mimi

tall girl supremacy

[mimi @mimi0nline]

ass super fat twerk it in his face slow

[mimi @mimi0nline]

@smurph64 yes I would like some cake rn

[mimi @mimi0nline]

same eyes as Mohammed atta

[Greg Price @greg_price11]

Tfw the monster you created turns on you.

[mimi @mimi0nline]

always schocked to discover how many adults have never done shadow work and are walking around with the mindset of a toddler their whole life

[mimi @mimi0nline]

hate that I need to qoute tweets to have them on my main feed, it's stupid af @elonmusk

[mimi @mimi0nline]

bitches be low agency af

[karen smith @okkarensmith]

i am actually a little shocked that there aren't more female serial killers

[CyberMysticGarden - Marcelo Pinel @cybermistic]

🎠

[mimi @mimi0nline]

we should deport normies aka people with unregulated nervous systems, they are what's really wrong with society

[mimi @mimi0nline]

@MatthewParrott he's on gear you dumb fuck

[mimi @mimi0nline]

how dare he be out of town when I'm finally ready to meet him after keeping him waiting for like 3 weeks lol, I'm about to block him fr

[mimi @mimi0nline]

omg pls nooo, like I knew instantly crimes of the future is prophetic af but I'm really not ready for this shit yet

[Wall Street Apes @WallStreetApes]

This is one of the most dystopian things I’ve seen

CNN “This is a microbite, a 3D-printed cookie made from upcycled plastic. This experimental snack — is actually real food designed for a world where resources are limited”

“The team worked out a process to break down PET plastic, the kind you find in bottles or food packaging, and turn it into simple molecules”

What’s happening here is there’s a company that found a way to extract material from real plastic, introduce yeast and then you can make that into a protein. You can add a little flavoring and then they’re saying this is food…..

“Within another 2, 3 decades, we need to really think about how we feed our society. We have to use all the resources we have. Waste is not waste anymore. There are something that we can extract even from the plastic”

Let me get this straight instead of teaching generations how to raise and grow food, and expanding agricultural infrastructure…. We’re spending millions of dollars on turning plastic into 3D printed engineered fake food

I added research in the video that shows their finding, spoiler we’re paying for it

This is ridiculous

[mimi @mimi0nline]

never bookmarked a thread so fast

[Lion @LionInCrisis]

animals staring at the trail cam

a thread:

[mimi @mimi0nline]

lmao bro

[Kingston @Kxngstn_]

Hot take: Being 5’7” is actually a bigger advantage than being 6’2” in the gym. Better leverage, fuller-looking muscles, and easier aesthetics. Change my mind.

[mimi @mimi0nline]

it is kinda fun and flirty tho

[Rob Henderson @robkhenderson]

"studies show a fundamental disconnect...Men—regardless of orientation— tend to think sending a photo of their genitals is, if not exactly wholesome, at least fun and flirty, whereas heterosexual women, on the whole, find it gross." https://t.co/J03vrEQ2fb

[mimi @mimi0nline]

yes I have received your subliminal messages

[mimi @mimi0nline]

best horror movie 2026

[Dr. Clown, PhD @DrClownPhD]

2007 Megan Fox meeting 2026 Megan Fox. 😭

[mimi @mimi0nline]

yes I got bitches on my dick yes I fuck bitches

[mimi @mimi0nline]

ofc no realese dates for shithole berlin yet I hate it here

[edgarwright @edgarwright]

I’m utterly knocked out by one of the boldest studio releases you’ll see this year. And guess what? It’s from 1971.

I’d seen Ken Russell’s THE DEVILS on a late-’90s UK VHS release, cut by the censors. Even in that muted form, it was still powerful.

Cut to 2026, and thanks to Mark Kermode (@KermodeMovie), the restoration wizards at Warners and the brand new team at @clockwork_wb, Russell’s uncut, formerly unreleased version finally comes to big screens on October 16. I urge any self-respecting film fan, save the faint-hearted, to see this wild piece of cinema while you can.

I was lucky enough to see the West Coast premiere as Beyond Fest’s closing film. The restoration is fantastic, and the film remains shocking. It’s a reminder of how daring Warner Bros could be: between 1970 and 1973, the studio released PERFORMANCE, A CLOCKWORK ORANGE, DIRTY HARRY, DELIVERANCE, THE EXORCIST and THE DEVILS. To call the latter the most audacious of them all is no exaggeration.

To have THE DEVILS back in major distribution, after 55 years of being difficult to see in its intended form, feels like a miracle. Not only is it great to celebrate Ken Russell at his finest, but the film will no longer be a missing link in ’70s cinema: the outrageous imagery and astonishing design that anticipate so much of what followed. And if you love the cinema of Terry Gilliam or Alejandro Jodorowsky, you will be in heaven.

It’s extraordinary to see so many great British actors, not least Vanessa Redgrave and Oliver Reed, in their absolute prime. Derek Jarman’s production design is utterly stunning, making every frame feel monumental. David Watkin’s photography is equally astonishing.

I feel like I saw something illicit tonight. That we can finally see Russell’s intended version in cinemas feels almost unreal. It’s a bold, auspicious start for the movie maniacs at @clockwork_wb.

Who knows when we’ll next get a theatrical release of a Ken Russell film, let alone this incredible piece of work, so do yourself a favour and buy a ticket. Apologies in advance if you have any fits of religious fervour.

[mimi @mimi0nline]

@IterIntellectus not a real problem because we will terraform

[mimi @mimi0nline]

how can I mute fashion twitter forever like go to insta you faggots if you wanna keep gagging over the most basic shit we've all seen a million times