Laduka

Arsenal.Gamer.Animal Scientist. SZ’s

[Laduka @laduka92]

Quote

[liminal @Liminal1988]

Self-sabotage is..

[Pépe @craquepepe]

🫡🫡🫡

[Habemus Fútbol @Habemusfutbol10]

A cuantas horas de viciarla tenes que llegar para lograr esto? realemente estoy sorprendido

[DennisVisuals @DtheW1995]

Actioncam Footage: T-Rex Attack a patrol Army Jeep. 🦖

Made with Seedance 2.5.

Prompt Share: (share your creation in the comments, i wanna see your result 💯)

Ultra-realistic 12–15 second blockbuster survival-action sequence filmed as raw dashboard camera / windshield-mounted camera footage from inside a fast-moving military jeep on a flooded jungle road in Vietnam. The footage must feel like authentic accidental real-world capture, not staged cinematography: slight dashboard vibration, realistic camera shake from the suspension, windshield rain streaks, muddy spray, engine vibration, tire slip, natural motion blur, and occasional wiper movement. 2000s/2010s creature-feature realism, grounded and physically believable. No teleportation, no impossible direction changes, no morphing. Vehicle speed, road direction, dinosaur movement, and all collisions must remain spatially coherent. Location / atmosphere: remote jungle road in Vietnam after heavy rain, shallow floodwater over the road, muddy ruts, broken vegetation, dense green jungle on both sides, grey storm daylight, humid haze, puddles, mist, birds scattering from the trees. 0–2s — ULTRA HOOK: Start already at full speed from the jeep dashcam. A military jeep is racing down a flooded jungle road behind another vehicle when, within the first 2 seconds, a massive T-Rex explodes out of the jungle from the right side and slams into the lead vehicle. The impact sends the vehicle violently sideways across the muddy road, smashing through water and vegetation. The T-Rex roars directly in front of the camera as the driver of the camera jeep yanks the wheel hard left to avoid the wreck. Water and mud blast across the windshield. One soldier inside the jeep shouts: “LEFT! LEFT! LEFT!” 2–5s: The jeep fishtails through the floodwater but keeps moving. The crashed vehicle spins behind them while the T-Rex regains balance and immediately charges after the camera jeep down the road. Keep the motion physically grounded: heavy footfalls, splashing water, mud thrown backward, the predator accelerating with believable weight and inertia. The driver fights for control while the passenger twists around in panic to look back. A soldier yells: “IT’S BEHIND US! GO! GO!” 5–8s: The T-Rex closes the distance, stomping through the road and shoulder, smashing through low trees and sending branches into the air. The jeep bounces over deep muddy ruts and nearly loses traction. The dinosaur lunges once and snaps its jaws just behind the rear of the vehicle, narrowly missing. The driver swerves around a fallen tree while tires spray muddy water in long arcs. The whole scene should feel dangerously unstable but readable. 8–11s — CRISIS: Ahead, part of the road is partially blocked by a large leaning tree weakened by the storm. The driver commits and aims for the narrow gap beside it. The T-Rex charges even harder, almost close enough to bite the jeep. The road curves slightly, the jeep drifts, suspension compresses, and one side nearly slides off into the muddy shoulder. The dinosaur collides with the weakened tree line as it tries to follow the same line. 11–13s — PAYOFF: Brief bullet-time feeling for the biggest moment: the huge leaning tree finally breaks and crashes down directly into the T-Rex’s path. The dinosaur slams chest-first into the collapsing trunk and tangled branches, creating a violent shower of mud, bark, and leaves. The jeep bursts through the gap just in time and escapes forward. Then instantly back to normal speed. 13–15s — AFTERMATH: Inside the jeep, panicked breathing and shouting continue as the vehicle speeds away. The dashcam catches one last glimpse through the rear window or side mirror: the T-Rex thrashing under the fallen tree, roaring and trying to get back up. A soldier gasps: “DON’T SLOW DOWN!” Hard cut. Audio: raw engine revving, tires cutting through floodwater, windshield wipers, metal rattling, soldiers shouting, T-Rex roar, heavy foot impacts, snapping wood, splashing mud, jungle ambience, birds exploding from the canopy. No overpowering music — the sound design should sell the realism and urgency. Key priorities: instant first-2-second hook, clear mini-story, realistic chase physics, grounded dashcam feel, strong environmental interaction, readable geography, escalating danger, and a memorable payoff.

