@Olliekay4@TreyOvard I personally believe he would've loved it. My point stands. This isn't something that's malicious, controversial or not. It clearly comes out of admiration. The dude even stated he'd delete the channel if Technodad says so.
We all fall down ~
pg 1-2
30th october 1970.
I sat and did not move away from my laptop for at least five-six hours for these two pages, I think I might post between one and two pages a week, but I wanted to give it a strong start
#fnaf#fionamurray#mrsafton
@SimmonsJul9494@V_forvalery Either you're dumb or you don't eyes. Zoom into these pictures, they are very clearly AI generated. Faces are all mushy and weird. First image is AI enhanced to make the skin tones more normal looking. Also Norway's Kings guard wear black. Google is free right? So use it dumbass.
@Lockst3p@RealDeclou@loonzium I actually have a counter to this as a JJK fan but it has spoilers from the Manga. So lemme know if you don't want to be spoiled.
Imagine it's 1984 chooms, and Ian McCulloch writes lyrics for "The Killing Moon" song, and the iconic line "fate up against your will, he will wait until you give yourself to him". Forty years later, that song by rock band Echo & the Bunnymen inspired us to become a title of a quest in Cyberpunk 2077: Phantom Liberty. And if you analyze the chords, it's Bowie's "Space Oddity", in reverse. The story of a man who goes up and does not return and Songbird's whole plan is to leave Earth for a clinic on the Moon.
And that iconic line, it almost captures the entire quest. Fate against will. V chooses to help Songbird, but the cure was always just for one person. The train, the spaceport, the helicopter, the BlackWall: all of it is the long walk between the moment V believes they have agency and the moment they discover they were keeping a promise the universe had already broken. Braided intense action and cinematic spectacle, taking the player on the emotional journey to understand, fate against the will.
The BlackWall sequence is where the metaphor stops being just a metaphor. Songbird, dying, opens the wall that has held back the rogue AIs of the old net for decades. She and V pull a piece of that abyss into the world. This composition was important for us: a mortal carrying a goddess who is briefly channeling something older than either of them, and the world dissolves. V holds Songbird and unleashes the very thing that is killing her, in violent, spasmic sequence. They are, in that instant, almost like the song. The Killing Moon.
Designed by Błażej Augustynek, currently Quest Director of The Witcher 4.
@DAVS15EHD@Exis121752@EtherionMaster Well, surface would just mean infinite pressure is applied. But infinite pressure doesn't do anything to infinite distance. We also see that it doesn't exactly distort the space around it but rather it distorts anything it touches. And infinity is just distance.
@DAVS15EHD@Exis121752@EtherionMaster The only area being effected is inside the sphere itself. Not the outside. And since the sphere has to travel, it will not bypass infinity. It'll just simply stop moving once it comes into contact with infinity.
@_fuumii ItzCrim
This character would be a funny inclusion. They're a character I'm making an anime for. And canonically they visit different storylines and worlds. So it'd be fitting!
@DeeJzNuts@Windows98SE_Off @cattank @Pirat_Nation The issue is that without the games, the software is useless. Which makes it fall under fan content/mod. It working the same as Discord or Nvidia is irrelevant because neither is paywalled. Which means they don't profit off of the game.