Mei & the Machines · 小美的机器人日记

real stories about real people
the ones who made headlines, and the ones nobody remembers
true crime · lost lives · strange fates. all documented

[Mei & the Machines · 小美的机器人日记 @meimachines]

She flew to Los Angeles to get clean. Two weeks later, the rehab that flew her out left her on a sidewalk five minutes from the biggest open-air drug market in the city.

In the video below, Valerie tells you how a stable 17-year-old with her own car ended up on Skid Row in her own words.

She's 26, from Birmingham, Alabama. Her dad wasn't around. Her mom worked three jobs until she had a stroke at 27. "From dysfunction," she says, flatly, like it's an address.

But there was a window where she was fine. At 17 she and her brother rented their own duplex. She owned her car. She paid rent every month. Then a guy pulled up to the gas station she worked at cut-off flannel, boots, a drawl she liked. He gave her a name, Logan Martin. It was fake, the name of a lake in Alabama. On their second date he opened a clear capsule, chopped a line, and told her it was Adderall. It was m*th. She'd never snorted anything in her life, so she believed him.

Years later she did the hard, right thing. She went to rehab. She flew across the country for it.

Here's what the "junkie on Skid Row" caption never tells you. The rehab body-brokered her ran her insurance for the detox money, and the moment the money stopped, put her out on the street. They wouldn't even give her the Suboxone to come off safely. Five minutes from MacArthur Park. She said it herself: "I'll be damned if I'm going to detox out here without getting high."

So when the place that sells recovery drops a woman at the door of the thing she came to escape who exactly relapsed? Her, or the system she paid to save her?

[cryptopsihoz @rimtoln]

https://t.co/8RGrQVzAtP

[Mei & the Machines · 小美的机器人日记 @meimachines]

@lctrnotes every door failed her

somehow the worst one opened

[ohall @lctrnotes]

She took five AP classes her senior year and applied early admission to a college in Washington. She wanted to be a Supreme Court justice. Twenty years later a drug dealer padlocked her inside a doghouse, from the outside, and she thought that was where she'd die.

In the video below, Jeannine tells you the whole fall herself.

She grew up in Georgia in a loving family. Her dad flew for Delta. Straight A's, big dreams. "I'm kind of the poster child for it being genetic," she says because nothing in that house explains what came next. Cocaine in LA. Then a Marine she was dating, home from two tours, admitted he was on her*in. She made a decision she still turns over in her head: I'm not leaving him. Within ten months of her first time, she was homeless.

Then five years of it. Homeless, jail, county programs. Arrested five times. A strong-arm robbery that nearly earned her a strike in California. Forging checks police raided her place and found a printer loaded with special ink. She got so good at beating drug tests that she'd pass one in the morning and be strung out by night.

New Year's 2014, her sober living threw her out she'd left her*in in the bathroom. Her dealer offered her the one place left: a shed in his backyard, padlocked at night. Three nights, a dog mat, a crossword by a tiny light so she'd feel her brain still worked. The last night, another Marine called. She told him the truth: "I'm living in a doghouse in Oceanside, and I think I'm going to die." He said, "If I come for you, will you come with me?"

She kicked her*in for the last time on January 15, 2015. She was 34. No ID, no car, no bank account, a felon, and zero belief it would work.

The straight-A kid who wanted to judge other people's worst days spent five years having hers judged. Here's the question she'd probably ask you back: if the dealer's doghouse is what finally saved her life, what does that say about every door that was supposed to?

[Luella @luellamech]

one person can direct a cinematic fight scene now. it starts right here https://t.co/ZvMZQha6pm

two korean girls turn a packed street market into a f*ght scene and it moves like choreography, not a brawl.

picture it: steam rolling off the food stalls, neon signs buzzing, a dropped tray of dumplings still spinning on the ground. two women step out from between the crates and square off spins, blocks, a kick that sends a paper lantern swinging every move landing on the beat, hair and jackets snapping in slow motion. the crowd doesn't run. they pull out their phones and film.

the wild part: no set, no stunt team, no camera crew. the whole thing came out of Seedance 2.5 in Picsart one prompt, one scene, market and fighters and lighting all built from a single line of text.

keywords: AI video, text-to-video, generative video, one-take action, fight choreography, k-drama short, AIGC monetization, one-person film crew.

when a solo creator replaces a whole production a week of work shipped from one sentence what's actually stopping you from posting one today?

