Sassa Gurl on learning from Ms Odette Khan on the set of Bar Boys After School:
“Nafeel mo ba yung eksena mo? I disagree. I don’t feel it… itodo mo pa”
“You’re shaking. That’s a sign that you’re anxious. An actor should be brave”
https://t.co/nvMKYE8L07
#AWKP
Major cheat code for life: Become difficult to rush. The world will pressure you to rush into everything. Rushed decisions. Rushed conversations. Rushed relationships. Rushed timelines. There's immense power in rejecting that trend. Slow down. Create space to think clearly.
One thing I admire about GenZ is their ability to leave any situation by saying "the vibes are a bit off, I'm out"
Millennials will sit there and take it until their soul comes out to drag them away.
“Social media demands a villain long before it demands facts. And once a target is chosen, truth becomes an inconvenience. When the damage is done, those who fueled the outrage are rarely the ones left to answer for it.”
“Another scene that’s been going around is Hannah’s karaoke of “Cherry Pie” after seeing Garrett hook up to that song. What made you land on that song for this moment?”
Krieg Thomas: That was tricky, and that song was not in the script. Much credit just has to go to the brilliant writers, and Louisa [Levy] and Gina [Fattore] for making musical storytelling so key to the fabric of the show — it was always by design, to my memory, that the song that was playing when Garrett was hooking up was going to be the song that returned for karaoke. It was a really hard spot — I think that we sent a few different rounds because it needed to feel like something Garrett would put on for a hookup, and lyrically make sense for that. But then it also needed to serve this purpose of being a karaoke song that Hannah could sing that would be fun still for her to sing and living in Garrett’s classic rock playlist land. You needed to find something that could still really be playful and be this sort of push and pull moment, as for the performance, and as Garrett’s watching her, and lyrically speak to, in some kind of way, this shifting dynamic between the two of them … and something that Ella could sing, and the performance itself would be really interesting.
Romanoff: The whole time you’re also building the arc of Hannah as a musician and as a musical person, and the idea that she could take this classic rock song, but do these little riffs — there’s a lot of stuff that’s built in, which is so much credit to our music producer, Alana Da Fonseca … her and Ella worked on it [and] they found those spots to make it be … it’s them — it’s the couple of Hannah and Garrett. It’s flirty, it’s fun, but it’s also showing Hannah’s music skills evolving from composer to performer, which is where she ends up. We did want to showcase that — we haven’t really seen her perform in public yet, but she totally can do it, and look, how everyone freaks out when she does.
— via The Wrap
your students are holding you accountable. your faculty and alumni are trying to do the same. it’s time to wake up and realize that there is no saving the reputations of those currently in charge.
ateneans are trying to save the best of ateneo - and that does not include the negligent leaders who let this happen and the sloppy, outdated ‘professionals’ who have managed the situation since.
ateneo belongs to more than a few, no matter how ‘chosen’ they believe themselves to be. listen to your students. give them back their university.
this was probably the first hockey practice ever where garrett wasn’t super focused on hockey and got to talk about his crush on wellsy with the guys😭😭
Hatė when people at work ask you what books you are reading for professional development. I am reading books to counteract the effects of being professionally developed.
I am reading books that bring me back to being human. Thank you