Marc Peidró Ordaz

[Patricia Marins @pati_marins64]

The world needs to pay attention to this

Over the last few weeks, a major ethical debate has been unfolding in the U.S, and it concerns the very future of warfare.

The conflict involves an unprecedented standoff between the Pentagon and the AI company Anthropic (creators of Claude).

Anthropic held a contract with the Pentagon that included strict "red lines": their AI could not be used for mass surveillance of citizens nor for the development of fully autonomous weapons.

However, with the contract already in effect, the Pentagon demanded the removal of these ethical safeguards. When Anthropic refused, Sec. Pete Hegseth designated the company a "national security supply chain risk," and President Trump ordered all federal agencies to stop using Claude.

The government quickly moved to replace Anthropic's role with OpenAI and xAI.

While these are new contracts, they fulfill the same strategic functions but with a crucial difference: they have reportedly agreed to operate under the Pentagon’s existing policies, specifically Directive 3000.09.

Why is this a turning point? Because Directive 3000.09 does not prohibit fully autonomous lethal weapons.

It allows for "appropriate levels of human judgment," a vague term that the military interprets as allowing AI to trigger force independently once a mission is programmed. If a human programmed the AI to kill, it’s fine.

By accepting these terms, OpenAI and xAI are effectively removing the private ethical barriers that Anthropic fought to maintain.

Anthropic has now sued the U.S. government, alleging illegal retaliation for its ethical stance, a move backed by Microsoft, which warns of a dangerous precedent.

This is about more than just software; it means AI could soon make life-or-death decisions on its own.

We see the errors AI makes every day; these systems are nowhere near ready to decide the fate of a human life.

Global society must keep a close eye on this issue.

[Julen Bollain @JulenBollain]

Lo que estamos viendo no es una cadena de hechos sueltos, sino un guion clásico de poder. Estados Unidos primero ha asegurado suministro y reservas de petróleo en Venezuela, luego ha atacado a Irán y, cuando el estrecho de Ormuz se cierra, el mercado hace el resto. Pánico, rutas alteradas, barcos esperando y el precio del barril por las nubes.

Por Ormuz pasa una quinta parte del petróleo mundial. Si se cierra, la crisis se traslada a todo: gasolina, electricidad, transporte, fertilizantes, alimentos, producción industrial... y se viene una inflación que golpea a casi todos mientras unos pocos recogen beneficios.

En esa foto grande, la crisis no es un accidente. Es un mecanismo. Y quien llega con reservas, control logístico y capacidad de fijar condiciones, convierte el caos en beneficio. Geopolítica pura. Socializar el coste, privatizar el beneficio. Estados Unidos en estado puro.

[Marc Peidró Ordaz @nosilverbird]

@VilaNuria @VilaNuria escriume un DM i t'explico, però està bé

[Pasion Basket @PasionBasketNBA]

En la semana del All Star, Jordan Brand ha utilizado 1.200 drones para recrear la silueta de las Air Jordan 1 en el puente de San Francisco, coincidiendo con el 40º aniversario del lanzamiento de la icónica zapatilla

Qué pasada

[Marc Peidró Ordaz @nosilverbird]

@__Valeria__05__ Si quieres ir a porto entonces no digo nada, esas entradas de la foto adjunta son de primavera porto

[Fonsi Loaiza @FonsiLoaiza]

Se llama Óscar Sánchez Gil y era el Jefe Antiblanqueo de la Policía Nacional en Madrid. Ha sido detenido por narcotráfico con 20 millones de euros en su casa. Frecuentaba habitualmente y usaba el Palco VIP del Bernabéu para sus negocios del crimen organizado.

[Marc Peidró Ordaz @nosilverbird]

#BallonDor Natalie portman més culé que gamper no l'esperava...

[Primavera Sound @Primavera_Sound]

🫂 All my friends: this is Primavera Sound 2025 🫂

Register now in our website to access the full festival ticket Fan Sale, available from 28/10 at 11:00H (CET). General sale will start on 29/10 at 11:00H (CET).
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Regístrate ya en nuestra web para acceder a la Fan Sale de abonos, disponible a partir del 28/10 a las 11:00H (CET). La venta general empezará el 29/10 a las 11:00H (CET).
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Registra't ja a la nostra web per accedir a la Fan Sale d’abonaments, disponible a partir del 28/10 a les 11:00 (CET). La venda general començarà el 29/10 a les 11:00H (CET).

👉 Fan Sale registration: https://t.co/WkJLydv3d7
ℹ️ Info: https://t.co/ReKiaJS1iY
🎤 Bon Bon by @fcukers__
📹 VETA House

[Marc Peidró Ordaz @nosilverbird]

@XWorldCuisines Someone reserves to die... This is NOT a carbonara AT ALL... for godsake...

[Primavera Sound @Primavera_Sound]

¡Hoy es el último día para conseguir tu abono al precio actual! Recuerda que tienes hasta esta noche a las 23:59h (CEST) antes del cambio de precio 👀
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Today is the last day to get your full festival ticket at the current price! Remember that you have until tonight at 23:59h (CEST) before the change in price 👀
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Avui és l’últim dia per aconseguir el teu abonament al preu actual! Recorda que tens fins aquesta nit a les 23:59h (CEST) abans del canvi de preu 👀

🎟️ https://t.co/U1WZJP8cfH
#primaverasound #primaverasoundbcn

[Marc Peidró Ordaz @nosilverbird]

@clarablanchar @el_pais @claranarvion

[Marc Peidró Ordaz @nosilverbird]

@claranarvion Es del 2018 aquest article

[Pablo @pablomurrrr]

He documentado la desfachatez del streamer TheGrefg. En amarillo, los días que ha pasado en España; en blanco, los que ha pasado en Andorra.