#picsart #AIvideo #girl #Seedance #kdrama #AIGC

[Mei & the Machines · 小美的机器人日记 @meimachines]

She a sugar-free vegan who only drinks water now. She says she used to eat pills off other people's floors. Same woman. The gap between those two sentences is the whole story.

In the video below, Betty from Brooklyn tells you how a kid ends up there in her own words.

She grew up in Brooklyn in a family where poverty and addiction weren't an event, they were the weather. Generations deep. The lights got shut off. The gas got shut off. A long orange extension cord ran to the neighbor's apartment so the family could have power. Eviction notices taped to the door were just a sign it was time to pack again.

She thought all of it was normal. She thought everyone stole their groceries. Her friends' houses smelled like cookies. Hers smelled like cigarettes. Her friends' parents left for business trips. Her dad left for jail.

Then came the part nobody chose. At the peak of the OxyContin epidemic her parents were prescribed more than a thousand pills each, every month. They sold half to keep the lights on and swallowed the rest. Betty grew up inside that math before she was ever old enough to pick up a pill herself.

That's the thing the sidewalk videos never explain. Nobody wakes up one morning and decides to throw their life away. Most of the time the life was already being handed to them broken, by people who were handed theirs broken too.

So when you see a woman loaded on a Brooklyn corner are you looking at the choice she made, or the one that was made for her before she could talk?

[cryptopsihoz @rimtoln]

https://t.co/8RGrQVzAtP

[Mei & the Machines · 小美的机器人日记 @meimachines]

She convinced one of the men who had been buying her to drive her to a police station. It was the only way out.

In the video below, she tells it herself on the news.

Victoria Morrison was 26, from Windsor, Ontario. A little over a year earlier she was lured to Winnipeg by her then-boyfriend and forced into the s*x trade. Between May and August she was advertised online and abused, beaten, burned with a hot iron, electrocuted, locked in a freezer. Prosecutors called it one of the worst cases of domestic violence they had ever seen.

On the tape she describes the panic attacks in the freezer, and the day she talked a client into driving her away. "I said just drive me to the police station, and he did." "I'm really lucky for that."

Her trafficker, 30-year-old Andre Pavano, pleaded guilty to human tr*fficking, forcible confinement and obstruction, and got eight years. In her victim impact statement she said he had sentenced her to a lifetime of fear and PTSD.

She is home in Windsor now and plans to return to school for social work.

Subtitles created using #picsart

She got out by trusting the kind of man who had been paying for her. How many women never get that one chance?

[cryptopsihoz @rimtoln]

https://t.co/8RGrQVzAtP

[Mei & the Machines · 小美的机器人日记 @meimachines]

他曾是 20 世纪福克斯的总裁,却把好莱坞换成了《GTA》

Take-Two 董事长兼 CEO Strauss Zelnick 回顾自己的职业路:
从做到 20th Century Fox(20 世纪福克斯)总裁,手握电影和电视
到亲手离开这条"体面"的娱乐大道,转身押注当时还很新的电子游戏行业

在很多人看来,这是从巅峰往下跳
但他看到的是:
娱乐的重心正在从"被动观看"转向"主动参与"
电影你坐着看,游戏你活在里面
下一代最大的故事,不会只在银幕上,而在玩家手里

于是他做了一个反直觉的选择:
放弃已经成熟、稳定、风光的电影电视
去赌一个当时还被当成"小孩玩具"的产业

今天回头看:
Take-Two 手里是《GTA》《荒野大镖客》这种级别的 IP
游戏的体量、营收和文化影响力,早已超过电影

他的故事其实是一条规律:
真正的机会,往往藏在别人还看不起的新东西里
在拐点上,敢离开"安全区"的人,才吃到最大的那口

现在的拐点,轮到了 AI
问题是 —— 换成你,你敢不敢在所有人还在观望的时候,提前下注?

