My toddler loves Monsters Inc. especially Mike Wazowski.
Yesterday I was in Walmart and came across this cool t-shirt.
I immediately bought it, put it on in the car, and rushed home to show my toddler.
I hunted her down as soon as I came through the door.
She was sitting on the couch watching Hogi and eating Goldfish crackers.
I said, ‘Libby check out my cool new shirt!’
I was beaming. I just knew she was gonna think my shirt was the coolest shit ever.
She looked at me, looked at my shirt, scoffed, and yelled, ‘GO AWAY!’
Listen.
I don’t think we talk enough about what huge pieces of shit toddlers are.
That’s literally my TV you are watching.
I paid for those Goldfish crackers.
That’s my fucking couch.
I bought this cool t-shirt ONLY because of you.
And this is your response you f#ggot piece of sh!t??
You are wearing a shirt with a turtle on it that says, ‘Turtley Adorable’ you fuck!ng idiot.
You are broke.
Homeless.
Have poor life skills.
You can’t even fucking speak English.
You are basically a Somali immigrant only brighter in complexion and with much less forehead mass.
I’ll wipe my ass with this shirt.
Fuck this shirt.
Bitch nigga.
Your mom is fat.
Great interview, reminds me of the random talks i used to attend in college, questions actually required use of the brain and allowed the interviewee to showcase their knowledge of the topic and the worldview responsible for shaping the film
We cannot consider #AI to be morally neutral. In reality, every technical tool embodies choices and priorities through what it measures, ignores, and optimizes, and how it classifies people and situations. Ethical discernment cannot be limited to asking whether we are using a system for good or bad purposes. It must also examine how that system is designed and what vision of the human person and society is embedded in the data and models that guide it. #MagnificaHumanitas
Artificial intelligences do not undergo experiences, do not possess a body, do not feel joy or pain, do not mature through relationships, and do not know from within what love, work, friendship or responsibility mean. Nor do they have a moral conscience, since they do not judge good and evil, grasp the ultimate meaning of situations, or bear responsibility for consequences. They may imitate or even simulate, but they do not understand what they produce, for they lack the affective, relational, and spiritual perspective through which human beings grow in wisdom. #MagnificaHumanitas
Humanity, created by God in all its grandeur, is today facing a pivotal choice: either to construct a new Tower of Babel or to build the city in which God and humanity dwell together. In Jesus Christ, this humanity in its grandeur becomes the Way, the Truth and the Life, opening the path for each of us to grow toward fullness. #MagnificaHumanitas
https://t.co/6i9MWs6LJl
Christopher Nolan asked IMAX to build him a new camera. They did. Then he and Matt Damon spent four months filming The Odyssey on the open ocean, on the largest modern Viking longship in the world, with no green screens at all.
The shoot ran 91 days, from late February to August 2025. Seven countries: Morocco, Greece, Italy, Iceland, Scotland, Western Sahara, and Malta. Aside from one indoor studio in Los Angeles, every shot was filmed on real ground. In Italy, the cast and crew climbed 900 feet up a mountain every morning. Imagine walking up a 60-story building before breakfast. In Iceland, they filmed the underworld scenes by lantern light while rain came at them sideways.
The four months at sea actually happened at sea. Damon and the actors playing his crew sailed on a real ship called the Draken Harald Hårfagre, used here as a Greek warship. Nolan called the experience "primal." He said the cast and crew were exhausted in a way he had never seen before.
The cameras were the other big problem. IMAX cameras have always been too loud to record clean dialogue, which is why directors mostly save them for big action scenes. Nolan asked IMAX to fix this. They engineered a new soundproof case for the camera, a kind of quiet jacket, that lets the lens get within a foot of an actor's face while they whisper and still pick up clean audio. The new cameras also came out lighter and about 30% quieter than the old ones. To prove it worked, the lead cameraman Hoyte van Hoytema filmed a tight close-up of a child reciting a David Bowie song, "Sound and Vision." Nolan watched the test and called it "electrifying."
Damon went all-in on the role. He dropped to 167 pounds on a strict no-gluten diet. He grew a real beard for a full year because Nolan refused to allow a fake one. The crew built a full-scale wooden Trojan Horse and shot the attack scene at an ancient walled town in Morocco called Aït Benhaddou. Nolan himself climbed inside the horse with the cast and his cameraman to get the shot.
Across the whole shoot they used 2 million feet of film. That comes out to around 380 miles of it, longer than the drive from Los Angeles to San Francisco. At about $1.50 a foot, they spent roughly $3 million just on the film itself. The full budget was $250 million, the biggest of Nolan's career. They wrapped nine days ahead of schedule.
Tickets went on sale on July 17, 2025, exactly one year before the movie's release. That had never been done before in cinema history. Half of the 22 US theaters offering IMAX 70mm sold out within 12 hours, bringing in around $1.5 million in a single morning.
Nolan called the shoot "an absolute nightmare to film, but in all the right ways." He did not destroy a single IMAX camera. He has wrecked several over his career.
I know it takes time to understand the sincerity of my commitment to make amends
I take full responsibility for what’s mine but I don’t want to put my fans in the middle of it
My fans are everything to me
Looking forward to the next shows
See you at the top of the globe 🌏