For #WITMonth I'm starting a thread of one Latin American female writer per day. A few obvious choices but trying to bring some different names into the mix and hopefully showing the incredible diversity of literature available from the area.
@RCTCouncil@AndrewMorganRCT
A week or so ago I reported debris falling off a building onto the pavement but as yet nothing seems to have been done about it. This piece came off in front of me over the weekend.
The building is the old Fforchneol Arms, 196 Brynmair Rd. Cwmaman.
@RCTCouncil@AndrewMorganRCT
A week or so ago I reported debris falling off a building onto the pavement but as yet nothing seems to have been done about it. This piece came off in front of me over the weekend.
The building is the old Fforchneol Arms, 196 Brynmair Rd. Cwmaman.
@ahistoryinart Bill Dedman's biography of Clark , Empty Mansions : the Mysterious Life of Huguette Clark is a fascinating study of her life and the incredible amount of wealth her father amassed .
Enter the intimate, lyrical universe of Caio Fernando Abreu, one of Brazil’s most iconic contemporary writers.
Through poignant short stories and novels, Abreu captures themes of love, identity, loneliness, and freedom with raw honesty and poetic brilliance.
Just out from @PeirenePress, a coming-of-age story from Colombia, Lina Munar Guevara's Imagine Breaking Everything (translated by Ellen Jones):
https://t.co/uzJyPvS6bc
The Brazilian photographer Sebastião Salgado died today. He was 81. His images of the 1986 Serra Pelada gold rush, first published by the Sunday Times, remain some of greatest examples of the power of photography.
Some of my favourite photos by Sebastião Salgado were those of gold miners, who look like they're shaped out of the same ground they're working under. RIP.
@GrantRintoul That Uhart looks a bit good. I'll have a look for that. I do like the 'cronicas' that were so popular at one time, I was always hoping that Roberto Arlt' s would get a translation. Brazilian Nelson Rodrigues Life As It Is was a great collection.