Jim Lambie 🇨🇦

Emmy Nominated Set Decorator | Photographer | Educator | Purveyor of Prop Phones | Writer of Lists (see previous)

[Vashi Nedomansky, ACE @vashikoo]

In 1972, Alfred Hitchcock's "oner" leaves the murder to our imagination as the camera follows, then creepily retreats on a studio set. At the end, a hidden cut reveals the real location in London. Did he use a crane, jib or overhead track inside?

[Vashi Nedomansky, ACE @vashikoo]

🎥RAIDERS SHOT DESIGN🎥
Spielberg turns a cramped living room into 96 seconds of continuous cinematic choreography. A single moving shot gives Indy and Brody close-ups, wide shots, movement, exposition and visual variety without a single cut. Super elegant visual storytelling.

[All The Right Movies @ATRightMovies]

Behind the scenes on CHILDREN OF MEN, the camera rig on the car used for the one-shot ambush scene.

[George Stroumboulopoulos 🐺 @strombo]

It was like someone threw a brick through the front window of rock n’ roll. 

Imagine hearing this album for the first time.

The Ramones debut record came out 50 year ago today.

Side 1 - Track 1 : Blitzkrieg Bop

[cinesthetic. @TheCinesthetic]

In 1995, Martin Scorsese and Francis Ford Coppola helped restore and re-release I Am Cuba (1964).

Considered a masterpiece, this continuous shot shows why.

[Vashi Nedomansky, ACE @vashikoo]

THE PARALLAX VIEW
Legendary cinematographer Gordon Willis makes isolation visible. People are swallowed up by space, reduced to fragments inside systems too large to fight. A visual masterclass in framing and composition.

[Scott Robertson @sarobertson_]

"There's one thing that's worse than being uneducated and it's being badly educated. And Mr. Carney is very badly educated on economics." -- Pierre Poilievre says, as water dribbles down his chin

[Jim Lambie 🇨🇦 @lambiejim]

Feels like a good day to post this. My first meme!
#cpc

[Vashi Nedomansky, ACE @vashikoo]

RONIN (1998) - Director John Frankenheimer explains where he learned this sneaky in-camera film editing trick, which he used to merge a real Paris location with the bar set he had built on a studio stage.

[Vashi Nedomansky, ACE @vashikoo]

Director Robert Altman breaks down how he crafted an 8-minute "oner" with no cuts to start THE PLAYER (1992). They filmed 15 takes using 11 microphones to nail the choreography and blocking in this shot. The dialog was completely improvised.

[All The Right Movies @ATRightMovies]

CHRISTOPHER NOLAN on why he would rather shoot on film than digitally.

[LogoDecks™ @LogoDecks]

Burton Kramer’s 1974 redesign of the Canadian Broadcasting Corporation logo stands as a masterwork of Canadian Modernism. Known as the "gem," the logo features a central red circle representing the source of broadcasting, surrounded by radiating geometric segments.

[Kodak @Kodak]

This year, 57 Oscar nominations went to productions #ShotOnFilm.

We’re proud to manufacture that film right here in #RochesterNY—and even prouder to provide the canvas for filmmakers to bring their stories to life.

View the full list nominees here: https://t.co/3wlLTmCznv

[Barry Hertz @HertzBarry]

A Toronto shout-out as FRANKENSTEIN’s Canadian team continues their #Oscars sweep with Tamara Deverell and Shane Vieau winning for Best Production Design. (Going unmentioned, thankfully: Grogu.)

[Vashi Nedomansky, ACE @vashikoo]

Kodachrome color reversal film photos of NYC in the 1950's. Kodachrome was introduced in 1935 and discontinued in 2009.

[Barney Panofsky's Best Intentions @mynamesnotgordy]

I remember when my family owned two VCRs and six digital alarm clocks and the entire day was spent trying to reset them.

[The Hollywood Reporter @THR]

Film Students Are Having Trouble Sitting Through Movies, Professor Says https://t.co/rAukc9ZfEP

[Jim Lambie 🇨🇦 @lambiejim]

Congratulations to all, but especially team Frankenstein!!
@iatse873 @DGCTalent

[The Academy @TheAcademy]

This year's nominees for Production Design perfectly set the scene. #Oscars

[Variety @Variety]

"Marty Supreme" production designer Jack Fisk took Variety behind the scenes on how he recreated the vibe of 1950s New York. https://t.co/UmMpmtrYaL

[Variety @Variety]

Guillermo del Toro declares “f*ck AI” while accepting a #GothamAward for “Frankenstein”:

“I’d like to tell the rest of our extraordinary cast and our crew that the artistry of all of them shines on every single frame of this film that was willfully made by humans, for humans. The designers, builders, make-up, wardrobe team, cinematographers, composers, editors, this tribute belongs to all of them. I would like to extend our gratitude and say: Fuck AI.”

https://t.co/VXPsIhY2op