mirella carrozzieri 🎗

All our dreams can come true, if we have the courage to pursue them. Film Editor

[mirella carrozzieri 🎗 @mirmilla]

“X is a toxic media platform.
The Guardian is no longer posting on X given the often disturbing content promoted or found on the platform, including far-right conspiracy theories and racism”

[The Guardian @guardian]

Why the Guardian is no longer posting on X https://t.co/j4fRgzSYde

[mirella carrozzieri 🎗 @mirmilla]

Music Video Space by Mathias Bonde Korsgaard #videoessay
https://t.co/oVMsUTk5rH

[mirella carrozzieri 🎗 @mirmilla]

FREE Storyboarding Course! Learn the foundations of storyboarding to boost your stories, pitches, & illustrations. Storyboard artist Sergio Paez guides you through unique storytelling lessons. Available FREE for a limited time. https://t.co/K8RlpplY7a

[Steve Hullfish, ACE @SteveHullfish]

Thelma at her Avid! :-). (Kidding!!!)

[The Cutting Room 🎬✂️ @cuttingroominfo]

Looking for some tips and advice on editing? Here’s London-based Irish Film and TV Editor @nigeljaybee with his #topeditingtips 🧵

[mirella carrozzieri 🎗 @mirmilla]

@cuttingroominfo Your words are my manifesto… definitely.

[Karpi @karpi]

I've asked an AI to generate a trailer for a HEIDI movie and now I can never sleep again

[The Public Domain Review @PublicDomainRev]

Happy #PublicDomainDay! See our highlights for this year's new public domain entrants, including Fritz Lang's *Metropolis*, Virginia Woolf’s *To the Lighthouse*, and the works of M. C. Escher and Edward S. Curtis — https://t.co/z3ljbiDGtq

[Sleep Deprived Jerry Chen @jerryasleep.bsky.social @jerryasleep]

Martin Scorsese’s tribute to Paul Schrader about what an inspiration he is to young first time filmmakers,for how adaptable to industry and persistent he is in his personal expression despite all the hardship under all kinds of budget,so tender it moved Schrader almost to tears❤️

[mirella carrozzieri 🎗 @mirmilla]

Thanks! I’m looking forward to reading it!

[Rob Eagle @Rob_Eagle_]

Finally, I can share my PhD thesis – all about the potential of using headset AR for interactive documentary storytelling 🕶️ Documentary studies, gender studies and immersive media studies brought together through practice-based research:
https://t.co/07opmFZ83q

[NECSUS_Journal @NECSUS_ejms]

All articles published in our Spring 2022_#Rumors issue are now also available as PDF via Media/rep ✨

https://t.co/khhoANUlyv

[mirella carrozzieri 🎗 @mirmilla]

So interesting 🙏

[ISEA2022 Barcelona @ISEA2022Bcn]

If you couldn't attend the Keynotes, Institutional Presentations or the Summit on New Media Art Archiving, we have good news...

You can now watch all the contents on @HacTeBCN's Youtube Channel!🤩

🔗https://t.co/WWm13gA4V5
🙏With the support of @IRLlull

[mirella carrozzieri 🎗 @mirmilla]

Raramente si accendono i fari su chi lavora chiuso in uno studio ad intimo contatto con le immagini ed i suoni. ancor più raro se si tratta di donne montatrici. /
Film editors are seldom seen with their lights on. This is even more true for female editors. https://t.co/xUubzX4vcY

[mirella carrozzieri 🎗 @mirmilla]

Interessante e strano

[Matteo Banzola @matteo_banzola]

Se cercate un giornale, un periodico di qualunque genere pubblicato tra i secc. XVII-XX probabilmente qui c'è ⬇️
https://t.co/Yis7ay5mVE
(altrimenti cercate tra i molti articoli sul blog 🙂)
@BersaniLeda @GioB1974 @MariuzzoAndrea @marans77 @simonett_a @levissullam @phdmatteo

[Francesca Milana @FrancescaMilana]

Il mio unico commento sul processo Heard/Depp è che è iniziato l’11 aprile ed è finito l’1 giugno. Dello stesso anno.

[mirella carrozzieri 🎗 @mirmilla]

What a masterpiece! 👏

[[email protected] @CageyRant]

Video essay “Filling (Feeling) the Archival Void: the case of Helena Cortesina's Flor de España” created for the 2022 @SCMStudies conference panel "Digital Digging: Videographic Approaches to Archival Footage" by Barbara Zecchi/ @gynocine https://t.co/WHmqARmpQW

[The Video Essay Podcast @thevideoessay]

EXCITING OPPORTUNITY!!

Apply to "The Videography Mentorship Program," part of the “Videography: Art and Academia. Epistemological, Political and Pedagogical Potentials of Audiovisual Practices” symposium in Hannover, Germany. Travel costs covered. June 30 deadline.
More 👇👇

[mirella carrozzieri 🎗 @mirmilla]

Another point of view: VR counterculture from Molleindustria my last site discovery https://t.co/aBSfMD29a6

[mirella carrozzieri 🎗 @mirmilla]

@matteo_banzola Mi prenoto per il secondo volume, stavolta con autografo però ;)