NEW Talk: “I’m an artist with no shame. I go into any space and ask if I can work there – factories, railways and so on,” says renowned Ghanaian artist, Ibrahim Mahama aka @ibrahim_mahama
At the Design Indaba’s 25th anniversary, @ibrahim_mahama presented his powerful body of work that redefines monumentality. Known for his large-scale installations, Mahama transforms buildings and public spaces using reclaimed materials, most notably jute sacks once used in Ghana’s cocoa trade.
Jute sacks, while seemingly ordinary, carries complex histories. Having travelled across borders and passed through countless hands, the sacks embody global systems of trade, labour and exchange. By stitching them together and draping them over architectural structures, Mahama creates works that are both visually striking and deeply political confronting the legacies of colonialism and capitalism.
@ibrahim_mahama conveys the idea that materials hold memory, sharing with audiences how the wear, stains and markings on each sack become a living archive of human activity, reflecting both the promises and failures embedded in Ghana’s post-independence history. Mahama provides insight into his installations, sharing that beyond the scale and spectacle, his work reveals the invisible systems that shape everyday life.
Mahama also emphasised the role of community in his practice. His works are often produced through collective labour and installed in public or socially significant spaces, inviting dialogue and participation. For him, art extends beyond objects it becomes a platform for rethinking institutions, histories, and futures.
He says a lot of the projects he undertakes emerge from the spaces in which he finds himself, whether in Ghana or abroad. A particularly touching project is repurposing old aeroplanes to that they can be used as classrooms in Ghana. Children love these classrooms and some even make model aeroplanes as a result.
Visit the @designindaba YouTube channel to watch @ibrahim_mahama's full talk and many more
#IbrahimMahama #ContemporaryArt #ReclaimedMaterials #ArtInstallation #DesignIndaba #GhanaianArt #PostColonialArt #PublicArt
Frank Gehry (1929–2025)
Today, the architectural world loses one of its most fearless innovators. Frank Gehry’s work reshaped skylines and redefined how we think about form, movement, and material, long before digital experimentation became part of our daily practice.
His buildings weren’t just structures; they were acts of imagination that opened new territories for architects, designers, and artists everywhere. Few figures have shifted the discipline as profoundly or inspired as many to pursue bold, unconventional ideas.
Gehry’s legacy reminds us to stay curious, stay rebellious, and keep pushing the boundaries of what architecture can be.
Rest in peace to a true legend.
#FrankGehry #ArchitectureIcon #ParametricArchitecture
Today, as Ghana celebrates Founder’s Day, we honour the vision and legacy of Osagyefo Dr. Kwame Nkrumah, whose leadership laid the foundation for our nation’s progress.
At State Housing Company Limited, we remain committed to building on that vision by providing affordable and sustainable housing solutions that empower communities and drive national development.
Happy Founder’s Day, Ghana!
@Kenkafui20 As long as people refuse to do what is right for the general health of the urban environment we are all living in. We've to be a bit selfish with our approach to our personal health.
@Kenkafui20 Chale, this is not a joke oo, my thesis back in 2019 highlighted on this issue of the urban vegetable farmers and how the ecoli concentration of their produce were high over the WHO recommended value. This is one of the reasons. Edible landscaping is the way to go.
@Kenkafui20 I disagree with the archaic, it should rather be better innovated and modernised, to fit into the context of contemporary sustainability discussions.
I think we do more harm than good if we completely boycott the vast lessons we can glean from our indigenous architecture.