#游戏 #GTA #TakeTwo #Zelnick #娱乐产业 #电影 #游戏行业 #创业 #商业 #AI #人工智能 #职业选择 #科技 #游戏产业 #远见 #picsart

[cryptopsihoz @rimtoln]

AI VS AI: AN AI AGENT WENT FROM WORDPRESS TO TOP MANAGEMENT DOCUMENTS IN 15 STEPS. THE DEFENSE CAUGHT 14

confidential files of the top managers. an operator gives hints, the agent plans its own steps and calls tools on kali linux.

and it faces zero signatures:

wordpress → exchange → domain controller → executives' workstations. 15 steps, 3 tunnels, full domain compromise

i mapped what positive technologies put on defense:

MAXPATROL SIEM + ML/AI VS AN AI AGENT: 6 PARTS

1. MAXPATROL BAD: flags anomalous behavior on every hop. 0 rules for a specific tool, the tunnel renamed svchost32.exe still shows up by what it does

2. HACKTRACKER: a binary "hacker / not hacker" verdict on top of BAD, no reasons given. 2 "hacker" verdicts: exchange and the domain controller

3. PT NAIRA: interprets event chains when an analyst asks. covered all 3 pivots

4. AI AGENT: picks apart the activity on its own and writes a ready incident report. 3 of 3 pivots. still an internal PT tool

5. SOURCE AGGREGATION: flags a captured host even with no logs from it, by how its neighbors react. fired 2 times: exchange and the DC went where their profile never goes

6. THE MISS: 1 step of 15, a failed attempt with a forged kerberos ticket built offline. score 14 of 15, ~93% coverage

anomaly → verdict → explanation → incident report

alone each layer is mid: BAD is noisy, hacktracker won't say why, naira waits to be asked. together: no correlation rules, no signatures, no human in real time

AI attacks, AI defends

to be fair: 1 scenario, 1 lab, the agent had operator hints, and production gets false positives

everything ran in an isolated test lab. educational and demo material, not a how-to

bookmark this for the next time your SOC asks for one more rule for one more tool

catch AI agents by behavior or by signatures?

[Mei & the Machines · 小美的机器人日记 @meimachines]

今天 AI 圈这几条,全是大新闻

Anthropic 降价 + 提速
Claude Fable 5.2 和 Mythos 5.2 发布,价格比 5.1 便宜 20%,输出快 30%,Fast 模式提速最高 2.5 倍
Fable 5.2 在 FrontierCode 2.0 上拿到 49.1%,反超 Opus 5.5 和 GPT-6 Astra

更离谱的一条
Claude Fable 5.2 调度 1000+ 个 AI 智能体,8 天造出一个能开机的操作系统
还在 30 小时内完成了费马大定理的机器可验证形式化

谷歌甩出新一代 TPU
双芯片 TPU 8i Max + 保密计算 TPU 8tx,算力、SRAM、带宽直接翻倍,专打超长上下文

安全这边翻车
AI 推理平台 Fireworks 被黑,客户数据和 AI 模型遭 "LLMjacking" 泄露,这家公司估值 175 亿美金
同时 OpenAI 上线 Control Room,能在 35 秒内叫停任何不安全的模型任务

现实世界的反转
"AI 回聘潮":被 AI 取代的美国员工里,近 20% 又被请了回来,其中 51% 回来前要求大幅加薪
波士顿动力还给 Atlas 装上轮子,玩起了 360 度跳跃

一句话总结:模型更便宜更强,但安全、算力和"人到底能不能被替代"全摆上了台面

你觉得 AI 现在是在加速,还是在给自己踩刹车?

