Núria Castells

[Silvina @Silnari]

La ricotta aporta una textura húmeda, ligera y una acidez muy sutil que equilibra la dulzura en masas y rellenos, convirtiéndola en un ingrediente versátil para pastelería fina y rústica.

La ricotta suele tener exceso de suero. Es fundamental escurrila en un colador de tela o malla fina durante al menos 2 a 3 horas (o toda la noche en heladera) antes de usarla en masas o rellenos donde el exceso de líquido arruine la estructura. Si usas @TregarOk te evitas todos estos pasos.

Para preparaciones finas (como cheesecakes o mousses), procesa o pasa la ricotta por un tamiz para eliminar los gránulos y lograr una textura completamente sedosa.

Combina excepcionalmente bien con ralladura de limón o naranja, extracto de vainilla puro, frutos rojos, pasas maceradas en ron, almendras y especias como la canela o el cardamomo.

Te dejo hilo de recetas con Ricotta @TregarOk

[diariARA @diariARA]

L'anàlisi d'Antoni Bassas: 'Recuperar la millor escola a Catalunya és possible' 👇 https://t.co/pYUP8TvDQa

[Jaume Clotet @jaumeclotet]

Avui és el dia de les Mares de Déu trobades. Per molts anys a totes les Núries, Queralts, Meritxells, Urgells, Tures, Ares, Farners, Eroles, Bruguers, Gleves, Bellmunts, Coaners, Valldeflors, Foix, i moltes més.

[diariARA @diariARA]

Les glaceres de l’Himàlaia, que abans eren d’un blanc resplendent, estan cada cop més cobertes de contaminació procedent dels tubs d’escapament dels vehicles, les centrals de carbó i les fàbriques. En concret, els científics estan especialment preocupats pel sutge que es diposita sobre les glaceres, ja que això podria provocar que la seva superfície absorbeixi més calor en lloc de retornar-la a l'espai. 

https://t.co/EoG7ajhbGx

[3CatInfo @3CatInfo]

“És com tenir una presó dins i no poder-ne sortir.” Després de patir diverses adversitats, l’Elliot va tenir una depressió severa i pensaments suïcides. La teràpia de grup és el que el va ajudar més: “Et veus reflectit en els altres i trobes les paraules” https://t.co/uQB9vaOvqL

[Daisy Christodoulou @daisychristo]

In 2013 I wrote a book called Seven Myths about Education.

What is the most persistent myth, the one that is hardest to kill, and the one that has biggest implications outside education?

Transferable skills.

People think that you can teach things like critical thinking, creativity, problem-solving, etc. But you can't.

But the idea is so persistent not just in schools but in universities, the corporate world and the British civil service.

Over the next few weeks, I will have a series of articles about it on my Substack. You can read the intro here and listen to me talking about it tomorrow on the @EconTalker podcast.

https://t.co/OrIApxsZ3A

[Météo Pyrénées @Meteo_Pyrenees]

Pas de surprise après un été tropical les glaciers pyrénéens sont au stade terminal

[Lugar Cinema🎬 @LugarCinema]

Necesito que se manifiesten todos los fans de La Historia Interminable (1984)

[Marçal Font Espí @MarcalFont]

Què se sent quan t'infecten amb Pegasus? En Ganyet ens ho va explicar i us sorprendrà.

[Ismael Sanz @sanz_ismael]

Mi seminario hoy de política educativa en Harvard Graduate School of Education. Charla sobre cómo se forman las brechas de género en matemáticas. Chicas con los mismos resultados que chicos en matemáticas tienen menos confianza en sí mismas. Como evitar esa falta de confianza? La presentación de nuestro paper con @ilde76 @jsainzg y @parayacortes https://t.co/YsDfNseyxH

[Pilar Gargallo @PiGaOt]

He creat una web/app amb IA guiada, que ens ajudarà en la programació i avaluació. Tot alineat amb la Lomloe i normativa catalana, amb mirada inclusiva i transformadora.
Proveu-la, està en mode beta, també podeu compartir, sense problema. Bon inici!!! 😘

https://t.co/LVnvBSouZc

[Malamente® @MalaMalamente]

Épico 🙌🏻

[Özhan Öztürk @0zhan0zturk]