Completamente al margen de la moralidad. (abro hilo)

[Alvin Foo @alvinfoo]

“ In Washington DC, at a Metro Station, on a cold January morning in 2007, a man with a violin played six Bach pieces for about 45 minutes. During that time, approximately 2000 people went through the station, most of them on their way to work.

After about four minutes, a middle-aged man noticed that there was a musician playing. He slowed his pace and stopped for a few seconds, and then he hurried on to meet his schedule.

About four minutes later, the violinist received his first dollar. A woman threw money in the hat and, without stopping, continued to walk.

At six minutes, a young man leaned against the wall to listen to him, then looked at his watch and started to walk again.

At ten minutes, a three-year old boy stopped, but his mother tugged him along hurriedly. The kid stopped to look at the violinist again, but the mother pushed hard and the child continued to walk, turning his head the whole time. This action was repeated by several other children, but every parent - without exception - forced their children to move on quickly.

At forty-five minutes: The musician played continuously. Only six people stopped and listened for a short while. About twenty gave money but continued to walk at their normal pace. The man collected a total of $32.

After one hour:
He finished playing and silence took over. No one noticed and no one applauded. There was no recognition at all.

No one knew this, but the violinist was Joshua Bell, one of the greatest musicians in the world. He played one of the most intricate pieces ever written, with a violin worth $3.5 million dollars. Two days before, Joshua Bell sold-out a theater in Boston where the seats averaged $100 each to sit and listen to him play the same music.

This is a true story. Joshua Bell, playing incognito in the D.C. Metro Station, was organized by the Washington Post as part of a social experiment about perception, taste and people’s priorities.

This experiment raised several questions:
In a common-place environment, at an inappropriate hour, do we perceive beauty?

If so, do we stop to appreciate it?
Do we recognize talent in an unexpected context?

One possible conclusion reached from this experiment could be this:
If we do not have a moment to stop and listen to one of the best musicians in the world, playing some of the finest music ever written, with one of the most beautiful instruments ever made…
How many other things are we missing as we rush through life?”

[Primavera Sound @Primavera_Sound]

It’s Beginning to Look a Lot Like C̶h̶r̶i̶s̶t̶m̶a̶s̶ Primavera… 🌟🥂

🎄 ¡Felices fiestas! / Happy holidays! / Bones festes! 🎄

🎟️ Get your festival ticket: https://t.co/Zhcb8iWHzk

[Primavera Sound @Primavera_Sound]

🚨 ¡Atención! El 8 de enero es el último día para adquirir el abono al precio actual.

🎟️ Aprovecha y consigue el tuyo: https://t.co/3glHOtMMt6
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🚨 Attention! January 8th is the last day to buy full festival tickets at the current price.

🎟️ Don’t miss out and get yours now: https://t.co/3glHOtMMt6
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🚨 Atenci��! El 8 de gener és l’últim dia per adquirir abonaments al preu actual.

🎟️ Aprofita i aconsegueix el teu: https://t.co/3glHOtMMt6

[Primavera Sound @Primavera_Sound]

🗣️ Os recordamos que quedan muy pocas entradas de día del viernes disponibles. ¡Hazte ya con la tuya!
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🗣️ We remind you that there are only a few Friday Day Tickets left. Get yours now!
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🗣️ Us recordem que queden molt poques entrades de dia del divendres disponibles. Fes-te ja amb la teva!

🎟️ https://t.co/U1WZJP8cfH

[Primavera Sound Porto @primavera_porto]

Day tickets will go on sale next Monday, December 4, at 10:00 am (GMT)!
🎟️ Full festival tickets and VIP full festival tickets are now available.

[Primavera Sound @Primavera_Sound]

Ey 👋 las entradas de día saldrán a la venta mañana martes a las 11:00H (CET)

Recuerda que los abonos dan acceso a las tres jornadas principales del festival (30 de mayo - 1 de junio en Parc del Fòrum). Con tu abono podrás acceder a la jornada inaugural (29 de mayo) y Brunch Electronik (2 de junio) mediante reserva previa, ya que ambos eventos están sujetos a aforo.
Informaremos sobre el sistema de reservas más adelante.
Mañana también estarán a la venta las entradas del Brunch Electronik del domingo para todas aquellas personas que no tengan abono.
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Hey 👋 Day tickets will go on sale tomorrow Tuesday at 11:00 am (CET).

Remember that full festival tickets give access to the three main days of the festival (May 30 - June 1 at Parc del Fòrum). With your full pass you will be able to access Opening Day (May 29th) and Brunch Electronik (June 2nd) by booking in advance, as both events are subject to capacity.
We will inform you about the reservation system at a later date.
Day tickets for Sunday's Brunch Electronik will also be on sale tomorrow for those who do not have a full festival ticket.
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Ei 👋 Les entrades de dia sortiran a la venda demà dimarts a les 11:00 (CET)

Recorda que els abonaments donen accés a les tres jornades principals del festival (30 de maig – 1 de juny a Parc del Fòrum). Amb el teu abonament podràs accedir a la jornada inaugural (29 de maig) i Brunch Electronik (2 de juny) mitjançant reserva prèvia, ja que tots dos esdeveniments estan subjectes a aforament.
Informarem sobre el sistema de reserves més endavant.
Demà també estaran a la venda les entrades del Brunch Electronik de diumenge per a totes aquelles persones que no tinguin abonament.

🎟️ Info & tickets: https://t.co/U1WZJP8cfH