LUIS DANIEL BR

Amante del cine 🎬, videojuegos y de toda la industria del entretenimiento. Experto en la recolección de datos inútiles ✌️

[LUIS DANIEL BR @ldbaranzini]

Films connect people…

[ELDEN RING @ELDENRING]

Draped in the somber garb of an ancient order, thy arrival shall bode only death.
#ELDENRING Tarnished Edition and the Tarnished Pack DLC will release on August 28, 2026.

[HIDEO_KOJIMA @HIDEO_KOJIMA_EN]

At the David Keighley Theater, I watched Christopher Nolan’s “The Odyssey” (shot entirely with IMAX® film cameras) presented in 70mm IMAX® film. Rather than simply watching the screen, I felt as though I was there the entire time. It was more than watching it, I witnessed it. The impact was close to what I felt when I was in elementary school student and when I first experienced the “Cinerama” at the “Osaka OS Theater.” Back then, I was used to watching everything on a CRT television, and the sense of immersion was unlike anything I had ever experienced. It brought back those memories. In hindsight, not having Japanese subtitles may have made the experience even better. I already knew the story well, having grown up watching the 1954 Kirk Douglas version and several black-and-white adaptations, but this was an entirely different experience. For me, it was an Odyssey unlike anything I had ever experienced. Despite the enormous 1.43:1 screen, Christopher Nolan and Hoyte van Hoytema’s cinematography brings us remarkably close to the actors’ faces. Through an exceptionally shallow depth of field and elegant pull-focus shots that shifts our attention to the finest details, they relentlessly follow the characters’ anguish and fate. The cast delivers performances powerful enough to withstand every bit of that extraordinary resolution. Nolan’s signature storytelling, with its meticulously interwoven timelines, is very much present here as well. Together, these elements elevate one of the world’s best-known classical epics into an intimate, deep human drama. It was magnificent. When it opens in Japan this September, it will be shown in digital IMAX®, but I have no doubt I’ll be making the “journey back” several more times.

[Luis Miguel @LMXLM]

Una historia con México que no se explica con palabras…se siente en el corazón.
Nuestra fórmula es estar siempre juntos.

#CocaCola100Años

[Film Updates @FilmUpdates]

This time last year, Netflix co-CEO Ted Sarandos said that releasing movies in theaters was "an outmoded idea for most people" and that consumers wanted "to watch movies at home."

Today, movie theaters have scored their biggest weekend of all time at the global box office.

[Vashi Nedomansky, ACE @vashikoo]

Stanley Kubrick's lenses, Mitchell BNC 35mm camera and VistaVision director's viewfinder. Tools of the trade.

[DiscussingFilm @DiscussingFilm]

The ‘ELDEN RING’ movie has wrapped filming.

In theaters on March 3, 2028.

[Enrique Krauze @EnriqueKrauze]

Por estos jóvenes, México volverá al cauce republicano y democrático. La batalla va a ser ardua, porque el régimen tiene todo el poder. Pero ningún régimen de vocación totalitaria ha sobrevivido. Ninguno.

[Denise Dresser @DeniseDresserG]

Un juez de carrera negó la orden de aprehensión de Ernesto Ruffo porque la Fiscalía no acreditó sus “inferencias”. La FGR cambió de ventanilla. Encontró una jueza electa por voto popular que sí las concedió. Eso es justicia selectiva. Eso es justicia a modo. Y así continúa la captura del Poder Judicial.

[Jesse Palmer @RealJessePalmer]

This is the IMAX console we have here. Very old, but very reliable. You can see Odyssey is over 250k frames which includes the Dune 3 prologue. This works out to over 11 miles of film at around 630lbs.

[Yasmin @yasminebllt]

The Odyssey? A masterpiece
The Odyssey in 70MM? Art. I’m in awe of its beauty.

