This week: BEING JOHN SMITH a film by JOHN SMITH. 2024. 27 min.
We present the online premiere of the celebrated British filmmaker’s newest short, which sees him reflect on what it’s like to have a generic name.
For one week on https://t.co/ze1aiGlY0x. Part 1 of SELF-PORTRAITS
Rolling Stone (Taylor's Version) 🧡
To celebrate #TSTheLifeofaShowgirl, we launched our first-ever homepage takeover. For 24 hours, Rolling Stone transforms its digital presence into an immersive experience complete with reviews, lists, takes, and more.
https://t.co/TaxO73ksla
Riot… and Pet Sounds have been anchors to me and we spent many hours in the van absorbing every molecule of sound and vibe.
Thank you Sly and thank you Brian. The light still cuts through.
RIP P. Adams Sitney, a brilliant writer and one of the principal architects of experimental film discourse, whose efforts have inspired and shaped my experience of this cinema. Here he is as a young man in Storm De Hirsch’s The Tattooed Man.
From the day it opened, in 1988, I was certain that King Lear was one of the greatest of all films—as exhilarating moment to moment as it is profound—and that neither the empty seats nor the oblivious reviews mattered, they'd be forgotten and the film would endure and prevail.
en este humilde rewatch de The Wire que estoy haciendo, por ahora, nada aceleró tanto mi corazón como el cap 11 de la segunda temporada. frank sobotka for life!