@naledimashishi I like them both, I understand why Stephen King hated the movie, it is not a faithful adaptation. But Kubrick is doing something very different. He is interested in the universal unconscious of violence in the film. The film is a damning critic of masculine insecurity.
Proud to announce that today, weโre pushing back against this abhorrent rise in antisemitism and anti-Muslim hate and violence. https://t.co/OhRmqucNNP
@snjeriwambugu Arguably this is the best way to learn to write English prose. My homeboi Coetzee learnt English as a second language initially , and is arguable one of the greatest prose writers in English.
A journalist for 24 years, this is probably the most important article I've ever published. We saw the famine in Gaza with our own eyes. Together with Yarden Michaeli.
@YardenMichaeli
https://t.co/lls9iv6xPh
Issues at the intersection of sexual and professional ethics: the pseudonymous author, a self-confessed "player", wonders "whether my playerhood is contributing to my flourishing" and "what effect does my playerhood have on my discipline?" https://t.co/kszKTmK3SW
@Darren_Mooney I agree about both, and also early Bergman is also very much concerned with being โentertainingโ. Summer with Monika is mostly a comedy. However, the revealing problem with quote, and perhaps with most American critics is the odd conviction that film must be โentertainingโ.