Leah Dickerman

Marlene Hess Curator @MuseumModernArt, looking at art & music, literature, history, politics. One Way Ticket up thru Sept 7. Tweets are my own.

[Leah Dickerman @leah_dickerman]

Need inspiration? Last night's conversation on History & Justice w Bryan Stevenson and @KhalilGMuhammad https://t.co/GgmNlSFBX7

[MoMA The Museum of Modern Art @MuseumModernArt]

ICYMI: A conversation between social justice activist Bryan Stevenson and @KhalilGMuhammad. https://t.co/yzUvD2w4Gm

[Leah Dickerman @leah_dickerman]

Gorgeous video short of the installation of Cai Guo-Quiang's "Borrowing Your Enemy's Arrows" at the Museum https://t.co/4Fjga0M0PH

[MoMA The Museum of Modern Art @MuseumModernArt]

Installing Cai Guo-Qiang's "Borrowing Your Enemy's Arrows," one arrow at a time. Watch: http://t.co/oafukCOcmW
https://t.co/5m8zWtwXbP

[Leah Dickerman @leah_dickerman]

Ornament as psychic armor. Gustav Klimt's Adele Bauer-Bloch II, 1912. On special loan @MuseumModernArt

[Leah Dickerman @leah_dickerman]

Loved reading this: Sherrilyn Ifill @Sifill_LDF scores Atticus Finch as a lawyer http://t.co/OMewlgkUDe

[Leah Dickerman @leah_dickerman]

Two colors, equal weight. Our new Alma Thomas, Fiery Sunset 1973. @MuseumModernArt

[Leah Dickerman @leah_dickerman]

Great piece on the music of the Migration https://t.co/6fv04QRi9U

[Jazz at Lincoln Center @jazzdotorg]

Before Motown: A History of Jazz and Blues in Detroit via @RBMA. http://t.co/eKsqrTmywJ

[Leah Dickerman @leah_dickerman]

Death of Svetlana Boym 1959-2015 a great loss, will miss her expansive playful analysis of life in the East & West http://t.co/l6KI64z1tC

[Leah Dickerman @leah_dickerman]

Nikky Finney on Baldwin's poetry and what it has meant for her as a writer https://t.co/cAvVtIWeeX …

[Leah Dickerman @leah_dickerman]

Nikky Finney creates 4 poetic portraits of North & South insp. by Lawrence's Migration Series http://t.co/mdntMqESQf

[Leah Dickerman @leah_dickerman]

Outside in. The uncanny world of Gilbert & George. The Tuileries, 1974. @MuseumModernArt

[Leah Dickerman @leah_dickerman]

The poetry of two cords of lightbulbs intertwined. #FelixGonzalezTorres Untitled (Toronto), 1992. @MuseumModernArt

[Leah Dickerman @leah_dickerman]

Video from @artinstitutechi: Charles Ray on why his sculpture of a wrecked car is more than that https://t.co/PJsEE5b02j via @YouTube

[Dan Froomkin (PressWatchers.org) @froomkin]

This is how that evil Planned Parenthood spends its money:

[Dr. Elizabeth Alexander @ProfessorEA]

Teeny tiny poem/just enuf 2hold/1 xllent big word/Impluvium/open-eyed courtyrd/collectng rain/as all poems do/skylife, open/birds do:/tweet

[Leah Dickerman @leah_dickerman]

Watch this video from @mcachicago on AfriCobra and what artists learned from listening to creative musicians http://t.co/IBgNpgt1sm

[Leah Dickerman @leah_dickerman]

Celebrate the Guerilla Girl's 30th anniversary, we still need them https://t.co/a2F3TPHOdd

[New York Times Arts @nytimesarts]

Thirty years after the feminist activists began, the Guerrilla Girls are still going. http://t.co/UsEBxFrv6I

[Arva Rice @arvarice]

RT @NYUrbanLeague: Become NYUL member & receive COMP Admission @MuseumModernArt thru Sept. 7 http://t.co/42MTqZhJ23

[Leah Dickerman @leah_dickerman]

Take it down: w 35 women on NYmag cover, our federal museums should not be celebrating the collection of Bill Cosby https://t.co/XYvnjdkuD0

[Philip Kennicott @PhilipKennicott]

My take, on the Style blog, about the Johnnetta Cole statement published in The Root. http://t.co/Xs4YqxaiFo @NMAfA

[LACMA @LACMA]

The Taller de Gráfica Popular was a collective center for the creation of sociopolitical art. http://t.co/V8A46sY4Z0

[Leah Dickerman @leah_dickerman]

MigrationSeries 21"Families arrived at the station very early" insp. Kevin Young @Deardarkness http://t.co/6oa6dniDNI