Interested but not overly surprised at the responses from many top singles players to reports that doubles is effectively going to be downgraded, in scope and money. Many clearly don't think it's worth protecting, which to me, is sad and shows no understanding of history.
actually hate the fitness aspect yall try to add to the rave scene if we wanna be fucking honest
And miss me with all the wellness coffee raves i find them fucking corny as shit
Just party fuck this preaching
Get that spin class shit out of here
I want to see djs spin classics
a lot of producers and djs
dont even make or play the music they "like"
they just like what playing and making that music represents
for their personal aesthetic also nostalgia
that doesnt sound cool to me tbh
This isn't faith—it's simple reality.
A machine doesn't have personhood. It lacks selfhood. It has no subjectivity.
AI has never been a parent or a child. It has never grieved the death of a spouse or family member. It has never fallen in love or overcome an illness or even just enjoyed a meal.
In other words, it has no experience of the human condition.
So it makes music, but has never heard music. it paints a sunset but has never seen a sunset.
You ask me what a machine could do to convince me—a kind of Turing test for AI personhood as an artist. But you can only really ask what a machine could do to fool me—to deceive me into thinking it had any of these capacities, or experiences, or emotions.
That's why AI art feels so listless and shallow.
But even if AI improves, it will simply be better at deception. The human element we cherish in art will always be outside of capacities.
every time aphex twin releases another snooze fest ass album I just go on Twitter to hear the 18 yr old sound design kids going absolutely bonkers then I really get inspired. thank you Twitter
I wrote the cover story for this month’s Harper’s (@harpers). It begins,
“My mother lost both of her legs on the way to the Barbican Art Gallery. It was her day off, and she was going there to see an exhibition called Unravel: The Power and Politics of Textiles in Art.”