: E.P. Tuazon, @rennyxgong, Mary Liza Hartong, & Despy Boutris.
ART by: Christopher Dunlap.
PLUS: @CRSantantasio interviews Kate Broad.
✨️ Enjoy it all right here: https://t.co/30QFhA2YeE