Madagaskar 88 milyon yıldır yalnız.
Afrika’dan koptu, Hindistan’dan ayrıldı, o günden beri kendi evrimini yaşadı.
Sonuç olarak adadaki bitki ve hayvanların yaklaşık %90’ı dünyanın başka hiçbir yerinde yok.
Lemurlar, fossa, 6 farklı baobab türü, kameleonler, orkide ormanları…
Hepsi bu adada, başka yerde değil.
Videodaki o “sanatçı doğa” manzarası da rastgele değil.
Batı Madagaskar’ın kurak ormanlarında, özellikle fony baobablarında kabuk desenleri bazen gerçekten tablo gibi duruyor.
Kısacası bu ada evrimin en uzun süreli laboratuvarlarından biri.
Ve hâlâ başka bir gezegene benziyor.
88 milyon yıllık izolasyonun sonucu bu.
#Madagaskar #Evrim #Doğa

[Ladytron Fan Account @Lady_FanAccount]

“Streets of Philadelphia” was written by Bruce Springsteen for Philadelphia (1993), after director Jonathan Demme asked for a song that would capture the loneliness, pain and quiet resilience of Tom Hanks’s character as he wanders through the city.

Released as a single in 1994, it became one of the biggest hits of Springsteen’s career, reaching #9 on the Billboard Hot 100, his 12th(!) and most recent U.S. Top 10 hit as well as #2 on the UK Singles Chart, his highest chart position there. It also topped the charts in countries including Germany, France, Austria, Ireland and Italy. The song went on to win the Academy Award for Best Original Song and four Grammy Awards, including Song of the Year.

[ElNacional.cat @elnacionalcat]

⬇️Recepta⬇️

🥧 Aprèn a fer aquest pa de pessic per a la tornada a l'escola amb la Iaia Atòmica

🔗 https://t.co/2ZN3gmvISn

[Soy Rafa en Mitos, Leyendas y algo Más @Rafa1169903]

Cyndi Lauper a sus 73 años

[Karlos Arguiñano @karguinano]

Hoy os traigo unas hamburguesas de merluza y gambas, una alternativa estupenda a las clásicas de carne.

Perfectas para una cena rápida, para el táper o incluso para meterlas en pan de hamburguesa y disfrutar como niños.👇
https://t.co/fd7mtpvCJl

[Rafa Jaime 🐐 @rafajaimemx]

“Everest a obscuras“ domingo 6 de septiembre a las nueve P.M. por National Geographic
- spoiler alert: no me muero, si sobrevivo.

[Maria Nicolau @MAlbercocs]

Sisplau, no deixem morir aquesta obra d'art.

[Emotion & Music @Emotion78687]

Chris Isaak Wrote “Wicked Game.” Lana Del Rey Made It Dangerous Again.

Chris Isaak wrote the wound. Lana Del Rey made it feel dangerous again.

The original “Wicked Game” is a strangely private song. Chris Isaak isn't singing to an audience so much as getting caught inside his own obsession. James Wilsey's guitar hangs in the background like heat over an empty road, while that steady beat keeps everything moving without ever really going anywhere.

Then Isaak's voice comes in — low, restrained, almost careful. When he reaches the chorus, that sudden falsetto makes the whole thing crack open.

There is no second person in the room.

That's what makes the Hollywood Bowl performance so interesting.

The studio version is surrounded by atmosphere. The live version takes most of that away. Chris is standing there with an acoustic guitar, and suddenly you can hear the bones of the song: the chords, the pauses, the voice, the words.

He doesn't try to recreate the record.

He doesn't need to.

He sounds like someone who has been singing this song for years and knows exactly where every bruise is.

Then Lana walks in.

And the song changes without her really changing anything.

She doesn't take over the melody. She doesn't turn the chorus into a vocal competition. She simply stands beside him, and that completely changes the meaning of the song.

Because the original “Wicked Game” feels like desire happening inside one person's head.

Now there is someone standing three feet away.

Chris sings it like a confession. Lana's voice makes it feel like an invitation.

That's where the danger comes back.

Watch them closely and there is almost nothing theatrical happening. Chris glances toward her. Lana gives a small smile. They leave each other plenty of space, and somehow that restraint makes the whole thing feel more intimate.

The original sounds like a man trying to understand why he wants someone he knows he shouldn't want.

The live version sounds like he already knows the answer.

And Lana knows it too.

That's the beautiful trick here. They don't update “Wicked Game.” They don't modernize it or make it bigger. They simply put another person inside a song that was originally built around solitude.

The words stay exactly where they were.

The feeling doesn't.

Chris Isaak gave “Wicked Game” its loneliness. Lana Del Rey gave that loneliness someone to look at.

And suddenly, a song we've heard a thousand times feels like something that could still go wrong.