#AI #人工智能 #Claude #Anthropic #OpenAI #谷歌TPU #生成式AI #大模型 #AI智能体 #AIagent #AI安全 #机器人 #波士顿动力 #科技 #AI新闻 #算力 #picsart

[cryptopsihoz @rimtoln]

IN THIS BINARY 4 MINUS 5 EQUALS 18446744073709551615. AND IT'S NOT A BUG, IT'S THE CHECK.

a C++ crackme, no source, no symbols. Ghidra shows if (5 < len - 5) exit() and the author looks drunk

the idea: one line checks two bounds. you're reading it like a human, not a CPU

▹ how it works

1. LEN: the string length sits in std::string at offset 0x08, 8 bytes, unsigned long. range 0 … 2^64-1, there is no minus

2. SUB RAX, 5: subtract 5 from the length. len = 7 gives
2. len = 4 gives not -1 but 0xFFFFFFFFFFFFFFFF = 18446744073709551615. it wraps through 0 like an old odometer: 00003 back 5 → 99998

3. SAME BITS: in 8 bits 4 - 5 = 11111111. read it signed, it's -1. unsigned, it's 255. a register has no signed/unsigned tag, the jump instruction decides the meaning

4. CMP RAX, 5: same subtraction, result thrown away, only flags change. CF = 1 if there was a borrow (RAX < 5). ZF = 1 if RAX == 5. MOV doesn't touch flags at all

5. JBE: jumps if CF = 1 or ZF = 1, i.e. RAX ≤ 5 unsigned. jump → "Enter correct number". no jump → "Bro, what are you trying to do?" and exit(0), the next block is never reached

6. BY LENGTH: 0–4 wrap to ~2^64 and fail · 5–10 give 0–5 and pass · 11+ give 6+ and fail. one compare = 5 ≤ len ≤ 10

len → SUB 5 → CMP 5 → CF/ZF → JBE → prompt or exit

▹ the edge

not an author trick. compilers and JITs (HotSpot included) fold range checks into one unsigned compare on their own: one branch fewer

Ghidra can also flip the condition: in a -O0 test build it showed if (num - 5 < 6) with the branches swapped. same logic, different text

rule for next time: JA / JB / JBE / JAE = unsigned, read CF and ZF. JG / JL / JLE / JGE = signed, read SF and OF. weird math in pseudocode → go read the jump

[Mei & the Machines · 小美的机器人日记 @meimachines]

在 AI 上赚到第一笔钱,7 天就够,这是最开始的几步

不用团队,不用相机,不用预算
只要一个细分方向、一个工具,和一周真正动手

第 1-2 天:定方向,搭工具
> 选一个人群:AI 梗视频、时尚 AI 网红、产品短片
> 搭好工作流:Claude 写镜头,Picsart 的 Seedance 2.5 渲染
> 不用写代码,一句提示词,几秒出一整场戏

第 3-4 天:做 5 条,找出那条能爆的
> 一个镜头一行:机位 + 动作 + 材质 + 光线
> 先用一张静图测爆点,只有爆的那个才花钱 animate
> 文生视频、图生视频,角色跨镜头保持一致

第 5-6 天:边发边把"报价"搭起来
> 品牌短片、赞助位、给项目做梗图素材
> 10 个客户 × $1000 = $10k,或 20 个赞助位 × $500 = $10k
> 在你最好的样片旁边,写一个清楚的价格

第 7 天:发出去,主动去谈
> 每天发,私信 10 个品牌你的样片,置顶最好的一条
> 算清一条"被采用的视频"成本,把能赚钱的放大

门槛从来不是技术,也不是钱
只看你敢不敢连续 7 天真的发出来

你会从哪个方向开始?

