Un español normal

[Un español normal @leofardodtrapio]

Forjado a fuego

[Malamente® @MalaMalamente]

Demasiado bien estamos para todo lo que tenemos encima.

[Malamente® @MalaMalamente]

Demasiado bien estamos para todo lo que tenemos encima.

[Un español normal @leofardodtrapio]

@LaEtxebarria @Lenore1789 El marido, no, EL PADRE de tres niños asesinados puede perdonar cuanto quiera. Entiendo que no debe saber muy bien por donde le da el aire. La sociedad no debe relativizar la muerte de tres niños, perdonando de paso a su asesina, para abrir lo que considerais un melon necesario.

[Un español normal @leofardodtrapio]

@LaEtxebarria @Lenore1789 El sistema puede haberle fallado tanto como quieras. At the end of the day, una asesina de 3 niños no esta para vitores. Delirio colectivo, y delirio individual el tuyo al hacer contorsionismo moral en favor de una supuesta reivindivacion legitima. No toca.

[Un español normal @leofardodtrapio]

@solofelipex @Carl0sGaming @Purplerosetina @volkovcosmonaut Subamericano, teton y pagafantas. Vaya combazo, eh, zampapalomas??

[Un español normal @leofardodtrapio]

@Carl0sGaming @Purplerosetina @solofelipex @volkovcosmonaut Yo creo que piensan que van a follar mas si son así de retrasados. Pista: validar este tipo de delirios, hara que conozcan a zumbadas que, tarde o temprano, les buscaran un lio gordo.

[Un español normal @leofardodtrapio]

@wilsides4869 @Hastardasht11 @letiziaconceta Ya te he respondido, sarcasticamente, que la tia esta fuerte como el vinagre. Fallo mio por utilizar retoricas provenientes de mas alla del paralelo 38.

[Un español normal @leofardodtrapio]

@Hastardasht11 @wilsides4869 @letiziaconceta Acaso*. Escrito desde el gimnasio.

[Un español normal @leofardodtrapio]

@wilsides4869 @Hastardasht11 @letiziaconceta ‘Dejado en claro’

[Un español normal @leofardodtrapio]

Esto.

[Max @minordissent]

creativity is dead because art for the last century has been exclusively deconstructive and transgressive. What made you feel something was precisely because it zag'd while society was zig'd; while society was ordered, proper, and repressive, it was chaotic, grunge, and expressive. But the trouble is that after a century of this, there is nothing left to zag against. There is simply no cultural core for us to deconstruct anymore, such that all attempts to do what we used to do always fall flat.

To analogize this, consider cocaine. Doing cocaine is fun precisely because it is in moderation. You have a life, you have friends, you have health, you have money, etc. So you can go flood your brain with dopamine for a night, have a blast, spend the next day recovering, and return to your life with a net positive experience.

However if you do cocaine all day every day for a decade, this is no longer true. You no longer have friends, because you've abandoned or destroyed your relationships in pursuit of more cocaine. You no longer have money because you stopped going to work to get high. You no longer have health, etc. The more you do the drug, the less fun it is. The more it just becomes the only thing that keeps you feeling well enough to not kill yourself.

Art for the last century has basically been blowing lines of deconstructing the the cultural core with built the west (Christianity, mostly) and we all participated in it because it felt like good to be naughty and "sin". But now, in retrospect, predictively, we are all "addicted to cocaine" with "no dopamine or money or health left to sustain the addiction".

The return to older movies, music, games, etc is an attempt to relive this era of "feeling something"; to imagine we live in a world of repression whose chains we are shirking. As far as I've seen, it doesn't actually work thought. It's more about the thought of what we remember these old things to be, reminiscing on the feelings they gave us back when they meant something (or imagining what is was like, far more romantic than it actually was) rather than genuinely meaning something to us today. This might work for a bit. But its effect is temporary.

The art of the 21st century that will finally matter, that will finally make us feel something, will be that which does the opposite of what we have done for the last century. It will not transgress for transgressions sake, nor even pursue the dopamine high at all. It will be something more constructive, more peaceful, more eternal. It will make you feel something not as a means of experiencing something new and exciting but as a means of recovering something we have lost and are recovering. What exactly it looks like beyond that, I am not yet sure.

[Un español normal @leofardodtrapio]

@mini_tana Tu tambien tienes la oportunidad, vamos!

[Surtido de Ibéricos @condemario22]

Wafae ahora es una invasora pero Premium

[Un español normal @leofardodtrapio]

@_UTCBH Lo llaman ‘interpolation’. Se diferencia del sampleo y de la cover en que para estas dos hay que tener talento.

[Un español normal @leofardodtrapio]

@pamplinero @GioGiordan0 Como la hipertension, silent killers.

[Un español normal @leofardodtrapio]

@GioGiordan0 @pamplinero Aqui, sin embargo, los indios franquician carrefour express.

[betraidx @betraidx]

A broke Italian gambler in 1560 wrote a short manual on how to win at dice. Nobody in finance read it for four hundred years.

The nine-trillion-dollar insurance industry runs on his equation.

His name was Girolamo Cardano. The book was called Liber de Ludo Aleae. He scribbled it in Milan to settle a card debt. Every dollar of premium ever collected on Earth is a footnote to that scribble.

Nobody connected the dots until 1996. A ninety-year-old man in New York wrote a book called Against the Gods and traced every modern risk model back to Cardano's manual. Wall Street called him the historian of risk.

His name was Peter Bernstein. In 2008 a small production company filmed him for thirteen minutes. He walked through the entire five-hundred-year arc. Cardano to Pascal to Fermat to Black-Scholes.

Then he stopped and said the industry had built glass towers on the back of an idea a broke gambler scribbled to shave the house edge.

He died the following summer. Age ninety.

There are only four ways to make money. Labor. Capital. Arbitrage. Insurance. Insurance is the oldest and the least visible. Every actuary on Earth still prices catastrophe risk with Cardano's framework.

The video is thirteen minutes long. Free on YouTube. Twenty-nine thousand people have watched it.

[Un español normal @leofardodtrapio]

@terrenoviral El asado no lo hacen en todas partes? Inventaron ellos lo de poner carne al fuego?

[𝗚𝗥𝗬𝗣𝗥𝗫 @GRYPRX]

Nick Fuentes names who created the Left.

"Behind every Left-wing movement, you have Jewish lawyers, Jewish judges, Jewish organizations, Jewish billionaires. Hart-Celler act, Civil Rights movement, women's liberation, gay liberation, feminism, suffragettes, Communism, Bolshevism, Marxism, George Soros' Open Society Foundation, all has its roots in the Jewish community."

[Un español normal @leofardodtrapio]

@wilsides4869 @letiziaconceta Pero que coño dices, anormal, jajajajajajaja. Te coge la cabeza entre las patas y te la abre como una sandia aplastada por un iveco daily

[Un español normal @leofardodtrapio]

@ElijahSchaffer Totally