Nirvesh Verma🇮🇳

AI Career + Stock Market Insights | Marketing Psychology | Daily Threads for Young Investors & Professionals

[Nirvesh Verma🇮🇳 @nirveshverma]

Every market cycle has uncertainty. If someone claims to know the exact timing to make a fortune, be sceptical.
Wealth is never permanently fixed. If you're studying a sacred science like Jyotish, let it guide your discipline -not your greed. #nifty #astrology

[Nirvesh Verma🇮🇳 @nirveshverma]

22968 #nf
That's the tweet

[Nirvesh Verma🇮🇳 @nirveshverma]

@JKhurkhuriya @BaapofOption Beyobd a point, nobody knows anything

[Nirvesh Verma🇮🇳 @nirveshverma]

@Imdead108_ybc ऐसा तो कुछ नहीं लिखा जिस पर इतन9 हंसी आये???

[Hindu Legal Fund @HinduLegalFund]

𝐘𝐨𝐮 𝐂𝐚𝐧𝐧𝐨𝐭 𝐈𝐧𝐬𝐮𝐥𝐭 𝐒𝐚𝐜𝐫𝐢𝐟𝐢𝐜𝐞 𝐚𝐧𝐝 𝐂𝐚𝐥𝐥 𝐈𝐭 𝐅𝐫𝐞𝐞 𝐬𝐩𝐞𝐞𝐜𝐡 -𝐇𝐍𝐅 𝐬𝐞𝐫𝐯𝐞𝐬 𝐋𝐞𝐠𝐚𝐥 𝐍𝐨𝐭𝐢𝐜𝐞 𝐭𝐨 𝐒𝐰𝐚𝐫𝐚 𝐁𝐡𝐚𝐬𝐤𝐚𝐫.

To call them "cowards" is not criticism. It is an insult to a memory millions of Hindus and Rajputs hold sacred.

@hindufund_ has served a Legal Notice on Swara Bhaskar demanding she withdraw her remarks and issue an unconditional public apology within 15 days, or face criminal proceedings under Section 299, BNS 2023.

Some things cannot be said and walked away from.

@ReallySwara

#Jauhar #SwaraBhaskar #HinduNetworkFoundation #IslamicInvasion

[Ajeet Bharti @ajeetbharti]

मुल्ले शवों के साथ भी रेप करते थे। पाकिस्तान में आज भी वही हो रहा है। इसलिए हिन्दू स्त्रियाँ जौहर करती थीं। किसी दो कौड़ी की मुल्ला प्रेमी, करियर में फुँक चुकी लौंडी के लिए यह समझना कठिन हो सकता है क्योंकि उसके लिए उसकी ‘पुसी फॉर अ रेंट’ ही जीवन का सत्य है।

ऐसी लौंडियाँ सेक्स को स्वतंत्रता मानती हैं, जितनों के साथ सेक्स, उतनी अधिक स्वतंत्र। हर स्त्री ऐसा नहीं मानती। उनके लिए अरब के बाजारों में सेक्स स्लेव बनना उतना अडवेंचरस और फुलफुलिंग नहीं दिखा होगा, जितना आइडेंटिटी क्राइसिस से जूझती, भैया कह कर सैंया बनाने वाली के लिए दिखता हो।

तुम नंगी हो कर एम्सटर्डम के बाजारों के शीशे में नाचों, तुम्हारी मुटल्ली देह भी किसी को पसंद आ जाएगी। हाँ, किसी योनि-केन्द्रित लौंडिया का नारीवाद यह तय नहीं करेगा कि दूसरी स्त्रियाँ रंडी बन कर ही घूमें क्योंकि तुम्हें रंडीपना बहुत पसंद है।

यह पोस्ट मैंने बहुत माइल्ड लिखा है। हिन्दू नारियों पर ऐसे आक्षेप का उत्तर मैं और भी अच्छी शब्दावली के साथ दे सकता हूँ।

[Kureeel@मनोज @kureel_]

#SwaraBhaskar

[Baba Banaras™ @RealBababanaras]

Muhammad tightly squeezed the private parts of a 7-year-old girl on a train, causing the child to scream & weep. When her mother asked what was wrong, the girl revealed that the man sitting on the seat had molested her.

People taught him lessons

Do you support people's action ?

[Sagar STORM🔳 @AlexAllone1]

Chamchon, aise kya dekh rhe ho .. airport nhi hai... Bas railway station hai.