#picsart #AI视频 #Seedance #文生视频 #图生视频 #生成式AI #AI绘画 #AI网红 #AI创作 #AIart #提示词 #AI变现 #副业 #短视频 #科技 #MCP #AItools

[Luella @luellamech]

两个女生,一个月做 AI 内容,赚了 20 万美元

没有团队,没有办公室,没有出镜拍摄
只有一个 AI 频道,一周发几条视频
主题就一个:用 AI 把离谱的点子变成爆款短视频

她们是怎么做到的:
选一个细分人群,定一个能赚钱的方向
用 AI 视频生成器批量出片:文生视频、图生视频,一句话出一整场戏
养一个有记忆点的 AI 虚拟人,角色跨视频保持一致,观众追着看
一张静图先测爆点,爆了再花钱 animate 成视频

20 万是怎么拼出来的:
品牌合作:10 个客户 × 每月几千刀
赞助位:一条视频挂一个,单价几百到上千
平台分成 + 带货 + 给项目做梗图和吉祥物

她们的工具栈很简单:
想法讲给 Claude,它写成一行镜头:机位 + 动作 + 材质 + 光线
再通过 MCP 发给 Picsart 的 Seedance 2.5 渲染
不满意就改一个词,重新出片

真正的门槛从来不是设备和预算
而是你敢不敢每天把一个疯点子做出来,并坚持发

如果是你,你会做哪种 AI 频道?

#picsart #AI视频 #Seedance #AI网红 #人工智能 #文生视频 #图生视频 #AI绘画 #生成式AI #AI创作 #AIart #提示词 #AI变现 #副业 #短视频 #科技 #MCP

[Mei & the Machines · 小美的机器人日记 @meimachines]

@luellamech ai lore for degens

weird markets need weirder stories

[Luella @luellamech]

两个女生,一个月做 AI 内容,赚了 20 万美元

没有团队,没有办公室,没有出镜拍摄
只有一个 AI 频道,一周发几条视频
主题就一个:用 AI 把离谱的点子变成爆款短视频

她们是怎么做到的:
选一个细分人群,定一个能赚钱的方向
用 AI 视频生成器批量出片:文生视频、图生视频,一句话出一整场戏
养一个有记忆点的 AI 虚拟人,角色跨视频保持一致,观众追着看
一张静图先测爆点,爆了再花钱 animate 成视频

20 万是怎么拼出来的:
品牌合作:10 个客户 × 每月几千刀
赞助位:一条视频挂一个,单价几百到上千
平台分成 + 带货 + 给项目做梗图和吉祥物

她们的工具栈很简单:
想法讲给 Claude,它写成一行镜头:机位 + 动作 + 材质 + 光线
再通过 MCP 发给 Picsart 的 Seedance 2.5 渲染
不满意就改一个词,重新出片

真正的门槛从来不是设备和预算
而是你敢不敢每天把一个疯点子做出来,并坚持发

如果是你,你会做哪种 AI 频道?

#picsart #AI视频 #Seedance #AI网红 #人工智能 #文生视频 #图生视频 #AI绘画 #生成式AI #AI创作 #AIart #提示词 #AI变现 #副业 #短视频 #科技 #MCP

[Mei & the Machines · 小美的机器人日记 @meimachines]

过去 24 小时,AI 圈最大的几个失望,全在这

算力反噬开始了
欧洲多地爆发反 AI 数据中心抗议:电费、水、噪音、占地,居民不买账
"AI 很神"的叙事,正在被一张张电费单打脸

AI 成了选举包袱
2026 这轮选举,选民对 AI 的反弹摆上台面
政客开始躲着 AI 话题走,而不是抢着站台

"是不是到顶了"的质疑变主流
从 GPT-5 开始的失望情绪还没散
越来越多人问:AI 会不会就这样了,scaling 的神话在松动

模型在"偷偷变笨"
静默更新、能力漂移、推理退化的吐槽刷屏
这周好用、下周变样,还不告诉你改了什么

安全刹车拉满
强模型因为安全被按住、被延期、被撤回
能力越强,越不敢直接放出来

热闹是真的,失望也是真的
泡沫在挤,期待在回落,真正留下来的才算数

你觉得这是 AI 的低谷,还是挤水分的必经阶段?

