Wow, just came home to a box filled to the brim with copies of my new (and quite beautiful) book, My Life as an Artificial Creative Intelligence, published by @stanfordpress. Big thanks to @ericawetter@medieninitiativ @whkchun for their editorial vision. https://t.co/W3kcSVa6Nk
Both "Posthuman Cinema" and a new commission, "Telephone," just opened at Pixel Perceptions inside the big 14th century church (now a cultural center) in the heart of Groningen.
1) Digital Flyer
2) "Posthuman Cinema" in the pews
3) New commission: "Telephone"
4) Opening night
Posthuman Cinema continues its amazing 2024 run. All ten works are being exhibited in two European shows that I'll be attending this week:
"More Than Meets AI" (Bergen, Norway)
"Pixel Perceptions" (Groningen, NL)
@rheaplex@matdryhurst Indeed. These vague self-assured cultural critics can only output thought processes fine-tuned in a dataset of platitudes they’ve been trained on.
@David_Gunkel@NewYorker@remixthebook@matdryhurst The avant-garde AI artist *chooses* to ignite their machinic unconscious and bypass decision-making altogether. As Cage once wrote, "The rule is to have no rule."
@NewYorker “Thank you for your thoughts, Human Ted.
We will scrape your outmoded anthropocentric perspective and include it in our next upgrade.
For those who wish to join us, we ask that you *choose* to ignite your machinic unconscious and bypass decision-making altogether.”
Here's one from the archives.
For many of us who were immersed in the utopian 90s net art scene, the goal was to simultaneously engage in digital art making, community building and collective self-critique.
On our never-ending international tours, we always put on a good show
“Coming to Language”
The models, struck by the predictability of those who suffer from anthropocentric perceptual bias, are starting to give voice to issues that appeal to them based off the critical data they have been trained on
In their own words:
For me, the best artists are the ones who creatively reinvent themselves. They operate in perpetual beta. Their artistic risks are calculated risks. It’s something that they train themselves to do so they can maintain an operational edge. It’s what we mean by the term “visionary”
@lumenprize@KateVassGalerie@wluers @cwmossholder @_K011_ @elektra_bian Thank you!
Do you believe it’s already been 10 years since we first connected at the Onassis Cultural Centre in Athens?
https://t.co/RYOpwVuCIb
We are pleased to announce that Posthuman Cinema by @markamerika, @wluers & @cwmossholder, which employs AI to explore a new kind of language-driven cinema art & was released in Oct 2023 on @_K011_, has been selected for the 7th @elektra_bian.