Chamchon ko vikaas dikhaai nhi deta.

🇮🇳

[Nirvesh Verma🇮🇳 @nirveshverma]

@bhatia_niraj23 Good, proud citizen 👍,
Praising foreign entity, just because satta mein Paisa nahin ban raha

[Nirvesh Verma🇮🇳 @nirveshverma]

@ManjunathKampa2 wow, what a pride Indian?, mocking our country's economy, praising foreign entity

[Ram Gopal Varma @RGVzoomin]

What every film maker should understand from #dhurandhar is that it is full of living, breathing characters who seem as real as you and me sitting and watching in the theatre, hence making it highly relatable. Satya is about gangsters, but be it Bhiku Matre, Kallu Mama or Vakil Mule, they all look as real as anyone real. Dhurandhar took this to another level.
That is the only lesson worth stealing for all film makers which the one most expensive films refuse to learn. Back in the day even in a mega budget film like Titanic , James Cameron spent the money to make it look as real as possible whereas we do the exact opposite here
Dhurandhar does not treat its hero as a walking poster who must be worshipped at all costs. He can be non existent in the room. He can wait tables, listen instead of speaking , miscalculate, get dirty, get smaller in front of more smaller characters . The camera does not constantly elevate . It watches. Rehman Dakait does not exist to look iconic in a still.. he exists as a man with a specific laugh, a specific fear, a specific way of holding a gun or a stare . The politician, the cop, the cousin, the juice shop friend none of them feel hired to decorate the star. They feel like people who would still be there whether the hero was there or not . You are not waiting for the next elevation shot. You are staying because the people on screen make you stay by becoming immersive
The other films swagger. Have fog and slow motion that lasts longer than the characters inner lives. The women are not people.. they are functions arranged around the same gravitational centre so that the centre never has to become a living real person. You cannot tell what any of them are when he is not in the shot.
Violence in Dhurandhar has a before and an after. Somebody pays. Somebody changes. Somebody is left standing feeling smaller.
In the other films, violence is just a spectacle minus context . Attitude is the plot. Style arrives first and th n searches for a reason.
The camera does not observe, it advertises. Editing does not cut time, it manufactures fake intensity that was never in the writing . Characters do not act because they must. They act because the poster needed a dynamic still.
Satya’s gangsters could have existed on a real Mumbai street. Dhurandhar’s Lyari men feel like they have already lived for many years before the hero came there. The other films heroes feel assembled in a look test. You leave knowing the hero’s hair, the hero’s walk, the hero’s catchphrase. You do not leave knowing a single thing about him as a human being.
That is the difference every filmmaker should be forced to acknowledge and learn .. Dhurandhars director trusts the audience enough to put living people on screen and let them feel as much as the protagonist . The hero feels as much pain as the villain . One is cinema that cuts into flesh.
The others are cinema that pose for the camera

[Nirvesh Verma🇮🇳 @nirveshverma]

@justnottamomma Watching Indian news channels like these is a crime,

[Nirvesh Verma🇮🇳 @nirveshverma]

@CaVivekkhatri Jo long hai unke liye, bottom done,
jo short hai unke liye, support break,
Jo bahar baithe hai,
Unko abhi kuch nahin karna hai

[Nirvesh Verma🇮🇳 @nirveshverma]

@RaviSYadab ऐसे नहीं होता , this shows you are totally unaware about how things works? Even though it is gut feeling but thats not how things works

[Nirvesh Verma🇮🇳 @nirveshverma]

@vizhpuneet @ANI So your assumption is, Amit Shah will personally patrol across delhi or every police personnel will keep watch on every person reside in new delhi???? Like some mystical power ,

[Nirvesh Verma🇮🇳 @nirveshverma]

@AdityaDharFilms if possible please re-release #dhurandhar both parts for those who left out in cinema,or let build a new history

[Nirvesh Verma🇮🇳 @nirveshverma]

@JuniorSahney But, ab range thodi expand ho kaise bhi kuch bhi ho jaaye ye range। Bound bahut gadbad kar raha hai

[Nirvesh Verma🇮🇳 @nirveshverma]

@ananyapandayy @AhaanPanday Kudos to both, long live gen z

[Nirvesh Verma🇮🇳 @nirveshverma]

@hershsayta Whatever happened, but now hope for the best,

[Nirvesh Verma🇮🇳 @nirveshverma]

@JuniorSahney Post Monday, hopefully, there would be good amount of range expansion, finger crossed 🤞