Passare in una settimana, e grazie a una sola velina, da "Se non rispetti i miei pronomi mi suicido" a "Ci sono stati spiacevoli estremismi, ma ora parliamo delle accise" sancisce inoltre l'inutilità definitiva della psicanalisi e della farmaceutica.
It's so refreshing, in the middle of discourse about how House of the Dragon handles prophecy, power, and the politics of apocalypse, to return to the original story and remember how perfectly it's all laid out
How in the world does someone get to a point in their career where they can write for the London Review Of Books but they don't understand that sometimes ambiguity in a work of fiction is intentional
Sorry to keep the discourse about Emily Wilson’s review of The Odyssey going, but one thing that bothers me is how she reads Nolan’s handling of Polyphemus.
telling my sibling how the thematic core of asoiaf is literally hope against insurmountable odds instead of whatever nonsense the show popularized by explaining what happens in the agot prologue and when i reached "dance with me, then" they started crying lmao
stannis baratheon looming ominously over the narrative across all books but especially when his whereabouts are hidden by lack of supporting povs is my favorite thing ever