Anya Taylor-Joy about method acting:
"If you'll notice, women don't method act because we have things to take care of, so we can't completely lose our minds. I see acting as a controlled psychosis in a way. You're pretending to be somebody else and having their thoughts 16 hours a day, and moving like them, in their house, in their clothes. It's like having a sister or a roommate check in up here [in my mind] for a little bit. And I'm just very grateful that the people in my life understand that and know that. Sometimes if it gets out of hand, they'll call me by the character name and they'll be like "we need to check in again". But I can't imagine keeping it up all the time because again, you're going to work with hundreds of people and it is your responsibility to be good to them and to help them do their best job. If you're too invested in being an asshole then that's not gonna be very fun."
πΉ Via: Complex news
The cohosts of βFucking Cancelledβ say the quiet part out loud: a left that condemns internal dissent is a dead end for democracy. https://t.co/7j85fZKdja
@snackowska probably largely a holdover and downstream of weather data being largely supplied by the government, meaning most forecasting extends to the borders
not gonna defend Julliard, but training and technique are good. you train and you study and you practice and you put that into the art, it is not, itself, the art - which good teachers should make their students understand.
Viola Davis reveals Juilliard trained her by putting a pencil in her mouth to check her tongue position
"No one wants to see a play or a movie and look at technical proficiency. You wanna be moved. You want a human experience, you wanna feel less alone. They don't get at that"
"They get at, literally, when you are rehearsing at Juilliard, they have a teacher with a pencil who follows you through the rehearsal and puts the pencil in your mouth to see where your tongue is and where it's positioned when you articulate"
"Or there's a person following you throughout rehearsal, holding your ribcage to see if you're breathing properly through your diaphragm"
"And so when it gets like that and you leave yourself and your soul behind, you're not an artist"
"And can I just say, on top of that, it's Eurocentric training. So when you're studying all of those classics, there's a clear idea of what all of those characters look like. And that's not me"
"So then what am I supposed to do with my Blackness? What am I supposed to do with my deep voice and my wide nose?"
not gonna defend Julliard, but training and technique are good. you train and you study and you practice and you put that into the art, it is not, itself, the art - which good teachers should make their students understand.
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