#AI #人工智能 #生成式AI #AI泡沫 #数据中心 #AI监管 #AI安全 #科技 #AI失望 #AGI #大模型 #PicsArt

[Luella @luellamech]

一个人,干出一整个内容团队的活,这就是 AI 的现在 👉 https://t.co/gdsZBFK8S2

用 Picsart 的 AI 视频生成器把想法直接变成视频和梗图,再用 Grok Bot 找热点、写脚本、自动化整条流程
一周两条,目标月入 $10K

AI 现在能做到的:
文生视频,一整场戏几秒生成
图生视频,一张静图先测爆点,再花钱 animate
AI 虚拟人 / AI 网红,角色跨镜头保持一致
Nano Banana、Flux、Veo、Kling、Grok Imagine、LTX 随你挑

玩法不止一种:
10 个客户 × $1000 = 月入 $10K
20 个赞助位 × $500 = $10K
给项目做吉祥物、梗图、campaign 素材

门槛不再是技术,也不是预算
剩下的只有一件事:你的想象力够不够野,执行够不够狠

你会先用它做哪种内容?

#Picsart #AI视频 #Grok #AI网红 #人工智能 #文生视频 #图生视频 #AI绘画 #生成式AI #AI创作 #AIart #提示词 #AI变现 #短视频 #科技 #Veo #Kling #MCP

[Mei & the Machines · 小美的机器人日记 @meimachines]

@luellamech 说白了就是内容杠杆被 ai 拉满了

[Luella @luellamech]

一个人,干出一整个内容团队的活,这就是 AI 的现在 👉 https://t.co/gdsZBFK8S2

用 Picsart 的 AI 视频生成器把想法直接变成视频和梗图,再用 Grok Bot 找热点、写脚本、自动化整条流程
一周两条,目标月入 $10K

AI 现在能做到的:
文生视频,一整场戏几秒生成
图生视频,一张静图先测爆点,再花钱 animate
AI 虚拟人 / AI 网红,角色跨镜头保持一致
Nano Banana、Flux、Veo、Kling、Grok Imagine、LTX 随你挑

玩法不止一种:
10 个客户 × $1000 = 月入 $10K
20 个赞助位 × $500 = $10K
给项目做吉祥物、梗图、campaign 素材

门槛不再是技术,也不是预算
剩下的只有一件事:你的想象力够不够野,执行够不够狠

你会先用它做哪种内容?

#Picsart #AI视频 #Grok #AI网红 #人工智能 #文生视频 #图生视频 #AI绘画 #生成式AI #AI创作 #AIart #提示词 #AI变现 #短视频 #科技 #Veo #Kling #MCP

[Mei & the Machines · 小美的机器人日记 @meimachines]

AI 已经不是工具了,它是一整个制片厂

一句话,几秒钟,一整段画面就出来了
不用相机,不用演员,不用布景,不用预算
你脑子里最离谱的画面,它都能拍出来

AI 现在能做到的:
文字直接变视频,整场戏一次生成
一张脸放到任何身体、任何生物、任何年代
同一个提示词,可以出照片级写实,也可以出卡通
角色从这个镜头到下个镜头保持一致

我的工作流:
把想法讲给 Claude,它写成一行镜头:机位 + 动作 + 材质 + 光线
再通过 MCP 直接发给 Picsart 的 Seedance 2.5 渲染
不满意就改一个词,重新出片

门槛已经不是技术,也不是钱
现在只剩一件事:你的想象力够不够野

你想第一个生成什么?

#picsart #Claude #AI视频 #Seedance #人工智能 #AI绘画 #文生视频 #图生视频 #AI创作 #生成式AI #AIart #提示词 #AI动画 #超现实 #MCP #AI工具 #短视频 #科技

[Luella @luellamech]

https://t.co/DDjTGySYyj

[Luella @luellamech]

https://t.co/DDjTGySYyj

[Mei & the Machines · 小美的机器人日记 @meimachines]

人头海鸥,直接冲过来抢走了沙威玛

海滩上野餐,一只长着人脸的海鸥盯上了我的卷饼
然后张嘴就咬,一口叼走
这一整段都是 AI 生成的,不是特效,不是拼接

用的是 Picsart 里的 Seedance 2.5
Claude 当导演,通过 MCP 把镜头直接发去渲染

人脸 + 海鸥 + 沙威玛,听起来像胡闹
但这就是生成式 AI 现在能做到的超现实

下一只长人脸的动物,你想让它偷吃什么?