[David @KittenByKitten]

Physical media forever

[niall @niallpta]

the bigger screen is cool and all but honestly having watched The Odyssey in both standard 70mm and LieMAX, the film projection experience is just superior. can now see why the IMAX 70 crowd find it hard to settle for any less, they really gotta build more of these damn things

[madi ☠︎ @ASTR0ZOMBIEZ]

i love these posters

[roxy @hendrixnroses]

the difference is CRAZY

[Film Updates @FilmUpdates]

‘THE ODYSSEY’ has grossed around $264.1M in its worldwide opening weekend

• Biggest opening for Christopher Nolan, surpassing ‘The Dark Knight Rises’

• 3rd biggest opening for an R-rated film ever

• Biggest opening for a live-action film in 2026

It cost $250M to produce.

[DiscussingFilm @DiscussingFilm]

Christopher Nolan says Goya's painting of Saturn eating his son was a big inspiration for the Cyclops in ‘THE ODYSSEY’.

“[What] makes it the most frightening is that from the monster's POV, they're not a monster. We're irrelevant to them, and that's what's really scary.”

(Source: @KevinMcCarthyTV)

[A Shot @ashotmagazine]

In the span of one year:

• A film shot entirely in IMAX.

• A film shot for $750K.

• A film shot on 65mm, the first ever to combine IMAX 15-perf and Ultra Panavision 70.

• A film shot on an iPhone.

[Miguel Araiza @miguelaraizac]

Encontré este mensaje de Christopher Nolan en mi Blu-Ray de la trilogía de The Dark Knight:

“Han pasado más de diez años desde que salí de la oficina de Alan Horn con las llaves de uno de los activos más valiosos de Warner Bros.

Nunca me detuve a preguntarme por qué le habían confiado algo tan importante a alguien tan inexperto; de haberlo hecho, me habría paralizado la inseguridad.

En retrospectiva, solo pudo haber sido mi
absoluta confianza en que volver a las superproducciones clásicas de los 70 con las que crecí sería la clave para resucitar a Batman. Pensaba que mis referencias eran originales, pero ahora parece obvio que, hace más de diez años, todos los estudios esperaban que cada superproducción que hicieran transportara al público a los grandes primeros tiempos de Spielberg, Lucas y Bond (el Bond desmesurado). Pocas películas habían logrado ese efecto en particular, y yo creía que la culpa era de los cambios en el arte de hacer cine. Reuní un equipo de los mejores técnicos del mundo para poner a prueba mi teoría, y la probamos una y otra vez con cada nueva entrega, saqueando descaradamente las técnicas de acrobacias y efectos especiales de las películas que nos habían encantado, con la esperanza de combinarlas en algo nuevo para el público.

Al principio, nunca nos atrevimos a mencionar la palabra “trilogía”, pero creo que todos sabíamos que, si trabajábamos tan duro como pudiéramos por algo en lo que realmente creíamos, tendríamos la oportunidad de construir una gran narrativa en tres actos. El estudio se mostró paciente, algo poco común en la industria: tres años entre las dos primeras entregas y luego otros cuatro hasta nuestra conclusión. Batman se nutre de la reinterpretación continua, pero espero que el trabajo de estas tres películas sea lo suficientemente ambicioso y coherente como para resistir el paso del tiempo como una interpretación distintiva y notable de este gran ícono. La historia que tienen aquí es una historia muy cercana a mi corazón y al de mis colaboradores; nos esforzamos mucho por hacerle justicia a la figura sombría que se encuentra en el corazón oscuro de la trilogía.

Espero que lo hayamos logrado”.

[DiscussingFilm @DiscussingFilm]

First trailer for Alejandro G. Iñárritu's ‘DIGGER’, starring Tom Cruise.

The film follows the most powerful CEO in the world who must save the world from a disaster that he created.

In theaters on October 2.

[ELDEN ALERTS @EldenRingAlert]

🚨 NEWS:
Actor Peter Serafinowicz has revealed how he landed his role in the upcoming Elden Ring movie.

Best known as the voice of Darth Maul in Star Wars: Episode I – The Phantom Menace and for playing Pete in Shaun of the Dead, Serafinowicz shared that his journey began as a huge Dark Souls fan.

That passion eventually led him to become the iconic male death voice heard across multiple Soulsborne games—and now, he's making the leap to the Elden Ring movie.

A true full-circle moment for a lifelong FromSoftware fan.

#EldenRing #FromSoftware