[LOTR Universe @Lordoftheringsu]

A short animated of the Battle of Helm’s Deep from The Lord of the Rings: The Two Towers.

[roman @Nozelcode]

🚨ESTO ES UNA LOCURA

Un desarrollador chino acaba de lanzar una herramienta GRATUITA capaz de crear vídeos automáticamente para TikTok, Reels y YouTube Shorts.

Se llama MoneyPrinterTurbo.

Y ya ha superado las 100.000 estrellas en GitHub.

Así funciona:

1. Introduces un tema o una palabra clave
2. La IA genera el guion, la narración y los subtítulos
3. Busca el material visual, edita el vídeo y te entrega el resultado final

Todo ocurre en un único flujo de trabajo.

Guárdate esta herramienta.

Estoy seguro de que puedes sacarle muchísimo partido.

Enlace abajo👇

[Ahmad Faraz @iamahmedfaraz66]

Seedance 2.5 with @Vorla_AI
Prompt
Main Subject: Korean woman, naturally attractive, realistic skin, minimal makeup, long dark hair loosely tied back. Wearing an oversized faded blue sweatshirt, loose beige pants, white sneakers, and a thin silver necklace. Preserve her exact identity, facial features, hairstyle, and appearance throughout.

Location: Quiet Seoul neighborhood just before sunrise. Narrow residential streets, old apartment buildings, utility poles, parked cars, tangled overhead wires, small shops with shutters still closed, and an elevated railway visible beyond the rooftops. Cool early-morning haze slowly turning warm as the sun rises.

Style: Ultra-realistic early-2000s Sony MiniDV home video. Candid, quiet and completely unstaged. Handheld shake, imperfect framing, autofocus hunting, exposure shifts, faded colors, soft contrast, DV compression, slight motion blur and low-level microphone noise. No stabilization or modern cinematic movement.

00:00–00:03: She walks quietly through the nearly empty neighborhood, hands tucked into her sweatshirt pockets. The camera follows several steps behind, occasionally drifting toward the empty street.

00:03–00:06: She reaches a small pedestrian overlook near the elevated railway and leans against the railing. She looks tired but peaceful, watching the tracks below.

00:06–00:09: The distant sound of a train grows louder. She turns toward the tracks and waits. The camera struggles to focus in the dim morning light.

00:09–00:12: The first train suddenly rushes past. The camera shakes from the operator's reaction, briefly losing her behind the moving train. Morning light reflects across the windows.

00:12–00:15: She looks back toward the camera with a sleepy little smile, then turns toward the brightening skyline. The camera slowly drifts toward the railway and hazy rooftops as the recording ends.

Audio: Natural morning ambience only—distant train sounds, railway vibrations, birds, footsteps, faint traffic, wind, electrical hum and a few distant voices. No music, narration, or added effects.

Goal: Make it feel like a forgotten MiniDV recording from an ordinary morning in Seoul. Quiet, intimate, slightly lonely but comforting, with the nostalgia coming from the mundane setting, early-morning atmosphere, and imperfect home-video camera rather than cinematic staging.

[Romain Torres @rom1trs]

Seedance 2.5 captures emotions incredibly well.

Create expressive, emotional videos that genuinely feel real.

