@tedkravitz can you take a close look at the Mercedes logo on the nose? It's wonky in the PR renders and sort of looks wonky in Testing too? Hard to say while they're driving. Can you confirm? PR images driving me mad!
The Effects award goes to @VineFX & @realsfx for the “consistently high quality” and “breadth and variety of VFX craftmanship” for @skytv’s The Lazarus Project – congratulations to the team! #RTSAwards
Cambridge-based facility Vine FX (@VineFX) delivered 500 shots for the Fox episodic drama War of the Worlds, with their established pipeline of in-house and remote artists 👽
Read more: https://t.co/uSduSvMj8S
#WaroftheWorlds#remoteworking#vfx
@VineFX is running 100% remotely.
It's going to be a tough few months but we are happy that our staff is well and that we can continue serving our clients throughout this difficult period.
Take care and look after yourselves!
#staysafe#remoteworking#vfx
@TaranVH ...much about understanding principles and knowing what you want to achieve, as it is about just learning software. If you can pm me a raw frame or three I'd be keen to fire up my totally legit copy of Premiere and try and work it out? :)
@TaranVH ...life if the background was that colour in the first place. So yeah...your aim is not to totally suppress the green. It is to remove it. Which is hard in motion blur. I can't think of a tutorial off the top of my head. It's just from experience. Trial and error. VFX is as...