Watch the new trailer for Zi directed by Kogonada, starring Michelle Mao, Haley Lu Richardson, and Jin Ha ✨
Zi will be released in limited theaters on November 6.
Add to watchlist: https://t.co/HSefX9njsF
Love this. A fundraising campaign has launched to create a life-size statue of Gene Siskel and Roger Ebert at Prudential Plaza in Chicago. It will even have seats so you can be "At the Movies" with them! 👍🏻👍🏻
https://t.co/3dRln8dOxJ
Tom Skerritt, who starred in the TV series “Picket Fences” and appeared in movies ranging from “MASH” to “Alien,” “Top Gun,” “A River Runs Through It” and “Ted,” has died of natural causes at 93.
https://t.co/13H8QfVBlc
1970s porn was not like anything else. Mainstream writers directors cinematographers and often actors, were making art with sex, and the lines blurred.
This is a brilliant scene from 1972 VOICES OF DESIRE with Sandra Peabody from Last House on the Left
FRANCE: Rioters have set fire to the historic City Hall in Limoges, France, causing its roof to burn and its clock tower to collapse.
Built in 1883, the 143 year old landmark survived 2 world wars and was designated a protected historical monument in 1975.
It’s gone now.
40 years since making The Color of Money.
I had the privilege as a young artist, to have a general meeting with Paul Newman and separately with Martin Scorsese years before making this film, where they shared some of their wisdom on cinema.
Of course, I’d seen their films, but prior to meeting them for the first time, I set up a personal study course where I would watch their films in sequence from the beginning of their careers, up until that point in time.
After being cast in The Color of Money, I once again studied all of their films in sequence.
Having studied their work, then being able to see firsthand these incredible artists, the towering legends of our field, at work on set, I was able to observe their practical application in every aspect of acting and filmmaking from their point of view.
I will always be grateful for this opportunity and for the generosity that Newman and Scorsese showed me with their knowledge of cinema and insight throughout the entire process.
To Marty, Paul, and the enormously talented cast and crew, it was a pleasure and an honor to be part of this film with you all! I have carried this experience and knowledge with me my entire career.
‘YOU CAN SEE EVERYTHING’ could make history as the first documentary to be nominated for Best Picture at the Academy Awards.
The film is earning widespread acclaim from both critics and audiences.
saddened to hear of the passing of Bill Krohn; strongly recommend his Hitchcock at Work, an intensely researched book that shows that despite his rep as a control freak & stern technician, Hitch was in fact very open to collaboration, input from actors, & even improvisations
Peter Greenaway's latest film is stuck in post-production hell. This article is a good overview of the film's seemingly intractable problems. It fails to mention though that Greenaway's previous film Walking to Paris is stuck in exactly the same quagmire: https://t.co/67jOcgvwJg
ALICE'S ADVENTURES IN WONDERLAND (1972) contains an unbroken 30-second shot that shows Alice magically shrinking in the frame after eating a magic mushroom, which continues to baffle people for over 50 years.
What you see really happened in one take with no cuts. There were no green screens, no compositing shots together and no digital VFX or CGI. It was captured in camera.
How do you think this incredible shot was accomplished?