Generated on Arcads

Full prompt:
One unbroken 15-second take. No cuts, no scene changes, no re-framing.\n\nPREMISE: she has already been crying for ten minutes before this shot begins. Every sign of prolonged crying is ALREADY PRESENT IN THE FIRST FRAME and stays constant — it does not develop, appear, spread or intensify during the clip.\n\nSUBJECT (fixed state from frame one): extreme close-up of a fictional young East Asian woman, late twenties, face filling the frame, outdoors on a cold shoreline. Ordinary face cast from the street, not a fashion model — slightly asymmetric features, one eyelid marginally lower, natural brows with visible individual hairs. Long dark brown hair, loose and windblown. Grey sleeveless cotton top. Large thin silver hoop earrings.\n\nAlready established at frame one and held constant: eyelids puffy and swollen, inner eyelid rims and waterline red, nostril rims raw and pink, a settled uneven flush across the nose bridge and upper cheeks, blotchy mottled patches on the neck, faint dried salt tracks on the cheeks from earlier crying. This is her baseline appearance for the entire clip.\n\nSkin at full texture: visible pores across nose and cheeks, vellus hair along the jaw and upper lip, uneven undertone, a couple of dormant blemishes, dry cracked lower lip. No makeup, no smoothing, no beautification.\n\nCRITICAL: no progressive reddening. No skin colour change of any kind across the 15 seconds. No swelling developing. No blotches appearing or spreading. No flush blooming, creeping or intensifying. Pigmentation and puffiness are locked at the frame-one state.\n\nWithin these 15 seconds, ONLY these things are permitted to change: facial muscle position, tear fluid, breathing movement, hair position, cloth position, and wet gloss on skin.\n\nLIGHT AND BACKGROUND: soft flat overcast daylight, cool 6500K, no direct sun, no shadow direction, no exposure shift, no white balance drift. Behind her a completely blurred pale grey coastal background — sea and horizon dissolved into unreadable bokeh, no detail resolving.\n\nCAMERA: handheld operator on a long lens. Continuous micro-drift, small weight shifts, faint breathing sway. No zoom, no push-in, no pull-out, no orbit, no rack focus. Focus locked on the near eye, far eye slightly soft. Face scale identical first frame to last.\n\nCONTINUOUS: fine loose hair strands blow across her cheek, lips and eyeline in irregular gusts, sometimes sticking to wet skin. Involuntary blinks at uneven intervals. Real chest and shoulder breathing.\n\n0.0–3.0s — Suppressing it. Lips compress to a thin flat line, the lip border blanching white under mechanical pressure. Chin muscle bunches and dimples in fast small tremors. One sharp shuddering inhale lifts the chest and catches in the throat; a visible swallow moves the neck. Nostrils flare open and relax. Tears build along the lower lash line and hold by surface tension without spilling; eye surface glassy and reflective.\n\n3.0–6.0s — It breaks. Eyes squeeze shut, lower-lid creases compressing. Inner brows pull up and together, wrinkles forming between them. Mouth opens into a sob, lower lip pulled down and out, corners dragging toward the jaw, tendons standing in the neck. The held tears break and run in two uneven tracks down both cheeks, catching light, thinning over the cheekbone. Wet lashes clump into points. Wet skin gains gloss where the tears pass — moisture only, no colour shift.\n\n6.0–7.5s — Head tilts downward, chin toward the chest, shoulders sinking. Eyes reopen a fraction, unfocused and streaming.\n\n7.5–11.0s — She wipes her face with her own shirt. Her right hand enters from the bottom of the frame, fingers bunching the front hem of the grey top, and pulls the fabric up. She presses the balled cloth against her right cheekbone, holds a beat, and drags it upward and inward across the wet skin — fabric bunching in her fist, dragging the cheek flesh slightly, catching under the eye, pulling the lower lid down a fraction as it passes. Where the cloth presses hard the skin blanches pale for a moment and refills within a second, as real compressed skin does. The cotton darkens where it absorbs the tears. She switches to the left cheek with the same fistful of cloth, wipes across roughly, then presses it flat over her nose and mouth and breathes into it, the fabric denting inward on the inhale and puffing on the exhale. The knit stretches and thins under tension, hem curling, tension wrinkles radiating from her grip. A rough, functional, unglamorous wipe — not delicate, not choreographed.\n\n11.0–12.5s — She lets go. The fabric drops with real cloth weight — a fast fall, a small overshoot, then settles onto her collarbones with residual creases and visible damp patches. Her hand exits back down out of frame. Her face is uncovered in the same position, nothing snapping or teleporting. The tears are physically gone from the cheeks, leaving only faint moisture gloss and a few hair strands pulled loose and stuck across the skin. Her underlying redness and puffiness are exactly as they were at frame one — unchanged by the wiping.\n\n12.5–15.0s — Eyes open only partway, cast downward and slightly off-lens, lashes stuck in wet spikes. Mouth stays open, taking heavy uneven exhausted breaths, top lip trembling on each exhale. Nostrils flaring. Chest rising and falling out of rhythm. One fresh tear starts again at the corner of the left eye and begins to travel. No recovery, no smile, no resolution.\n\nAUDIO: diegetic and sparse only. Steady offshore wind across the microphone, low distant surf, faint fabric rustle when the shirt moves and when it drops. Her breathing carries the scene: the sharp catching inhale near 2s, a broken wet sob on the break near 4s, muffled breath through the cloth around 9–10s, then slow ragged uneven breathing to the end. Small involuntary throat sounds and sniffs. No words, no dialogue, no speech of any kind. No music, no score, no sound design, no reverb, no interior room tone.\n\nRENDER: photoreal cinema, ARRI Alexa 35, 85mm at T2.0, shallow depth of field, filmic contrast with lifted blacks and gentle highlight rolloff, muted desaturated cool palette, fine organic grain, faint chromatic fringing.\n\nNEGATIVE: no progressive reddening, no flush blooming or spreading, no skin tone change, no swelling developing, no colour grading shift, no cuts or transitions, no zoom, no camera move beyond handheld drift, no face morphing or identity drift, no changing hairstyle, no extra or malformed fingers, no second hand entering, no background detail resolving, no lighting change, no text, no captions, no overlays, no logos, no slow motion, no speed ramp, no additional people, no spoken words, no music.

