This is a proximity sensor. Waving your hands around and on it manipulates MIDI data. It can be coded to work anyway you please with the MIDI. It can be adapted to help anyone make music as seen by the sponge to help students who require some kind of contact for ease. #JMUMusTech
@alicehammel Specifically in the cases of behavioral and communicative disabilities, is it possible for music programs and musical opportunities to be an alternative to the typical music therapy to help the students communicate and express themselves? #JMUMusTech
@alicehammel There are many schools dedicated to help students with severe disabilities in which they get one on one assistants to help accommodate them, in what ways can we as music educators help them be included in music, or get musical opportunities of their own? #JMUMusTech
@GraceMead16 I don't think that "replacement" is the end game for any music technologies. While we have many tools that can emulate different forms of music making, it is still trying to imitate something else that people still strive for
@BagayJohanna Yes, all forms of technology. It is much like how we have discussed creating "life-long learners" we too have to continue learning throughout our musical careers and keep up with the new tools and methods in an ever changing field
@GwynethTerry7 I believe that we as future teachers need to acknowledge that those two aspects of music learning can be intertwined and are not exactly different. I feel we need to show students how much we can do with music whether it is how classic music works or how we can make new music
@Jesse_Rathgeber@plokoon39 Very true, maybe incorporating a wide variety of genres in study but also in repertoire can make the high school music class/ensemble more inclusive and enjoyable over all.
@scarlettmued I think this should be a case-by-case situation. While some technology can help grasp music theory and other subjects, as far as performing or making music I think it depends on what the teacher hopes the students are able to get out of the course.
@Jesse_Rathgeber I know this is already been a topic of discussion with different copyright suits that have taken place in the past few decades. I am curious what the separation between a remix and an original work would be
@Jesse_Rathgeber Personally, I think what needs to be addressed would be what separates a remix and an original work. An outline that would determine the level in which a work was changed and to which degree the music as a whole was transformed. Taking into consideration musicality and intent
This is a short clip of Sam, Scarlett, and I messing around with a scratch table and record! This relates to the essential question, “what/who is a musician” since the changing technologies allow the “who” part of that question to branch out to many other people.
My name is Matt Mee, I want to become a Band Director after I graduate and eventually teach music at the college level. I am super curious what uses the technology will have to teaching music! #JMUMusTech