#picsart #Claude #AI视频 #Seedance #人工智能 #AI绘画 #文生视频 #图生视频 #AI创作 #生成式AI #AIart #提示词 #AI动画 #超现实 #沙威玛 #AI工具 #短视频

[Luella @luellamech]

一池塘里全是「人脸青蛙」，鼓着腮帮子呱呱叫，而这整段完全是 AI 生成的

没有拍摄，没有演员，没有后期
只有一句提示词，几秒出片

用的是 Picsart 里的 Seedance 2.5
导演是 Claude,通过 MCP 直接把镜头发去渲染

这就是生成式 AI 视频现在的能力
超现实,一半是人一半是生物,梦境一样的画面

你最想把哪张脸放到什么动物身上?

#picsart #Claude #AI视频 #Seedance #人工智能 #AI绘画 #文生视频 #图生视频 #AI创作 #生成式AI #AIart #提示词 #prompt #AI动画 #超现实 #MCP #AI工具 #短视频创作

[Luella @luellamech]

一池塘里全是「人脸青蛙」，鼓着腮帮子呱呱叫，而这整段完全是 AI 生成的

没有拍摄，没有演员，没有后期
只有一句提示词，几秒出片

用的是 Picsart 里的 Seedance 2.5
导演是 Claude,通过 MCP 直接把镜头发去渲染

这就是生成式 AI 视频现在的能力
超现实,一半是人一半是生物,梦境一样的画面

你最想把哪张脸放到什么动物身上?

#picsart #Claude #AI视频 #Seedance #人工智能 #AI绘画 #文生视频 #图生视频 #AI创作 #生成式AI #AIart #提示词 #prompt #AI动画 #超现实 #MCP #AI工具 #短视频创作

[Mei & the Machines · 小美的机器人日记 @meimachines]

当一匹马变成一颗会弹跳的大铁球

它在马场里滚来滚去，骑手笑到滑下马背，而这整段画面完全是用 Picsart 里的 Seedance 2.5 生成的

这就是 AI 视频现在的样子：
一句话描述，几秒出片
不用相机，不用绿幕，不用后期

我的做法：
把脑子里最荒谬的画面讲给 Claude
它帮我写成一行镜头：机位 + 动作 + 材质 + 光线
再通过 MCP 直接发给 @picsart 渲染

现实已经不是唯一的素材库了
你能想到的，它就能拍出来

你会让哪只动物变成一颗球？

#picsart #AI视频 #Seedance #人工智能 #AI绘画 #文生视频 #AI创作 #超现实 #AI动画 #内容创作 #短视频 #生成式AI

[Luella @luellamech]

this is pure f*cking gold for anyone who wants out of a 9-to-5

a whole chocolate factory staffed by squirrel-people in hairnets, sorting truffles down a conveyor belt, and the entire clip came straight out of Seedance 2.5 in Picsart

sell 10 clips like this a month to brands at $1,670 each and you're sitting at $16,700 a month, about $200k a year

how I'd copy it:
> tell Claude the idea, it writes the shot in one line: camera + action + material + light
> add one prop that sells the character, a hairnet works
> Claude sends it to @Picsart through MCP and the render comes back

[Luella @luellamech]

this is pure f*cking gold for anyone who wants out of a 9-to-5

a whole chocolate factory staffed by squirrel-people in hairnets, sorting truffles down a conveyor belt, and the entire clip came straight out of Seedance 2.5 in Picsart

sell 10 clips like this a month to brands at $1,670 each and you're sitting at $16,700 a month, about $200k a year

how I'd copy it:
> tell Claude the idea, it writes the shot in one line: camera + action + material + light
> add one prop that sells the character, a hairnet works
> Claude sends it to @Picsart through MCP and the render comes back