[Chesny @chesny]

Este tipo acaba de FILTRAR la forma MÁS FÁCIL de hacer dinero en 2026:

Claude Code + YouTube = 62.000 $/Mes

Nada complicado. (Solo 13 minutos)

Guarda esto en favoritos para no perderlo.

[Chesny @chesny]

GUÍA COMPLETA PARA CREAR APPS CON CLAUDE EN 8 MINUTOS

La forma más simple de construir una app que he visto.

Sin código.
Sin complicaciones.
Solo describes lo que quieres.

Guárdalo, te será muy útil.

[Mohamed :) @Hamidgx027]

ابغى واحد يشرح لي

كيف بيس 2012 فيها مشاهد توقيع مع الاعبين افضل من FC 27 و كل العاب الكورة حاليا 💀💀💀

[UI/UX @Ajayfizzy]

"Thank you for your payment"

Me:

[Mr. Arsenal @AzengaMoses]

We have got everything

[Doc Strangelove @DocStrangelove2]

Honestly it’s so cool to see him take after his Dad.

[Mustafy | AI Video Creator @MustafyOf]

How to Make Cartoon Videos with AI (Full Tutorial)

[Middle Earth @_middleEarth]

From Halbrand → Annatar → SAURON

[m. ☾ ☆ @datreylo]

“I think in Sauron��s mind, maybe Galadriel didn’t reject him. I think he just tried to ignore that.”

Sauron gonna propose to Galadriel a third time in front of her whole ass husband in s3 😭

[Robert (he/him) @robertjosephval]

Uhh finding out your best friend is actually your worst enemy

[KucingKerongKuantan @KlutzyKucing]

Zakat is corrupt. TH is corrupt. And neither of these is managed by non-Malays lol. It’s heartbreaking but not surprised :)