Exactly one year ago, me and @yenargy registered @onChainCo and https://t.co/80KcLSu24c – and everything changed. It's been FAR from perfect, but man it has been FUN. Thank you for sticking around floweriños. Looking forward to another year of artin' it up!
Looks like @ChublinsNFT have a lil bit of @onChainCo flower power going on. This is what I love most about SVGs, they're so composable in a way most gen art *can't* be out of the box.
🌼👄🌼
Who's hiring? I'm a senior+ frontend/full stack developer transitioning back into full time, looking to join a small team that is building web3 native things.
It’s really fascinating to see how another artist approaches the structure and modeling of a work like this. I benefited massively from similar studies when I was younger. I highly encourage studies like this for any artists that are just getting started.
How much does the visual complexity (level of detail, however you interpret that statement) of a generative art collection or piece determine how you feel about it?
Way back in December '21, I began work on concepts for @onchainco's next project – but a lot of that work didn't end up getting discarded. Sharing some as-of-now-shelved semi generative SVGs from that phase because why not ¯\_(ツ)_/¯
PSA, I’m going to be available for work as of September.
I’m looking to work predominantly on solidity and front-end projects, but also available for product design.
DMs are open.
https://t.co/dechELHrTi
Taking this radii randomness out of the for loops, and instead using the for loops counter for predictable variability appears to fix this. Also, using a new palette (colors from @onChainCo flowers 💮👄💮)! With this, I have a sold foundation to work on.